Coming soon in 2017… new projects on the go, available to pre-order.
The Electricka Zoo
The debut album from the Hutt Valley guitar/bass and live electronica duo – full of eclectic electric sonic surprises.
Other Islands: 2012-2017
Pre-order now and you’ll be automatically sent the download link to the full albums once these are released, along with bonus material not available for streaming.
Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
1861 revisited – Read the rest of this entry »
New free downloads 2014-2015 ! Pay koha / what you want for
the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.
(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.
The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards
Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net
and a video clip of
We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Out now!! the new collaboration with even more legendary & underground NZ artist Snake Beings.
Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word. The album was recorded in and near Auckland, New Zealand in 2014–2015 and includes live performances at Vitamin S and the Audio Foundation.
Emit Snake-Beings, who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz
Dave Black, originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com
‘Ngumbang’ is Read the rest of this entry »
A companion to The Marion Flow, recorded in 1999 by the same lineup who provided that album’s longest (and least conventionally song-based track, pointing the way towards the increasingly radio-unfriendly Mantis Shaped and Worrying), “Lucifer Directing Traffic (at 3AM)”
Recording engineer Paul Winstanley, head of the excellent, now San Francisco-based avant-garde music label Eden Gully recalls it thus:
“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth an ad hoc group of associated locals assembled to record for several sessions of improvised rock/noise deconstruction. really, the only rock references here come from the guitars, with the sputtering synth, air-sucking turntables, didgeridoo and sundry toys providing layers of surreal abstraction. throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye.
“it wasn’t until several years later after the master mixes had been lost, partially recovered and then rediscovered intact again that “Waiting for the Drummer’ was given a final mastering and released as a CDR on EdenGully. it’s been a long strange journey…..”