banjo

Live 2019

Posted on Updated on

An acoustic solo set, live at Wairarapa TV in Masterton, New Zealand

– which took place live on the internet. This was simulcast on Freeview CH41, ArrowFM 89.7FM and YouTube.

The set was part of the Property Law Service May Music Marathon – 12 straight hours of live Music to Television screens during NZ Music Month on May the 4th 2019.

Living in a small town I don’t get to as many gigs as I used to… so here using 21st century technology to play ‘virtually’ everywhere.

I kept my half hour minimal and acoustic (the discord and electric noise I’m saving for another time soon) and updated my past – with

Read the rest of this entry »

Advertisements

The Land of My Youth (by John Collie, 1856)

Posted on Updated on

Poem by John Collie (1834-1893),

 

from his book Poems and Lyrics in the English and Scotch Dialects, published in Banffshire, Scotland in 1856

Performed by his great-great-grandson Dave Edwards on banjo at Wairarapa TV in Masterton, New Zealand, 4 May 2019.

John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.

Read the rest of this entry »

아리랑

Posted on Updated on

Live 4th May 2019 at Wairarapa TV May Music Marathon

Banjo rendition of a Korean folk tune 아리랑 (“Arirang”).  The banjo is not typically found in Korean music – this would normally be played on a gayageum.

Read the rest of this entry »

The Land of My Youth (by John Collie, 1856), January demo version

Posted on Updated on

January 2019, looking for a new sound and a new project – after completing Other Islands: 2012-2018.

It’s a poem by John Collie (1834-1893), my great-great-grandfather

from his book Poems and Lyrics in the English and Scotch Dialects, published in Scotland in 1856

John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.

In May I performed it live on Wairarapa TV.

 

Lyrics

Read the rest of this entry »

2005

Posted on Updated on

2005

The year got off to a good start, with Ascension Band: Evolution

The successful collaboration with Nigel Patterson, Ryan Prebble, and over a dozen other musicians, from jazz-schooled to untrained punks, won the best music award in the NZ Fringe Festival.

I had my first taste of success (the fame part of Fame & Oblivion 2005-2012)

Melbourne, VIC, Australia 2005

…But by this time I was ready to see the world beyond Aotearoa.  I shifted across the Tasman Sea to Melbourne – in Australia, the West Island.

 

For the next few months I lived in Brunswick, and worked in temp jobs around the city and in rural Victoria.

 

This slideshow requires JavaScript.

The results became After Maths & Sciences

Read the rest of this entry »

Isa Lei, and the Yasawa islands, Fiji

Posted on Updated on

This odd arrangement of a traditional Fijian folk song was inspired by hearing the real thing.

In May I visited the Yasawa Islands, to the northwest of Nadi and the main Fijian island Viti Levu.

The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning

 

The marine life included

Part of Other Islands: 2012-2018

– recent highlights recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa

View this post on Instagram

Soso village #Yasawa #fijiislands #fiji #2018travel

A post shared by Dave Edwards (@fiffdimension) on

Other Islands: 2012-2018

Posted on Updated on

fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

This slideshow requires JavaScript.

Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013