The Troubled Times: Another (****ing) Sunday

The first physical CD by The Troubled Times (Antony Milton, Dave Edwards, David Heath),

Released as part of the ‘Another Sunday‘ series of CDs:
anothersunday.bandcamp.com

Fizzy dreamy shambolic ramblings from the Wairarapa‘s dustiest garage.
Instant songs committed to disk for posterity.

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Continue reading “The Troubled Times: Another (****ing) Sunday”

The Troubled Times: Elevate

Antony Milton – electric guitar Dave Edwards – bass David Heath – drums

A contrasting companion piece to the forthcoming ‘Another Sunday‘ CD (all but the last track recorded during the same session),  ‘Elevate’ is a thoroughly kinetic affair bursting with energy and ecstatic passion.

Avant jazz meets squealing rambunctious noise. A frenetic blast down to the end of the driveway and back. The set finishes with a tribute to Albert Ayler.

What more could you want? (well there’s The Troubled Times’ live debut coming up on 15 July….)

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releases July 15, 2023

Read more: The Troubled Times: Elevate

Tracks 1-4 recorded 28 May 2023
‘Festive Spirit’ recorded 18 December 2022

in Antony’s garage, Masterton, Aotearoa/New Zealand

Photo by Dave, at the Remutaka ranges

The Winter: 2010

Newly discovered 2010 ‘lost recordings’ by The Winter

An improvised music trio of Mike Kingston, Dave Edwards, and Simon Sweetman

Includes live performances at Fred’s, and previously unheard recording sessions on 25-4-10 and 6-6-10.

http://www.fiffdimension.bandcamp.com/album/2010

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releases June 6, 2023

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The Troubled Times: Hill Road in Winter

Happy new year – here’s our first new music release of 2023 – available for download or limited-edition cassette, courtesy of Antony Milton‘s Smalltown Electron label:

The first physical format release from Masterton trio The Troubled Times (and the debut release for Small Town Electron as a label) is a loud and noisy nocturnal romp through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions.

(see also

The Troubled Times discography

)

Continue reading “The Troubled Times: Hill Road in Winter”

The Troubled Times: A Second Sun

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Antony Milton electric guitar, keyboard (1,4), drums (4), painting

Dave Edwards – bass, electric guitar (4), vocal (6), harmonica (7)

David Heath – drums


John Collie (1834-1893) – lyrics (6) (a crossover with fiffdimension.bandcamp.com/album/poems-lyrics-in-the-english-dialect-1856 )

Recorded in Masterton, New Zealand, 25 September 2022

Loosely a sequel to Antony Milton and Dave Edwards‘ first duo collaboration fiffdimension.bandcamp.com/album/return-of-the-sun-2021 – The Troubled Times’ debut.

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The Troubled Times: State Highway 2

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released August 13, 2022

Antony Milton – electric guitar, banjo (6), drums & keyboard (7)

Dave Edwards – electric guitar (1,3,5), acoustic guitar (2,6,7), bass (4), aluminium ladder (7)

David Heath – drums

https://fiffdimension.bandcamp.com/album/state-highway-2-2022

——-

Masterton, New Zealand

Recorded in Antony’s garage,
17th July + 7th August 2022

Photo by Sara Rogers


Further listening: Antony and Dave also collaborated on fiffdimension.bandcamp.com/album/return-of-the-sun-2021
and
layyourburdensdown.bandcamp.com/album/-

Outono 21

A new multilayered Dave Black electric improv / xenochronous composition.

The track continues the evolution of my Wairarapa one man band 2020s ‘late style’, which began with Glimpses of Utopia (2020) and Spastic Rhythms (2021)

It was originally created for the Psi-solation+12021 compilation album curated by fellow Featherston resident Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room.

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Gar mar par da nee sa

the opening track from Ruasagavulu

by Dave Black & Snake-Beings

recorded in Suva, Fiji, 2nd November 2019

Snake Beings and Dave Black in Fiji

This short warmup improv is based on an Indian scale, inspired by Dr Emit Snake-Beings‘ travels to Kerala in India, and harmonium lessons in Suva.

There’s an Indian influence throughout the album, as several sections are based on drones and modal improv (rather than the chord changes)… though this is not a traditional Indian album, we’ve borrowed ideas to inform our own experiments.

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The temple in the photo is Sri Siva Subramaniya in Nadi. It’s built in the Dravidian style from southern India, which is also found in Singapore and Malaysia.

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In contrast to other Pacific Island countries, Fiji has a large – almost half – population of Indian descent. Indians came to Fiji in the 19th century, as indentured labourers to work the sugar cane plantations.

The following videos are made in India, courtesy of www.snakebeings.co.nz

Continue reading “Gar mar par da nee sa”