The difficult third album – recorded during a time of intense introspection in 2002. I locked myself in my room in Wellington for all of November with an analogue 4-track cassette recorder.The results rapidly put an end to my promising New Zealand music career!
In 2002, a year whose digits are an anagram of this one’s, I locked myself in my room for a month of self-isolation.
It had nothing to do with a pandemic!
Made in Suva, Fiji – the new album by Dave Black & Dr Emit Snake-Beings
“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse
Meditative tropical instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video. This was one of the last in-person international collaborations from before the world ended.
This is currently a pre-order work in progress, as some of the mixes will be refined over the next few weeks.
The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade.
A new sound for 2020 perhaps?
A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.
in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players.
Simon O’Rorke – synthesisers
The first volume was recorded in Wellington in 1999
We discussed the origins of fiffdimension (including where the name comes from), 19th century ancestors, life in the Wairarapa, and various projects, collaborators, and influences from New Zealand and abroad.
– which took place live on the internet. This was simulcast on Freeview CH41, ArrowFM 89.7FM and YouTube.
The set was part of the Property Law Service May Music Marathon – 12 straight hours of live Music to Television screens during NZ Music Month on May the 4th 2019.
Living in a small town I don’t get to as many gigs as I used to… so here using 21st century technology to play ‘virtually’ everywhere.
On the other hand musically this was closer to a traditional folk/singer-songwriter set than I’d done for quite a while, eschewing dissonant improv, multitracking, live backing musicians or electronic trickery.
I kept my half hour minimal and acoustic (the discord and electric noise I’m saving for another time soon) and updated my past – with
The latest offering from Nat da Hatt, recorded in 2015-2016 in Kawaguchi City, Japan using an array of instruments, devices and machines including: a Zoom digital eight track recorder, A Gretsch Electromatic guitar and a Korg vocoder.
and his previous 2012 solo masterpiece, Twango
Nat da Hatt is a political refugee from New Zealand who has settled in Japan where he spends his days in a cave creating tone paintings on an array of devices and instruments including: guitar, thumb piano and a Korg vocoder.
He’s also collaborated with fiffdimension’s Dave Black on the 2014 explicitly Japanese psychedelic album
and guested on Ngumbang
as well as with American jaw-harp maestro Richard Morrison as Mezcla de Refresco
Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
1861 revisited – Read the rest of this entry »