We discussed the origins of fiffdimension (including where the name comes from), 19th century ancestors, life in the Wairarapa, and various projects, collaborators, and influences from New Zealand and abroad.
– which took place live on the internet. This was simulcast on Freeview CH41, ArrowFM 89.7FM and YouTube.
The set was part of the Property Law Service May Music Marathon – 12 straight hours of live Music to Television screens during NZ Music Month on May the 4th 2019.
Living in a small town I don’t get to as many gigs as I used to… so here using 21st century technology to play ‘virtually’ everywhere.
I kept my half hour minimal and acoustic (the discord and electric noise I’m saving for another time soon) and updated my past – with
The latest offering from Nat da Hatt, recorded in 2015-2016 in Kawaguchi City, Japan using an array of instruments, devices and machines including: a Zoom digital eight track recorder, A Gretsch Electromatic guitar and a Korg vocoder.
and his previous 2012 solo masterpiece, Twango
Nat da Hatt is a political refugee from New Zealand who has settled in Japan where he spends his days in a cave creating tone paintings on an array of devices and instruments including: guitar, thumb piano and a Korg vocoder.
He’s also collaborated with fiffdimension’s Dave Black on the 2014 explicitly Japanese psychedelic album
and guested on Ngumbang
as well as with American jaw-harp maestro Richard Morrison as Mezcla de Refresco
Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
1861 revisited – Read the rest of this entry »
“With elements of punk, post-punk, jazz, classical, straight rock, opera and music hall, the Ascension Band are that rare thing: Something Wholly Other. They retain avant garde cred and still manage to rock harder than AC/DC.” – www.varsity.co.nz
by organist/conductor/arranger Nigel Patterson (The Black Seeds, The Manta Rays, Fly My Pretties), guitarist & organiser Dave Edwards (fiffdimension, The Winter), and over a dozen musicians on guitars, basses, drums, electronics, keyboards, trumpets and vocals, was the seed that grew into a full scale electric symphony: Evolution.
“The 50-minute piece of music, broken down into six movements, was performed live over a few nights for the Fringe Festival in 2005; the group taking out the Best Music Award.
“It was stunning. Discordant guitars were choked, drums clattered and crashed, voices mingled with percussion and keyboards – but this form of free-improvisation had a structure to it. It had movement, it had a plan. It was a great beast of a song that writhed and wriggled and often managed to run downhill, away from the players – in the best possible way.
“Here, the show has been recorded onto a CD for posterity – and it begs discovery. It’s an intense listen – but that’s to be expected from a group of players who took their name from one of John Coltrane’s toughest listening albums.” – Simon Sweetman
Nigel Patterson – hammond organ & conductor
Will Rattray – electric guitar
Bell Murphy – bass
Warwick Donald – bass
Murray Stewart – keyboards
Damian ‘Frey’ Stewart – laptop
Ryan Prebble – tone generator
Felicity Perry – vocal
Atushi Iseki – vocal
Matt Baxter – drums
Greta Welson – drums
New free downloads 2014-2015 ! Pay koha / what you want for
the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.
(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.
The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards
Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net
and a video clip of
We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!