1856 to 2024 – DIY outsider music, from Aotearoa NZ and beyond
“A virtual infusion of ‘ants-in-the-pants’ for the entomologically deficient.”
Recent (2024) recordings from a new combination of old collaborators – Antony Milton and Dave Edwards (The Troubled Times) with Wellington free-improv legend Simon O’Rorke.
Simon O’Rorke– falcon software synth
Dave Edwards– guitar, bass, electro-drums, harmonica
Antony Milton– guitar, drums, microphonic feedback
Recorded at Fleet Street, Masterton, NZ/Aotearoa on 21 April 2024
Cover art by Antony Milton
Celebrating 25 years of fiffdimension!
“Double disc collection of more than two decades’ worth of live and studio-recorded tunes by Dave Edwards, who you may have heard recently as part of The Troubled Times with Antony Milton. It’s quite a diverse listen!
“You get some concise and catchy pop songs, some full-on rockers, banjo excursions, improv freak-out, poetry, acoustic blues, folk songs, scrambled noise… there’s something here for everybody. A good intro to Dave’s dauntingly deep discography.”
– Howard Stelzer, Noisy Bandcamp.
A collection of short tracks by Dave Edwards and collaborators.
Produced by Antony Milton; and features Paul Winstanley, Chris O’Connor, Simon O’Rorke,Chris Palmer, Sam Prebble, Mike Kingston, Francesca Mountfort, Damian Stewart, Emit Snake-Beings, Nat da Hatt, Steve Duffels, and Oscar (the dog).
2CD double album. 35 tracks spanning 25 years. Comes in gatefold card case with full colour photography by Jechtography and James Gilberd. Includes download of the digital album.
Continue reading “2CD compilation 1998-2023”
A track from the Loose Autumn Moans album – originally recorded in 2003, and recently played live for the first time in 20 years!
Continue reading “The Hurricane Wrangle”
Newly discovered 2010 ‘lost recordings’ by The Winter
An improvised music trio of Mike Kingston, Dave Edwards, and Simon Sweetman –
Includes live performances at Fred’s, and previously unheard recording sessions on 25-4-10 and 6-6-10.
releases June 6, 2023
Continue reading “The Winter: 2010”
Simon Sweetman – drums, percussion
Mike Kingston – guitars, cello (2-5), clarinet (7,11,14), charango (7,10)
Dave Edwards – guitars, vocal (3), harmonica (4,7,9), banjo (7), ukulele (7,9,11), saxophone (10,14), piano (10), bass (12,13), electronics (6,8,13)
Wellington, New Zealand,
free improv music trio, formed on winter solstice day June 2003.
An archive compilation,
Continue reading “The Winter: 2003-2015”
New live album!
With New Zealand in lockdown this might be the next best thing to an actual gig..
Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18
Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18
As part of the New Zealand Fringe Festival
The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar
This track is dedicated to my great-great-grandfather Manuel Bernard.
He was born in 1847 in Ponta Delgada, Flores Island, Azores, Portugal.
It appeared as the last track on Spastic Rhythms vol 1 (2021), in a Dave Black solo rendition of a piece by the Electricka Zoo.
It originally appeared on The Electricka Zoo (2017), and on the Other Islands: 2012-2018 compilation. It’s based around a (non-diatonic) Cmaj7 – Amaj7 pattern, with a bossa nova rhythm.
The words are in (beginner) Portuguese:
Eu gosto de falar
no meus ancestrais
de as ilhas Atlânticas
Madeiras e Açores
Portugal is the westernmost country in Europe, with its back to it geographically and culturally. It was the edge of the known world for Europeans until the Age of Discovery. The Azores islands are even further west.
As a teenager, Manuel Bernard stowed away on a passing American whaling ship.
From a remote island in the Atlantic ocean, he ended up on an equally remote island in the Pacific – on the opposite side of the world, in Wellington, New Zealand.
Continue reading “ilhas Atlânticas”
Around September 2020 I’d planned to travel to Scotland, on my first visit. There was to be a family gathering for my sister’s wedding in Edinburgh.
The trip’s now postponed indefinitely, for obvious reasons
I’d planned to visit Boyndie, Banffshire, where my great-great-grandfather John Collie grew up.
In 1856, in his early 20s he published a book : Poems and Lyrics (in the English and Scotch Dialects).
I‘ve started setting some of it to music.
Previously unreleased!
Dictaphone cassette recordings, Wellington NZ, 2004
Spoken word and improvised guitar; a journey down the road not taken for New Zealand music.
Dave Edwards – acoustic guitar, harmonica, dictaphone, electronics, electric guitar (11), violin (12), vocal
w/
Youjae Lee – bass (12)
Simon O’Rorke – percussion (12)
Simon Sweetman – ukulele, toys, percussion (15)
The tracks were primitively recorded, based on words scribbled in notebooks, unheard by anyone else (until 2020), and seemed like unfinished demos at the time; but in hindsight represent the culmination of my early period (a lo-fi postpunk fusion of songs, spoken word and free improv – www.fiffdimension.com/1997-2005).
By 2004 my style was wordy; the influences here were literary modernists as much as music – eg Burroughs, Joyce, Beckett, Pynchon, Dylan (Thomas), and NZ poets James K Baxter, Alan Brunton and Hone Tuwhare. My guitar heroes included free improviser Derek Bailey, my Mississippi bluesman namesake David ‘Honeyboy’ Edwards, and the kiwi musicians found in my bandcamp collection – www.bandcamp.com/fiffdime
‘Articulation Incommunicate’ includes an abrasive electric guitar, dictaphone and electric razor performance at the Bomb the Space Festival (youtu.be/8UFpX7catqw – one of my very few music videos to have over a thousand views… go figure…
“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”
– George Parsons, Dream Magazine #5
Featuring
Sam Prebble (violin)
Mike Kingston (cello)
and Simon Sweetman on percussion.
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Bats Theatre, Wellington NZ 2003
Sam Prebble RIP, 2014
Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.
Loose Autumn Moans consists of five acoustic ensemble tracks:
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Summer Skin 06:20 |
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Mouth of the Caveman 03:26 |
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The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.
The original C60 cassette (and later online) release included solo interludes recorded in 2002. The collaboration with these guys followed on from
By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.
oose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.
The collaboration with these guys followed on from
The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)
“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.” – The Broken Face
fiffdimension 