Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Mike Kingston: guitar, bass, clarinet, electronics Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics Simon Sweetman: drums and percussion, electronics
Out now!! the new collaboration with even more legendary & underground NZ artist Snake Beings.
Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word. The album was recorded in and near Auckland, New Zealand in 2014–2015 and includes live performances at Vitamin S and the Audio Foundation.
Emit Snake-Beings, who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz
Music and video by Dave Black & Cylvi Manthyng from a road trip north from Perth, Western Australia. Kalbarri is a small town of just over a thousand people, known for its rocky coastline, red landscape, spring flowers, and pounding surf.
Each contributor created two mins of raw sound – a single track recorded live with no post-processing. After each set of four tracks arrived, they were blindly put together to create each track – as & when they arrived in Corporal Tofulung’s inbox.
The title of the album was created by writing the 40 contributed words on individual pieces of paper & drawing them randomly out of a bucket. Read the rest of this entry »
“This is something that he has to do, that he will do, come fame or oblivion” –Chris Knox
The second volume of fiffdimension’s best-of compilations, a sequel to Gleefully Unknown: 1997-2005, sees increasingly wide-ranging experimentation and exploration both sonically and geographically, from New Zealand and beyond to Australia and East Asia.
Gareth Farr & Gamelan Taniwha Jaya, 2010
Ascension Band stage rig
Steampunk Folktronica, 2010
Ascension Band stage rig
South Island Sessions (2013)
Dadaepo beach, Busan, South Korea
Dave Black, 2006
Ascension Band: Evolution (2005)
Dave Black & Nat da Hatt climb Mt Yakushidake, Japan, 2012
1861 revisited – my first pakeha (European) ancestors, Totara Jack and Mary, arrived in the South Island of New Zealand on board the Olympus and settled in Nelson.
John ‘Totara Jack’ Edwards
When I lived nearby a century and a half later,
I found the address where they’d lived, just below a spot on a hill that marks the geographical centre of NZ. To the north is Tasman Bay, and south are the foothills of the Southern Alps.
I jammed with South Island musicians; studied at the Nelson School of Music; played in Hokitika, Greymouth, Westport, Nelson, Blenheim, Lyttelton and Dunedin (as well as Brisbane, Australia); and recorded the sound of tui and makomako (native birds) in Nelson Lakes National Park.
Music by:
Dave Black – acoustic guitar, banjo, drums, harmonica, laptop, field recordings, tenor sax, and vocals
Cylvi Manthyng – vocals & phat beatz
Hayden Gifkins / Matt Thornicroft – electric guitars
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