folk
Other Islands: 2012-2018
Coming in 2018
The third volume of fiffdimension’s best-of compilations (see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012) brings us into the current decade – with further wide-ranging experimentation and exploration both sonically and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
Now available to pre-order (some tracks available immediately and you’ll be automatically sent the rest once everything’s finalised).
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
ネオン列車の風景 Neon Train Landscapes (2010-2015)
Ngumbang (2014-2015)
The Winter: Exit Points (2010/2015)
The Electricka Zoo (2017)
and previously unheard tracks
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Cylvi M (vocal, field recordings, percussion, shakuhachi), Emit Snake-Beings (vocal, percussion, flute, electronics), Blair Latham (bass clarinet), Simon O’Rorke (synthesiser), Chris Prosser (violin), Julie Bevan (acoustic guitar), the Digitator (electric drums, keyboards & loops),
plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,
and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.
If you enjoy this, try the previous volumes Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012
the Ballad of William Knife
Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
See also the videos for ‘Bandit Joe on a Scraded Gat’ and ‘BFD’
1861 revisited – Read the rest of this entry »
安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)
Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).
Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi
As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.
Free mp3s 2014 – 2015
New free downloads 2014-2015 ! Pay koha / what you want for
Ngumbang
the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.
and
ネオン列車の風景 Neon Train Landscapes
(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.
plus
The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards
and
Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net
and a video clip of
Gamelan Taniwha Jaya
and Dave and Cylvi contributed to Postmoderncore‘s first volume of Dada Songwriting Compilation, Rejection dryrot ripple Gombage.
Enjoy!
We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!
The Winter: Exit Points
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics
Mike Kingston
Mike Kingston is a multi-instrumentalist front man and composer in ‘Bella Cajon‘ , ‘The Wagtails‘, and Phantasticus. He continues to perform regularly throughout Wellington and New Zealand.
He plays guitar on After Maths & Sciences
and cello on Loose Autumn Moans
and is a key member of The Winter
www.mikekingstonmusic.com
Scratched Surface
“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.” – Chris Knox
The debut album from fiffdimension – a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground, recorded on analogue reel-to-reel tape.
Online reissue includes download-only bonus tracks and previously unreleased material.
From these folk/punk beginnings my style evolved into the more complex/impressionistic/visionary approach of The Marion Flow, Mantis Shaped and Worrying, and Loose Autumn Moans. These combined songwriting with an interest in free jazz and poetic modernism that sunk my commercial chances. I stopped writing words entirely with The Winter and Ascension Band, and eventually lived abroad in Australia and Asia and reinvented myself again as Dave Black.
As of 2015 I’m back in NZ where my latest project is Ngumbang, which comes full circle – weaving together these various strands, in collaboration with Emit Snake-Beings who was one of my early influences!
