electroacoustic

Isa Lei, and the Yasawa islands, Fiji

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This odd arrangement of a traditional Fijian folk song was inspired by hearing the real thing.

In May I visited the Yasawa Islands, to the northwest of Nadi and the main Fijian island Viti Levu.

The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning

 

The marine life included

Part of Other Islands: 2012-2018

– recent highlights recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa

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Soso village #Yasawa #fijiislands #fiji #2018travel

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Other Islands: 2012-2018

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fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)

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Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).

Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi

As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.

Free mp3s 2014 – 2015

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New free downloads 2014-2015 !  Pay koha / what you want for

Ngumbang

the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.

and

ネオン列車の風景 Neon Train Landscapes

(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.

plus

The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards

and

Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net

and a video clip of

Gamelan Taniwha Jaya

rejection-dryrot-ripple-gombageand Dave and Cylvi contributed to Postmoderncore‘s first volume of Dada Songwriting Compilation, Rejection dryrot ripple Gombage.

 

Enjoy!

We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!

The Winter: Exit Points

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Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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Ngumbang

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Out now!! the new collaboration with even more legendary & underground NZ artist Snake Beings.

Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.  The album was recorded in and near Auckland, New Zealand in 20142015 and includes live performances at Vitamin S and the Audio Foundation.

Emit Snake-Beings, who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz

Dave Black, originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com

Dave Black & Snake Beings
Dave Black & Snake Beings

‘Ngumbang’ is Read the rest of this entry »