Taranaki

The Marion Flow, March 2019

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Since last year I’ve been getting back into playing solo acoustic. Here’s a 6 March 2019 version of ‘the Marion Flow‘:

Originally recorded in New Plymouth in 1999, it became the title track of my second album.

The 1999 recording had quite a different vibe – spoken word delivery, electric guitars panned left & right, and Paul Winstanley playing a cymbal through a pitch shifter, turning it into a deep sea gong sound.

On other occasions it became a rock riff, based around just an E note and its octave.

I was surrounded by wider & weirder music too. I moved to Wellington and found a  kiwi avant-garde scene with free jazz, noise, and theatre gallore. We eventually finished The Marion Flow album in 2001, after recording sessions at Thistle Hall.

The lyrics are some of my favourite. They were scribbled in a notebook sometime in the late 90s. I was digesting the influence of literary modernism (eg lines like ‘yea take in that wake’ a shout out to James Joyce, using nouns as verbs and vice versa, and other general flouting of grammatical rules).

Taranaki and its coastlines inspired much of the atmosphere.

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the Electricka Zoo album

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We’re happy to announce the release of the Electricka Zoo‘s first (self-titled) album.

The duo of Dave Black & the Digitator, The Electricka Zoo combine influences from EDM and post-punk avant-garde rock to jazz, reggae, Balkan and Portuguese music. Their self-titled debut album features 8 original tunes by the bass/guitar and electronica duo wrapped in colourful mandala artwork by Lucie Hannon.

Thanks everyone who came to the launch gig at the Pyramid Club !

 

The Digitator

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The Digitator: New Zealand Producer, Songwriter, Vocalist, Drummer, Synth Driver, Live Looping Musician.

A fellow traveller from Taranaki, New Zealand, who formed The Electricka Zoo in late 2015 with Dave Black.
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The Electricka Zoo

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http://www.fiffdimension.com/the-electricka-zoo

IMG_20160102_154834This duo from Taranaki formed in late 2015 following an extended 15 year incubatory period. Roots in rock and electronica, The Electricka Zoo will leave you wondering if you should dance along, close your eyes, or just scratch your head in wonder how two people can produce such a wall of sound.

Our first release is available now on vinyl!

http://heavyspacerecords.blogspot.co.nz/2016/03/23-electricka-zoombadger-sett-split-7.html?m=1

Scratched Surface

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“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

The debut album from fiffdimension – a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground, recorded on analogue reel-to-reel tape.

Online reissue includes download-only bonus tracks and previously unreleased material.

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From these folk/punk beginnings my style evolved into the more complex/impressionistic/visionary approach of The Marion Flow, Mantis Shaped and Worrying, and Loose Autumn MoansThese combined songwriting with an interest in free jazz and poetic modernism that sunk my commercial chances.  I stopped writing words entirely with The Winter and Ascension Band, and eventually lived abroad in Australia and Asia and reinvented myself again as Dave Black.

As of 2015 I’m back in NZ where my latest project is Ngumbang, which comes full circle – weaving together these various strands, in collaboration with Emit Snake-Beings who was one of my early influences!

dAdApApA: Waiting for the Drummer

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A companion to The Marion Flowrecorded in 1999 by the same lineup who provided that album’s longest (and least conventionally song-based track, pointing the way towards the increasingly radio-unfriendly Mantis Shaped and Worrying), “Lucifer Directing Traffic (at 3AM)”

Recording engineer Paul Winstanley, head of the excellent, now San Francisco-based avant-garde music label Eden Gully recalls it thus:

“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth an ad hoc group of associated locals assembled to record for several sessions of improvised rock/noise deconstruction. really, the only rock references here come from the guitars, with the sputtering synth, air-sucking turntables, didgeridoo and sundry toys providing layers of surreal abstraction. throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye.

“it wasn’t until several years later after the master mixes had been lost, partially recovered and then rediscovered intact again that “Waiting for the Drummer’ was given a final mastering and released as a CDR on EdenGully. it’s been a long strange journey…..”

credits

released 01 August 2006 on Eden Gully as EG15

Fiff Dimension Dave – guitars, spoken word and furbie / Speed Cook – turntables and recording / Pal Diddly – synth and pithy observations / The Digitator – guitar, didgeridoo / BWafer – vacuum cleaner and coffees

The Marion Flow

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It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002

Turn-of-the-milennium fusion of warm acoustic pop, spoken word and postpunk discord. An almost-acknowledged New Zealand classic – of its time yet timeless.

$5 download includes hidden tracks, lyrics and original CDR artwork.

Edwards’ music is often a sculpture rather than a melodic composition. Within this chosen form, amongst all the writings rantings & poetry there’s much difficult pleasure to be had for the musically adventurous.” – Brent Cardy, Real Groove, July 2002

Produced by Paul Winstanley, & featuring Chris O’Connor (drums), Chris Palmer (electric guitars), Simon O’Rorke (percussion), the Dadapapa Magickclone Orchestra and more. Recorded at the TFC Lounge, New Plymouth, 1999, and Thistle Hall, Wellington, 2001.

A companion to this album, recorded at the same sessions in Taranaki in 1999 is DDPP: Waiting For the Drummer

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