Top 10 albums, March 2023*

by Dave Edwards (aka Dave Black) and collaborators,

(*as picked by casual streaming listeners, based on % of tracks played in full minus % of tracks skipped).

#1 After the Filmshoot (2002)

Dave Edwards solo postpunk spoken word free improv guitar spasms (2002)

[send us your review]

#2 Other Islands: 2012-2018

Gamelan Taniwha Jaya at Te Papa, Wellington, 2016

Compilation made in New Zealand, Okinawa, Western Australia, Indonesia and Fiji,,

by Dave Black with The Winter, The Electricka Zoo, Dr Emit Snake-Beings, Nat da Hatt, Campbell Kneale, Gamelan Sekar Puri, Gamelan Padhang Moncar, and Gamelan Taniwha Jaya

“The 20 song album covers traditional Javanese and Balinese gamelan, Asia–Pacific folk music, free jazz, and free noise…. If you have an open inquiring mind and love hearing a variety of sound, this is excellent. – Darryl Baser, muzic.net.nz“

# 3 After Maths & Sciences (2005/06)

An Australian novel for the ear – a double album recorded in Melbourne, Victoria,

and Sydney and Gosford New South Wales,

by Dave Black with Cylvi M, Mike Kingston and Francesca Mountfort (2005-2006)

“Dave Black’s debut release (and a re-birth, if you like, for David Edwards) is as much a post-modern piece of Performance Journalism as it is a static batch of “songs” or tracks, After Maths & Sciences is a pleasing challenge of an album. It lives up to the cliché of presenting something new with each listen,”– Simon Sweetman

#4 Live 1999

Solo postpunk live at the old Bar Bodega, Wellington NZ, opening for Chris Knox

“If only I could play guitar like that… bastard” – Chris Knox

#5 The Troubled Times: State Highway 2

Smalltown (Masterton) NZ trio of Antony Milton, Dave Edwards and David Heath

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Poems & Lyrics by John Collie, 1856

In 1856, my great-great-grandfather John Collie (1834-1893), of Boyndie, Scotland, published a book : Poems and Lyrics

(in the English

and Scotch Dialects).

I‘ve been setting some of it to music over the past few years – along with some of his other descendants: my nephews Hans and Rhys Landon-Lane, my niece Celeste Rochery, and my sister Megan Edwards-Rochery .

The Troubled Times (trio with Antony Milton and David Heath) also do an epic electric blues guest arrangement of The Dying Monarch (a key crossover track that ties together the different strands of my music).

For me this is a major work-in-progress; an acknowledgement of my pākeha whakapapa (European ancestry); an inspiration for new music (a mostly folk style seemed fitting); a window into the culture of the time period and a vicarious travel experience (plans to visit Scotland in 2020 were ruined by the pandemic); a family precedent for DIY outsider art that puts fiffdimension in a deeper context; and gives me renewed appreciation for the beauty and musicality of the English (and Scots) language.

“T’were a noble sight to see the mighty men of old, who bled that their countries might be free from the tyrants’ fatal hold – yet I’d deem it a nobler sight by far to behold the sons of the harp & lyre!

“[…] If aught can claim a spirit’s admiration, Sure it must be this beautiful creation“
John Collie (1834-1893)

In 1858 John Collie emigrated to New Zealand.

His book is available free online.

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in a wildflower state (Western Australia, 2013)

In late 2012, after leaving Japan, I moved to Australia for the second time – this time to Western Australia for a couple of years…

in a wildflower state is a lost album – recorded in Perth WA, 2012-2014 – unreleased at the time.

The music here is rustic, reflecting the vast ancient arid landscape, overlaid with touches of Nyoongar and bogan sounds. It also includes appearances by Nat da Hatt, Cylvi M, and Renato Salvador.

Known as the Wildflower State, Western Australia covers an enormous area – the size of India, but with a population of under three million. Metaphorically, to be a ‘wildflower’ can also mean a wandering spirit or traveller (such as a kiwi expat on an OE).

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The Troubled Times: Hill Road in Winter

Happy new year – here’s our first new music release of 2023 – available for download or limited-edition cassette, courtesy of Antony Milton‘s Smalltown Electron label:

The first physical format release from Masterton trio The Troubled Times (and the debut release for Small Town Electron as a label) is a loud and noisy nocturnal romp through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions.

(see also

The Troubled Times discography

)

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águas brilhantes: 2018-2022

fiffdimension vol 4

made in Featherston, Masterton, and Suva – ft Antony Milton, James Robinson, Dr Emit Snake-Beings, Campbell Kneale, and lyrics by John Collie (1834-1893) – the title is ‘Wairarapa’ in Portuguese.

Collaborations with my ancestors and younger relatives, friends in Fiji, a painter in Otago, the curator of PseudoArcana, and the family dog.

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I’ve lived the last few years.

My ancestors arrived here in the 19th century – one was a Scottish poet, another a stowaway from the Azores islands.

a followup to
fiffdimension.bandcamp.com/album/gleefully-unknown-1997-2005
fiffdimension.bandcamp.com/album/fame-oblivion-2005-2012
fiffdimension.bandcamp.com/album/other-islands-2012-2018

with videos at www.youtube.com/playlist?list=PLtbrBpNjlOHOhGouOChNl3jVUif1AZIl6 )

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I live. Several of my pākeha ancestors arrived here in the 19th century.

Much of the music is inspired by two of my great-great-grandfathers – John Collie (1834-1893), a Scottish poet, who helped build the Remutaka incline railway; and Manuel Bernard (1847-1928), who left the Azores islands, as a teenaged stowaway on a whaling ship and ended up in Masterton. It’s also a torch-passing to the next generation – recorded with nephews Hans and Rhys, and niece Celeste.

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The Troubled Times: A Second Sun

credits

Antony Milton – electric guitar, keyboard (1,4), drums (4), painting

Dave Edwards – bass, electric guitar (4), vocal (6), harmonica (7)

David Heath – drums

John Collie (1834-1893) – lyrics (6) (a crossover with fiffdimension.bandcamp.com/album/poems-lyrics-in-the-english-dialect-1856 )

Recorded in Masterton, New Zealand, 25 September 2022

Loosely a sequel to Antony Milton and Dave Edwards‘ first duo collaboration fiffdimension.bandcamp.com/album/return-of-the-sun-2021 – The Troubled Times’ debut.

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The Troubled Times: State Highway 2

credits

released August 13, 2022

Antony Milton – electric guitar, banjo (6), drums & keyboard (7)

Dave Edwards – electric guitar (1,3,5), acoustic guitar (2,6,7), bass (4), aluminium ladder (7)

David Heath – drums

https://fiffdimension.bandcamp.com/album/state-highway-2-2022

——-

Masterton, New Zealand

Masterton

Recorded in Antony’s garage,
17th July + 7th August 2022

Photo by Sara Rogers

Further listening: Antony and Dave also collaborated on fiffdimension.bandcamp.com/album/return-of-the-sun-2021
and
layyourburdensdown.bandcamp.com/album/-

w/ Antony Milton: The Troubled Times

For this EP The Troubled Times is Dave Edwards and Antony Milton.
Raw loud Improvised pluck and drone recorded in the between Covid lockdowns.

credits

released June 26, 2022

Recorded on a windy rainy Sunday in Antony’s garage in Masterton.
Guitar/Bass –Dave Edwards
Guitar/Keyboard/Vocs –Antony Milton.

For the first full length release from this duo, which pre-dates the name ‘The Troubled Times’ please visit fiffdimension.bandcamp.com

w/ James Robinson – Negentropic Diatribes

James Robinson – words, voice, paintings & drawings, bell drum

Dave Black – electric guitar, bass, loop pedal

James Robinson is a mid career contemporary New Zealand mixed media artist, exhibiting widely since 1989 – www.jamesrobinson.nz

fiffdimension is music and multimedia by Dave Edwards (aka Dave Black) and collaborators, since 1998 – www.fiffdimension.com
‐‐——-

James won 2007 paramount prize in the wallace award for
” Taniwaha dragon mother ( spirit bones)”

‘… a great big flatulent belch of fresh air amongst all the tight-sphinctered, deodorised boys and girls of the accepted national art world….. off-kilter and threatening but always sumptuously, gloriously beautiful.’
– Chris Knox.

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