2012-2018

For a curated compilation of this era, see Other Islands: 2012-2018

“The 20 song album covers traditional Javanese and Balinese gamelan, Asia-Pacific folk music, free jazz, and free noise…. If you have an open inquiring mind and love hearing a variety of sound, this is excellent. – Darryl Baser, muzic.nz“

For the full playlist, see 2012-2018 – Playlist by Dave Edwards | Bandcamp

2012

For the first half the year I lived in Okinawa, Japan (as an English teacher, on the JET Programme)

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)

Okinawa is not what most gaijin would expect from Japan – more tropical and laidback, Hawaiian-influenced even. A part of the world with its own unique identity, and amazing marine life. I visited some of the islands, and studied the traditional eisa music played on the sanshin.

I lived in Okinawa for 12 months. During holidays I visited mainland Japan, where I first travelled solo across Kyushu

and then caught up with fellow NZ expat musician Nat da Hatt.

Dave Black & Nat da Hatt climb Mt Yakushidake, Japan, 2012

We spent six days hiking across the Japan alps,

and collaborated on an album of field recordings – this time adding psychedelic guitars:

After leaving Japan, I stopped in Wellington for a flying visit

On returning again to Wellington I joined the Gamelan Taniwha Jaya (Balinese)and Gamelan Padhang Moncar (Javanese style) ensembles. This was a chance to immerse in a traditional music form with a history going back over 40 years in NZ and centuries in Indonesia.

I played Balinese and Javanese gamelan

as well as more New Zealand styles… like this return to Wellington free jazz, with Simon O’Rorke

2016-2018

I performed as a solo show with a live soundtrack in the NZ Fringe Festival – East to West, a movie of my travels – and took it on tour to Invercargill.
I also travelled to Fiji

…and I formed a new duo

The Electricka Zoo

a duo with the Digitator… a little more accessible and electronic, funky, danceable than usual for me.

We first met in high school back in New Plymouth and he played on the Marion Flow and dAdApApA sessions back in 1999. We busked and played a bunch of gigs around Wellington, released our first album in 2017, and performed a successful season in the NZ Fringe Festival in 2018.

By this time I’d turned 40 and, driven out of Wellington by the absurdity of the NZ housing market,

moved to the Wairarapa –

the Electricka Zoo played in Featherston, our last gig (to date)

I also began to experiment with animated visuals:

The

Other Islands: 2012-2018

compilation received some career-best reviews:

“The 20 song album covers traditional Javanese and Balinese gamelan, Asia-Pacific folk music, free jazz, and free noise…. If you have an open inquiring mind and love hearing a variety of sound, this is excellent. – Darryl Baser, muzic.net.nz“

The last five (of the 20) tracks were recorded in 2018 – each in a different genre:

* a new Indonesia-inspired electro-acoustic collaboration with Emit Snake-Beings

* a solo acoustic song written by my great-great-grandfather

Poems & Lyrics by John Collie (1856)

(in the English

and Scotch Dialects).

In 1856, my great-great-grandfather John Collie (1834-1893), of Boyndie, Scotland, published a book : Poems and Lyrics

“T’were a noble sight to see the mighty men of old, who bled that their countries might be free from the tyrants’ fatal hold – yet I’d deem it a nobler sight by far to behold the sons of the harp & lyre!“
John Collie (1834-1893)

I started setting some the poems to music over the past few years – along with some of his other descendants: my nephews Hans and Rhys Landon-Lane, my niece Celeste Rochery, and my sister Megan Edwards-Rochery .