1856 to 2024 – DIY outsider music, from Aotearoa NZ and beyond
New live album!
With New Zealand in lockdown this might be the next best thing to an actual gig..
Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18
Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18
As part of the New Zealand Fringe Festival
The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar
Here’s a pair of new (late 2019) tracks from The Electricka Zoo
Keyboards & electronica by the Digitator
& Dave Black on electric guitar
in Upper Hutt, New Zealand, November 2019
Get our album if you haven’t already!
Here’s my first Spotify playlist… a mix of my own tracks and by other artists who I’ve had the privilege to meet and be inspired by, in several cases played gigs alongside and/or collaborated with.
Thank you all for the journey! And some great music here.
Continue reading “Spotify playlist – fiffdimension & friends”
“It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002
Produced by Paul Winstanley, & featuring Steve Duffels, the Digitator, the Dadapapa Magickclone Orchestra and more. Recorded at the TFC Lounge, New Plymouth, 1999 – with special thanks to Brian Wafer.
The Marion Flow is a pre-millennial fusion of warm acoustic pop, spoken word and postpunk discord.. An almost-acknowledged New Zealand classic from Taranaki – of its time (the ’90s!) yet timeless.
In 1999, aged 20, I left New Plymouth, a large rural town, where I grew up, and moved to Wellington, New Zealand’s capital city, where I was born. The Marion Flow reflects this journey, geographically, sonically and spiritually.
The Marion Flow was originally a longer album spanning recordings from New Plymouth in 1999 and Wellington in 2001. I’ve now reissued the two halves separately – to emphasise the sense of time and place, and stylistic evolution, and to re-present each more concisely for the short-attention-span 21st century.
This page is for the 1999 New Plymouth sessions;
fiffdimension vol3
(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,
a song by my great-great-grandfather John Collie (1856),
and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
ネオン列車の風景 Neon Train Landscapes (2010-15)
Ngumbang (2014-15)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.
And hear the previous compilations
Postscript: thanks for coming along, keep an eye on www.fiffdimension.com/the-electricka-zoo for more!
_________________
Friday 16 March, 8:00pm, free entry, @ Leroy’s Bar, 2 Plimmer Steps
New Zealand Fringe Festival:
Our main news of 2017 was The Electricka Zoo‘s debut album. music.net.nz called it “a totally original, mind-warping album”.
It’s not too late for your best-album-of-2017 lists, so get your copy today (just click the ‘buy’ button above… yes we’re still more interested in ‘the album’, as a unified artform, with a theme and structure, rather than streaming playlists).
Our next big project is a show in the NZ Fringe Festival – watch this space.
Meanwhile this year we made some progress on social media, reaching the modest milestones of 200 likes for fiffdimension and 100 likes for the Electricka Zoo on Facebook.
We also Continue reading “2017 roundup”
Our version of a catchy groove, the first track off the Electricka Zoo album… we’re working on a music video and maybe a 7″ remix, but in the meantime…
Thanks everyone who came to see The Electricka Zoo in the 2017 Battle of the Bands…
The Electricka Zoo are one of Wellington’s most intriguing new live bands, a bass/guitar and live electronica duo of Dave Black and the Digitator.
We combine diverse influences from EDM to postpunk avant-garde rock, jazz, reggae, Balkan and Portuguese music into our own homegrown NZ sound.
Battle of the Bands – National Championship is New Zealand’s largest and longest running R18 Band competition; events take place nationwide, allowing bands throughout the country to take part. The event has been an annual feature of the New Zealand music scene since 1993. Continue reading “the Electricka Zoo @ Battle of the Bands”
We’re happy to announce the release of the Electricka Zoo‘s first (self-titled) album.
The duo of Dave Black & the Digitator, The Electricka Zoo combine influences from EDM and post-punk avant-garde rock to jazz, reggae, Balkan and Portuguese music. Their self-titled debut album features 8 original tunes by the bass/guitar and electronica duo wrapped in colourful mandala artwork by Lucie Hannon.
Thanks everyone who came to the launch gig at the Pyramid Club !
fiffdimension 