This odd arrangement of a traditional Fijian folk song was inspired by hearing the real thing.
The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning
The marine life included
Part of Other Islands: 2012-2018
– recent highlights recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa
Thursday 21 June, 8pm @ Fringe Bar
26-32 Allen Street, Wellington, NZ
fiffdimension is an umbrella name for music and multimedia projects by Dave Edwards, solo or with various collaborators. Shows may include acoustic songs, spoken word, distorted postpunk, free improvisation, lo fi electronica, Eurasian folk music, 19th century ballads, video installations, or all or none of the above.
MuscleMan are an alt. country band that write dark, sweet, melancholy songs about love, loss, and questionable life decisions. Their performances range from intimate, acoustic sessions, to loud, raucous, throw the drum kit into the crowd encounters. Most of all though, they play with feeling.
Fredd Marshall is a sonic shaman. Using his voice he takes you on a journey to the unknown. Improvising loops, drones and overtones he will bring you to contemplate the universe and rethink what it means to be human. He has been to the realms of infinity and brought back treasures to share.
As a solo acoustic bassist, Vince Cabrera draws inspiration from sources such as the Argentine folk music of his childhood, American primitive guitarists such as John Fahey, and composer Erik Satie for a rich ambient, acoustic experience.
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Cylvi M (vocal, field recordings, percussion, shakuhachi), Emit Snake-Beings (vocal, percussion, flute, electronics), Blair Latham (bass clarinet), Simon O’Rorke (synthesiser), Chris Prosser (violin), Julie Bevan (acoustic guitar), the Digitator (electric drums, keyboards & loops), Campbell Kneale (electric guitar, analogue synthesiser),
a song by my great-great-grandfather John Collie (1856),
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
The Winter: Exit Points (2010/2015)
The Electricka Zoo (2017)
and previously unheard tracks,
and hear the previous compilations
Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
1861 revisited – Read the rest of this entry »
New free downloads 2014-2015 ! Pay koha / what you want for
the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.
(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.
The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards
Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net
and a video clip of
We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.