new zealand

Loose Autumn Moans (2003)

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“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”

George Parsons, Dream Magazine #5

All acoustic, with a string section, recorded and mixed on analogue equipment, and originally released on cassette in 2003 – new 2020 remaster.

Featuring

Sam Prebble (violin)

Mike Kingston (cello)

sam & san

and Simon Sweetman on percussion.

simon w newspaper

Wellington, New Zealand

Bats Theatre, Wellington NZ 2003

 

Loose Autumn Moans consists of five acoustic ensemble tracks:

1.
2.
3.
4.
5.

The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.

 

The original C60 cassette (and later online) release included solo interludes recorded in 2002. These are now available separately as

After the Filmshoot (2002)

By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.

Sam Prebble RIP, 2014

Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.

Further listening

The collaboration with these guys followed on from

The Winter: Parataxes

The Winter live at Photospace Gallery, July 2003 (photo by James Gilberd)

The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)

“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.”The Broken Face

Read the rest of this entry »

Other Islands: 2012-2018

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fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

2017 roundup

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Our main news of 2017 was The Electricka Zoo‘s debut album.  music.net.nz called it “a totally original, mind-warping album”.

It’s not too late for your best-album-of-2017 lists, so get your copy today (just click the ‘buy’ button above… yes we’re still more interested in ‘the album’, as a unified artform, with a theme and structure, rather than streaming playlists).

Our next big project is a show in the NZ Fringe Festival – watch this space.

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Meanwhile this year we made some progress on social media, reaching the modest milestones of 200 likes for fiffdimension and 100 likes for the Electricka Zoo on Facebook.

We also Read the rest of this entry »

Phantasticus Acousticus

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Phantasticus is a 5 piece high-energy gypsy-flavours ensemble hailing from Wellington, the Gypsy-Balkan capital of New Zealand.

 The lineup combines the fearless fiddling skills of Ana Christie and Alex Hills, matched by the awesome forces of Michael Kingston and Rick Shaw on guitar, all wrapped up in the powerful bass boutique of Jacqui Nyman.

With an album of delicious original tunes under their belt, Phantasticus are taking the world by storm.  These musicians are so well-seasoned they will leave you asking for ‘Kiwi-hot please’.

Mike Kingston is a key member of The Winter.  He plays guitar or cello on several fiffdimension tracks

Free mp3s 2014 – 2015

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New free downloads 2014-2015 !  Pay koha / what you want for

Ngumbang

the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.

and

ネオン列車の風景 Neon Train Landscapes

(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.

plus

The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards

and

Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net

and a video clip of

Gamelan Taniwha Jaya

rejection-dryrot-ripple-gombageand Dave and Cylvi contributed to Postmoderncore‘s first volume of Dada Songwriting Compilation, Rejection dryrot ripple Gombage.

 

Enjoy!

We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!

in the non-idiomatic idiom in Norway (part 1, 1999)

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978-1-877448-59-1A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.

in the non-idiomatic idiom in Norway is a collection of improvised Simon O'Rorkeinstrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players – including Jeff Henderson, Blair Latham , Paul Winstanley, Dan Beban, Julie Bevan and more.

It was recorded in Wellington in two halves, in 1999

Simon O’Rorke – percussion

Paul Winstanley – synth bass
Blair Latham – alto sax
Jeff Henderson – clarinet
Bridget Kelly – tenor sax
Dan Beban – electric guitar
Dave Edwards – electric and acoustic guitars

and 2014, to show an evolution.

Simon O’Rorke – synthesisers

Blair Latham –  bass clarinet
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – bass, electronics, tenor sax

Free improvisation is a genre of music with a self-explanatory name.  Nothing is planned in advance, and the performers create the music on the spot by responding to what the others are doing in that moment. Read the rest of this entry »

dAdApApA: Waiting for the Drummer

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A companion to The Marion Flowrecorded in 1999 by the same lineup who provided that album’s longest (and least conventionally song-based track, pointing the way towards the increasingly radio-unfriendly Mantis Shaped and Worrying), “Lucifer Directing Traffic (at 3AM)”

Recording engineer Paul Winstanley, head of the excellent, now San Francisco-based avant-garde music label Eden Gully recalls it thus:

“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth an ad hoc group of associated locals assembled to record for several sessions of improvised rock/noise deconstruction. really, the only rock references here come from the guitars, with the sputtering synth, air-sucking turntables, didgeridoo and sundry toys providing layers of surreal abstraction. throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye.

“it wasn’t until several years later after the master mixes had been lost, partially recovered and then rediscovered intact again that “Waiting for the Drummer’ was given a final mastering and released as a CDR on EdenGully. it’s been a long strange journey…..”

credits

released 01 August 2006 on Eden Gully as EG15

Fiff Dimension Dave – guitars, spoken word and furbie / Speed Cook – turntables and recording / Pal Diddly – synth and pithy observations / The Digitator – guitar, didgeridoo / BWafer – vacuum cleaner and coffees

Mezcla de Refresco

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$1

Mezcla de Refresco is a new duo featuring Nat da Hatt (who also performs with fellow kiwi Dave Black on their Japanese psychedelic duo album ネオン列車の風景 Neon Train Landscapes)
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Richard Morrison: jaw harp, Korg synthesizer, samples

Nathan Palmer: guitar, Korg vocoder, samples, thumb piano

Mixed and engineered by Nathan Palmer. Read the rest of this entry »