albums

Top 10 albums*

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by Dave Edwards (aka Dave Black) and collaborators,

202120202010s 2000s 1990s 1850s

#1 Other Islands: 2012-2018

Gamelan Taniwha Jaya at Te Papa, Wellington, 2016

Compilation made in New Zealand, Okinawa, Western AustraliaIndonesia and Fiji,,

by Dave Black with The Winter, The Electricka Zoo, Dr Emit Snake-Beings, Nat da Hatt, Campbell Kneale, Gamelan Sekar Puri, Gamelan Padhang Moncar, and Gamelan Taniwha Jaya

“The 20 song album covers traditional Javanese and Balinese gamelan, AsiaPacific folk music, free jazz, and free noise…. If you have an open inquiring mind and love hearing a variety of sound, this is excellent. – Darryl Baser, muzic.net.nz

#2: Fame & Oblivion: 2005-2012

Taking a Korean gayageum lesson, 2007

vol2 – made in New Zealand, Australia, South Korea, Thailand, Mongolia, and Japan,

by Dave Black with Ascension Band, The Winter, Nat da Hatt, Wellington’s Most Famous Orchestra, and Cylvi M

“Experimental and avant-garde…. There is a clear passion, and a commitment to pushing the boundaries… This will challenge your perceptions of what constitutes music and open the mind to new possibilities of sounds that surround us – muzic.net.nz

#3 The Electricka Zoo (2017)

The duo of live electronica by the Digitator, and Dave Black on bass and electric guitar (2017)

The Electricka Zoo, 2017

“A totally original, mind warping album that smacks you across the face with big sound…. I salute anyone that makes a whole album out of EDM post-punk avant-garde rock / jazz, reggae, Balkan, [and] Portuguese music” – Corrinne Rutherford, www.muzic.net.nz

# 4 Ngumbang (2015)

Dave Black & Snake Beings

Our first collaboration with the even more legendary & underground artist Dr Emit Snake Beings (2015)

[send us your review]

# 5 After the Filmshoot (2002)

Dave Edwards solo postpunk spoken word free improv guitar spasms (2002)

[send us your review]

#6 Live 1999

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Streaming Silver (2016)

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A new archival release, of early postpunk instrumental improv by ex-Taranaki duo the Electricka Zoo

recorded in 2016, this has nothing to do with Brexit or Trump!

The Electricka Zoo, 2016

These informal recordings are a precursor to our 2017 debut album proper, The Electricka Zoo

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PSI​-​SOLATION + 1 (one year on)

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PSI-SOLATION | a global compilation of music made in lockdown | CELEBRATE PSI PHENOMENON (bandcamp.com)

2021 compilation album curated by Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room gallery in Featherston.

A sequel to his acclaimed 119-track Psi-solation compilation of music made in lockdown 2020.

Both albums are pay what you want via Campbell’s label, Celebrate Psi Phenomenon.

I contributed a new Dave Black piece, Outono 21.

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Spastic Rhythms vol1

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A quickfire Dave Black solo EP, recorded one summer morning, 24 January 2021

[send us your review]

It adds banjo and electric drums to the 2020s Wairarapa DIY solo electric improv style begun in

Glimpses of Utopia (2020)

Glimpses of Utopia

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Palette cleansing electric solo improv.

Recorded in Featherston, New Zealand, 2019-20.

I’m not a trained jazz musician, but nor do I fit neatly into the ‘NZ noise‘ genre.

Further listening

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Campbell Kneale & Dave Black: A Ton of Feathers

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releases October 17, 2020

Campbell Kneale – electric guitar, analogue synth

Dave Black – bass, electric toothbrush, key ring

Featherston, New Zealand,
27-Nov-18

(one continuous take, unabridged, no overdubs – the first time we’d played together)

A 3min excerpt appeared on Other Islands: 2012-2018

but you need to hear the full length version to truly enter Campbell’s world.

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Scotland, postponed

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John Collie (1834-1893)

Around this time (September 2020) I’d planned to travel to Scotland, on my first visit. There was to be a family gathering for my sister’s wedding in Edinburgh.

The trip’s now postponed indefinitely, for obvious reasons

The idea was to visit Boyndie, Banffshire, where my great-great-grandfather John Collie grew up.

In 1856, in his early 20s he published a book : Poems and Lyrics (in the English and Scotch Dialects).

I‘ve started setting some of it to music.

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Articulation Incommunicate (2004)

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Previously unreleased! 

Dave Edwards dictaphone cassette recordings 2004, for spoken word and improvised guitar – a trip down a road not taken for New Zealand music.

Bomb the Space Festival, Wellington NZ, 2004

These tracks were primitively recorded, not just obscure but completely unheard by anyone else, and seemed like raw unfinished demos at the time – but in hindsight may be the culmination of my 1997-2005 early period (a fusion of original songs, spoken word and free improv).

By 2004 my style was wordy, dense with allusions, and deliberately flouted not only verse/chorus structures but grammatical convention in parts; the influences here were literary modernists as much as music – eg  Joyce, Beckett, Burroughs, Pynchon, Dylan (Thomas), and New Zealand poets James K Baxter, Alan Brunton and Hone Tuwhare. I was a postgrad journalism student that year, so partly it was spare time relief from the constraints of non-fiction writing.

My guitar heroes included British free improviser Derek Bailey and my Mississippi bluesman namesake David ‘Honeyboy’ Edwards – and fellow explorers in the New Zealand underground music scene.

Wellington, New Zealand

The album is rounded out by an abrasive noise guitar, dictaphone and electric razor performance at the Bomb the Space Festival (the youtube clip is one of my few music videos to have over a thousand views… go figure),

and a pair of free improvisations, with percussionists Simon O’Rorke and Simon Sweetman, and Korean bassist Youjae Lee.

Next, needing a change of scenery, having pushed the singer/songwriter envelope as far as I could, and following some last ensemble collaborations with Ascension Band,

and The Winter

the next year I left the country on my OE and took a different approach again….

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Ruasagavulu

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Ruasagavulu‘ (made in Fiji

by Dave Black & Dr Emit Snake-Beings)

is now a free/name-your-price download – enjoy!

Thanks for your interest, and happy Matariki if you’re in NZ…

“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse

Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.

 

Snake Beings & Dave Black in Fiji

This was one of the last in-person international collaborations from before the world ended… it’s got nothing to do with the pandemic.

It was recorded in Suva, Fiji, 2nd and 4th of November 2019.

The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade optimistically.

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Further listening

Our first duo recording wasNgumbang‘  (2015) –

a fusion of several genres and a DIY manifesto – “Pick up the pieces and make them into something new, it’s what we do…”

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Loose Autumn Moans (2003)

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“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”

George Parsons, Dream Magazine #5

All acoustic, with a string section, recorded and mixed on analogue equipment, and originally released on cassette in 2003 – new 2020 remaster.

Featuring

Sam Prebble (violin)

Mike Kingston (cello)

sam & san

and Simon Sweetman on percussion.

simon w newspaper

Wellington, New Zealand

Bats Theatre, Wellington NZ 2003

 

Loose Autumn Moans consists of five acoustic ensemble tracks:

1.
2.
3.
4.
5.

The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.

 

The original C60 cassette (and later online) release included solo interludes recorded in 2002. These are now available separately as

After the Filmshoot (2002)

By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.

Sam Prebble RIP, 2014

Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.

Further listening

The collaboration with these guys followed on from

The Winter: Parataxes

The Winter live at Photospace Gallery, July 2003 (photo by James Gilberd)

The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)

“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.”The Broken Face

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