Ruasagavulu

Out now – the new album

by Dave Black & Dr Emit Snake-Beings

Made in Fiji

“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse

Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.

Snake Beings & Dave Black in Fiji

This was one of the last in-person international collaborations from before the world ended… it’s got nothing to do with the pandemic.

It was recorded in Suva, Fiji, 2nd and 4th of November 2019.

The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade optimistically.

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Further listening

Our first duo recording was ‘Ngumbang‘ (2015) –

a fusion of several genres and a DIY manifesto – “Pick up the pieces and make them into something new, it’s what we do…”

Continue reading “Ruasagavulu” →

Gar mar par da nee sa

the opening track from Ruasagavulu

by Dave Black & Snake-Beings

recorded in Suva, Fiji, 2nd November 2019

This short warmup improv is based on an Indian scale, inspired by Dr Emit Snake-Beings‘ travels to Kerala in India, and harmonium lessons in Suva.

There’s an Indian influence throughout the album, as several sections are based on drones and modal improv (rather than the chord changes)… though this is not a traditional Indian album, we’ve borrowed ideas to inform our own experiments.

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The temple in the photo is Sri Siva Subramaniya in Nadi. It’s built in the Dravidian style from southern India, which is also found in Singapore and Malaysia.

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In contrast to other Pacific Island countries, Fiji has a large – almost half – population of Indian descent. Indians came to Fiji in the 19th century, as indentured labourers to work the sugar cane plantations.

The following videos are made in India, courtesy of www.snakebeings.co.nz

Continue reading “Gar mar par da nee sa” →

Fiji 1976, by Alastair Edwards

Film footage by my father, Alastair Edwards (1936-2010), in Nadi and around Viti Levu in 1976.

It’s from my parents’ honeymoon, a couple of years before I was born.

There was no sound, so I’ve added a soundtrack from Ruasagavulu, which Dr Emit Snake-Beings and I recorded in Suva decades later.

My Dad’s interest in film (then video) and photography was one of the key influences on my own travel and videomaking. He was doing this long before youtube or instagram!

I miss you Dad…

Ruasagavulu – with Snake Beings in Fiji

Made in Suva, Fiji – the new album by Dave Black & Dr Emit Snake-Beings

“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse

Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.

This was one of the last in-person international collaborations from before the world ended.

The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade.

recorded in Suva, Fiji, 2nd November 2019

Suva, Fiji

Further listening

Our first duo recording was ‘Ngumbang‘ (2015) –

Continue reading →

Huia Vortex

Animated visuals, with electric guitar loops, one-stringed bass, and drums – the opening track from the ‘Ngumbang‘ album (get the free download) – w/ Emit Snake-beings & Nat da Hatt

The title ‘Huia Vortex’ refers to the location where the track was recorded, in Huia, a small village on the outskirts of west Auckland.

It’s not necessarily related to ‘Swansong (for the Huia)‘ (2004), the second album by The Winter, an electro-acoustic trio improvisation in tribute to the extinct New Zealand bird the huia by Dave Edwards, Mike Kingston, and Simon Sweetman. Its 19-minute final track remains an underrated fiffdimension epic. [send us your review]

Ritual Remnants exhibition by snakebeings

Saturday 2 September in Port Chalmers

Ritual Remnants’ is an exhibition by snakebeings using leftover objects, failed electronic projects and discarded materials from the process of designing and making an electronic instruments which combines Gamelan musical structures with the rhythms of Morse code.

The objects were made during the art science residency in Port Chalmers between March and September 2018.

snakebeings and dave black also collaborated in 2018 on ‘sampak membengkak‘

and in 2015 on the Ngumbang album

Other Islands: 2012-2018

“The 20 song album covers traditional Javanese and Balinese gamelan, Asian folk music, to free jazz, and free noise. It’s not for anyone with narrow preconceived ideas about what music is, but it is for everyone else.

“If you have an open inquiring mind and love hearing a variety of sound, this is excellent.” – Darryl Baser, muzic.net.nz

fiffdimension compilation vol3 – (see also Gleefully Unknown: 1997-2005, Fame & Oblivion: 2005-2012, and águas Brilhantes: 2018-2022)
Made in New Zealand, Okinawa (Japan), Western Australia, Indonesia, and Fiji.

Includes tracks by The Winter, Dave Black & Nat da Hatt, Confluence Quintet, Gamelan Sekar Puri, Gamelan Padhang Moncar, Gamelan Taniwha Jaya, The Electricka Zoo, Dave Black & Snake Beings, Dave Black & Campbell Kneale.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song written by my great-great-grandfather John Collie (1856),

and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.

Featuring tracks from the albums

The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
ネオン列車の風景 Neon Train Landscapes (2010-15)
Ngumbang (2014-15)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.

If you enjoy this, try the previous compilations

Gleefully Unknown: 1997-2005

Snake Beings

Dr Emit Snake-Beings – founder of the Hamilton Underground Film Festival, composer, musician and electrical shrine maker – is a New Zealand / British experimental filmmaker and musician. He has produced over 40 independently released film soundtrack CDs, and made a number of short experimental and narrative films in Spain, U.K. and New Zealand.

His music includes two duo albums with fiffdimension:

Ngumbang (Huia, 2014/15)

and

Ruasagavulu (Fiji, 2019/20)

He also appears on

Gamelan Dimensi Kelima (Indonesia)

His other projects include:

www.snakebeings.co.nz

Ngumbang

The first collaboration with even more legendary & underground NZ artist Snake Beings.

Listen

About

Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists.

Performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.

The title ‘Ngumbang’ is an Indonesian word that refers to the slight difference in tuning between a pair of gamelan instruments, which gives gamelan music its shimmering quality.

The album name reflects a shared interest in ethnomusicology and experimentation, and the almost-but-not-quite-equivalent approaches of these two artists.

The album was recorded in and near Auckland, New Zealand in 2014–2015 and includes live performances at Vitamin S and the Audio Foundation.

Emit Snake-Beings,

who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz

Dave Black,

originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com

Tracklist

1.	Huia Vortex (feat. Nat da Hatt) 03:56
2.	The Feathered Serpent Sings Again 05:13
3.	Illbelly Gritts 03:57
4.	Watching a Painting Melt 01:47
5.	さくらさくら (Japanese folk song) – live at the Audio Foundation 04:52
6.	Pig in the Bamboo 01:47
7.	Live at Vitamin S (#1.5) 04:37
8.	Pick up the Pieces (after the gig) 04:48
9.	Pick up the Pieces (after the jam session) 04:45
10.	Ornery Return Cravings 02:40
11.	kuningan dan perunggu (Indonesian brass and bronze) 02:50
12.	So Long Notes 06:01