A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.
in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players.
Simon O’Rorke – synthesisers
I spent the longest night of the year at home and improvised this:
I think of acoustic as yin and electric as yang forces.
The year got off to a good start, with Ascension Band: Evolution
I had my first taste of success (the fame part of Fame & Oblivion 2005-2012)…
…But by this time I was ready to see the world beyond Aotearoa. I shifted across the Tasman Sea to Melbourne – in Australia, the West Island.
For the next few months I lived in Brunswick, and worked in temp jobs around the city and in rural Victoria.
The results became After Maths & Sciences
A Ton of Feathers is the first collaboration
by Campbell Kneale (guitar, analogue synth)
& Dave Black (bass, electric toothbrush, video).
Made in Featherston, Wairarapa NZ in 2018.
New Zealand folk music, in the tradition of Birchville Cat Motel, the Dead C, and Len Lye.
This excerpt appears on the compilation Other Islands: 2012-2018, and is part of a longer piece…
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.
And hear the previous compilations
Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme. ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.
1861 revisited – Read the rest of this entry »