Friday 16th March @ Leroy’s

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Friday 16 March, 8:00pm, free entry, @ Leroy’s Bar, 2 Plimmer Steps

New Zealand Fringe Festival:

The Electricka Zoo are one of Wellington’s most intriguing new live bands – a duo of live electronica duo by the Digitator, and Dave Black on guitar & bass. We combine diverse influences from EDM to postpunk avant-garde rock, jazz, reggae, Balkan and Portuguese music into our own homegrown NZ sound. For this performance we’ll be introducing live video imagery that can respond dynamically in real time to the music.

Grumblewood are a quartet of merry minstrels from Wellington, New Zealand. Influenced by the progressive and folk rock giants of the 70s, their music integrates elements of baroque, jazz, and traditional folk music into a vintage rock setting. Their songs are highly original, dynamic, and complex; with lyrical storytelling and instrumentation not commonly employed by contemporary musicians, such as flute, mandolin, and banjo.

mr sterile Assembly is a dynamic and assertive two-piece of drums, bass and vocals. Increasingly described as ‘Outsider Punk’, the Assembly has continually cleaved its own path, crafting a distinct south pacific sound. The current line-up is a tightly focused, fast-paced performance orientated unit. The driving bass plays over frenetic and often complex rhythms, creating an unnerving and unexpected foundation for rich vocal play. The unique storytelling for which mr sterile Assembly is renowned sits at that heart of every composition.

Battle for Endor are a 3 piece alt rock band who sound like a 6 piece. They bring new elements to the hard rock genre like multi-instrumentalism, and live use of looping devices, looping guitar, keyboards and even overlapping vocal lines to great wide soundscapes that aren’t usually encountered alongside melodic hooks and catchy rhythms. Executing these soundscapes while keeping things tight and engaging for the audience is an exciting challenge in a live context.


The Electricka Zoo

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IMG_20160102_154834This duo from Taranaki formed in late 2015 following an extended 15 year incubatory period. Roots in rock and electronica, The Electricka Zoo will leave you wondering if you should dance along, close your eyes, or just scratch your head in wonder how two people can produce such a wall of sound.

Our first release is available now on vinyl!

Ascension Band 2005

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“With elements of punk, post-punk, jazz, classical, straight rock, opera and music hall, the Ascension Band are that rare thing: Something Wholly Other. They retain avant garde cred and still manage to rock harder than AC/DC.” – 

This riff

by organist/conductor/arranger Nigel Patterson (The Black Seeds, The Manta Rays, Fly My Pretties), guitarist & organiser Dave Edwards (fiffdimension, The Winter), and over a dozen musicians on guitars, basses, drums, electronics, keyboards, trumpets and vocals, was the seed that grew into a full scale electric symphony: Evolution.

“The 50-minute piece of music, broken down into six movements, was performed live over a few nights for the Fringe Festival in 2005; the group taking out the Best Music Award. 

“It was stunning. Discordant guitars were choked, drums clattered and crashed, voices mingled with percussion and keyboards – but this form of free-improvisation had a structure to it. It had movement, it had a plan. It was a great beast of a song that writhed and wriggled and often managed to run downhill, away from the players – in the best possible way. 

“Here, the show has been recorded onto a CD for posterity – and it begs discovery. It’s an intense listen – but that’s to be expected from a group of players who took their name from one of John Coltrane’s toughest listening albums.” – Simon Sweetman

Dave Edwards – electric guitar & electronics
Nigel Patterson – hammond organ & conductor
Will Rattray – electric guitar
Bell Murphy – bass
Warwick Donald – bass
Murray Stewart – keyboards
Damian ‘Frey’ Stewart – laptop
Ryan Prebble – tone generator
Sam Jenks – trumpet
Felicity Perry – vocal
Atushi Iseki – vocal
Matt Baxter – drums
Greta Welson – drums
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Scratched Surface

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“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

The debut album from fiffdimension – a genuine 1990s teenage no-budget lo-fi post-punk singer-songwriter artifact from the Taranaki, New Zealand underground, recorded on analogue reel-to-reel tape.

Online reissue includes download-only bonus tracks and previously unreleased material.

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From these folk/punk beginnings my style evolved into the more complex/impressionistic/visionary approach of The Marion Flow, Mantis Shaped and Worrying, and Loose Autumn MoansThese combined songwriting with an interest in free jazz and poetic modernism that sunk my commercial chances.  I stopped writing words entirely with The Winter and Ascension Band, and eventually lived abroad in Australia and Asia and reinvented myself again as Dave Black.

As of 2015 I’m back in NZ where my latest project is Ngumbang, which comes full circle – weaving together these various strands, in collaboration with Emit Snake-Beings who was one of my early influences!

dAdApApA: Waiting for the Drummer

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A companion to The Marion Flowrecorded in 1999 by the same lineup who provided that album’s longest (and least conventionally song-based track, pointing the way towards the increasingly radio-unfriendly Mantis Shaped and Worrying), “Lucifer Directing Traffic (at 3AM)”

Recording engineer Paul Winstanley, head of the excellent, now San Francisco-based avant-garde music label Eden Gully recalls it thus:

“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth an ad hoc group of associated locals assembled to record for several sessions of improvised rock/noise deconstruction. really, the only rock references here come from the guitars, with the sputtering synth, air-sucking turntables, didgeridoo and sundry toys providing layers of surreal abstraction. throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye.

“it wasn’t until several years later after the master mixes had been lost, partially recovered and then rediscovered intact again that “Waiting for the Drummer’ was given a final mastering and released as a CDR on EdenGully. it’s been a long strange journey…..”


released 01 August 2006 on Eden Gully as EG15

Fiff Dimension Dave – guitars, spoken word and furbie / Speed Cook – turntables and recording / Pal Diddly – synth and pithy observations / The Digitator – guitar, didgeridoo / BWafer – vacuum cleaner and coffees

Fame & Oblivion: 2005-2012

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“This is something that he has to do, that he will do, come fame or oblivion” –Chris Knox

The second volume of fiffdimension’s best-of compilations (a sequel to Gleefully Unknown: 1997-2005) sees increasingly wide-ranging experimentation and exploration both sonically and geographically, from New Zealand and beyond to Australia and East Asia.

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Featuring tracks from the albums

Ascension Band: Evolution (2005)

After Maths & Sciences (2005-2006)

South Island Sessions (2006)

First Time Around: East Asia (2008)

The Winter: 2011 (2011)

ネオン列車の風景 Neon Train Landscapes (2010-2015)

The Winter: Exit Points (2010/2015)

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, gayageum, vocal), with

Mike Kingston (acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Hayden Gifkins (electric guitar), Nigel Patterson (hammond organ), Ryan Prebble (tone generator), Matthew Thornicroft (electric guitar), Cylvi M (vocal, field recordings, percussion, shakuhachi), Jeff Henderson (drums), Noel Meek (vocal), Clever Hansel (ukulele)

and field recordings from Australia, South Korea, Thailand, Mongolia, and Japan.

If you enjoy this, try the first volume Gleefully Unknown: 1997-2005 and the third, Other Islands: 2012-2018