Simon Sweetman
Loose Autumn Moans (2003)
“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”
– George Parsons, Dream Magazine #5
Featuring
Sam Prebble (violin)
Mike Kingston (cello)
and Simon Sweetman on percussion.
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Loose Autumn Moans consists of five acoustic ensemble tracks:
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1.
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Summer Skin 06:20
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2.
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Mouth of the Caveman 03:26
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The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.
The original C60 cassette (and later online) release included solo interludes recorded in 2002. These are now available separately as
After the Filmshoot (2002)
By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.
Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.
Further listening
The collaboration with these guys followed on from
The Winter: Parataxes
The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)
“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.” – The Broken Face
Spotify playlist – fiffdimension & friends
Here’s my first Spotify playlist… a mix of my own tracks and by other artists who I’ve had the privilege to meet and be inspired by, in several cases played gigs alongside and/or collaborated with.
Thank you all for the journey! And some great music here.
Other Islands: 2012-2018
fiffdimension vol3
(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,
a song by my great-great-grandfather John Collie (1856),
and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
ネオン列車の風景 Neon Train Landscapes (2010-15)
Ngumbang (2014-15)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.
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- The Winter: Flying Visit (2012)
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- 安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa), 2015
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- in the non-idiomatic idiom in Norway (1999/2014)
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- Ngumbang (2015)
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- The Winter: Exit Points (2015)
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- The Electricka Zoo (2017)
And hear the previous compilations
Free mp3s 2014 – 2015
New free downloads 2014-2015 ! Pay koha / what you want for
Ngumbang
the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.
and
ネオン列車の風景 Neon Train Landscapes
(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.
plus
The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards
and
Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net
and a video clip of
Gamelan Taniwha Jaya
and Dave and Cylvi contributed to Postmoderncore‘s first volume of Dada Songwriting Compilation, Rejection dryrot ripple Gombage.
Enjoy!
We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!
The Winter: Exit Points
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics
The Winter at Pyramid Club, 2015
Thanks to Brent for the photos and to everyone who came along to the Pyramid Club on Thursday!
Simon Sweetman
Simon Sweetman is the drummer/percussionist for The Winter
He writes about music at www.offthetracks.co.nz
and podcasts at https://soundcloud.com/off-the-tracks
Gleefully Unknown: 1997-2005
“Whilst shopping from fiffdimension make sure to get hold of ‘Gleefully Unknown’, a best-of compilation of Dave Edwards’ music from 1997 to 2005. Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations…
“Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face
Now available from Spotify, Bandcamp etc
A compilation of songs, spoken word and instrumentals from the first half of my gloriously unsuccessful career to date:
by Dave Edwards (acoustic & electric guitars, harmonica, bass, banjo, vocal)
with
Mike Kingston (cello, acoustic guitar),
Paul Winstanley (fretless bass, turntables),
Simon Sweetman (percussion),
Nigel Patterson (hammond organ),
Cylvi M (percussion),
Simon O’Rorke (percussion),
Francesca Mountfort (cello),
Jeff Henderson (clarinet),
Blair Latham (alto sax),
Sam Prebble (violin, percussion),
Chris Palmer (electric guitar),
Chris O’Connor (drums),
Antony Milton (violin, keyboards),
Frey (laptop),
Dean Brown (drums)
and more…
Featuring tracks from the albums
Scratched Surface (1997-1998)
in the non-idiomatic idiom in Norway (1999/2014)
The Marion Flow (1999-2001)
Mantis Shaped and Worrying (2002)
The Winter: Parataxes (2003)
Loose Autumn Moans (2003)
Live 2004 (2004)
After Maths & Sciences (2005-2006)
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- Scratched Surface, 1998
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- Dadapapa, 1999
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- in the non-idiomatic idiom in Norway (1999/2014)
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- The Marion Flow (2001)
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- Mantis Shaped and Worrying (2002)
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- The Winter: Parataxes (2003)
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- Loose Autumn Moans (2003)
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- The Winter: Swansong (for the Huia) (2004)
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- After Maths & Sciences (2005-2006)
… if you enjoy this, try the sequels Fame & Oblivion: 2005-2012 and Other Islands: 2012-2018
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- Fame & Oblivion: 2005-2012
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- Other Islands: 2012-2018
The Winter: Flying Visit
Acoustic instrumental music by Wellington, New Zealand, improvising trio The Winter.
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- Simon Sweetman
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- Dave & ukulele
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- Mike Kingston
Mike Kingston: charango, guitar, clarinet
Dave Edwards: ukulele, sanshin, tenor sax, piano
Simon Sweetman: xylophone, percussion
The Winter: 2011
