banjo

아리랑

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Live 4th May 2019 at Wairarapa TV May Music Marathon

Banjo rendition of a Korean folk tune 아리랑 (“Arirang”).  The banjo is not typically found in Korean music – this would normally be played on a gayageum.

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The Land of My Youth (by John Collie, 1856)

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Poem by John Collie (1834-1893),

 

from his book Poems and Lyrics in the English and Scotch Dialects, published in Scotland in 1856

Performed by his great-great-grandson Dave Edwards in Featherston, New Zealand, January 2019.

John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.

 

 

 

 

 

Lyrics

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2005

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2005

The year got off to a good start, with Ascension Band: Evolution

The successful collaboration with Nigel Patterson, Ryan Prebble, and over a dozen other musicians, from jazz-schooled to untrained punks, won the best music award in the NZ Fringe Festival.

I had my first taste of success (the fame part of Fame & Oblivion 2005-2012)

Melbourne, VIC, Australia 2005

…But by this time I was ready to see the world beyond Aotearoa.  I shifted across the Tasman Sea to Melbourne – in Australia, the West Island.

 

For the next few months I lived in Brunswick, and worked in temp jobs around the city and in rural Victoria.

 

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The results became After Maths & Sciences

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Isa Lei, and the Yasawa islands, Fiji

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This odd arrangement of a traditional Fijian folk song was inspired by hearing the real thing.

In May I visited the Yasawa Islands, to the northwest of Nadi and the main Fijian island Viti Levu.

The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning

 

The marine life included

Part of Other Islands: 2012-2018

– recent highlights recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa

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Soso village #Yasawa #fijiislands #fiji #2018travel

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Other Islands: 2012-2018

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fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

The Winter: Exit Points

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Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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