field recordings

Other Islands: 2012-2018

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Coming in 2018

The third volume of fiffdimension’s best-of compilations (see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012) brings us into the current decade – with further wide-ranging experimentation and exploration both sonically and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

Now available to pre-order (some tracks available immediately and you’ll be automatically sent the rest once everything’s finalised).

Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-2015)

Ngumbang (2014-2015)

The Winter: Exit Points (2010/2015)

The Electricka Zoo (2017)

and previously unheard tracks

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Cylvi M (vocal, field recordings, percussion, shakuhachi), Emit Snake-Beings (vocal, percussion, flute, electronics), Blair Latham (bass clarinet), Simon O’Rorke (synthesiser), Chris Prosser (violin), Julie Bevan (acoustic guitar), the Digitator (electric drums, keyboards & loops),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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If you enjoy this, try the previous volumes Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012

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New releases coming in 2017

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Coming soon in 2017… new projects on the go, available to pre-order.

The Electricka Zoo


The debut album from the Hutt Valley guitar/bass and live electronica duo – full of eclectic electric sonic surprises.

and

Other Islands: 2012-2017


Our third overview compilation* of album tracks and previously unreleased recordings – made in Okinawa, Indonesia, Western Australia, Fiji, and New Zealand.

*see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012

Pre-order now and you’ll be automatically sent the download link to the full albums once these are released, along with bonus material not available for streaming.

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Also coming in the near future, two new field-recording based albums made of sounds from Western Australia and Indonesia. We didn’t release an album in 2016, but that wasn’t for lack of ideas!

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)

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Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).

Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi

As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.

Free mp3s 2014 – 2015

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New free downloads 2014-2015 !  Pay koha / what you want for

Ngumbang

the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.

and

ネオン列車の風景 Neon Train Landscapes

(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.

plus

The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards

and

Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net

and a video clip of

Gamelan Taniwha Jaya

rejection-dryrot-ripple-gombageand Dave and Cylvi contributed to Postmoderncore‘s first volume of Dada Songwriting Compilation, Rejection dryrot ripple Gombage.

 

Enjoy!

We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!

Bali, Indonesia

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There’s my first video from Bali, from footage taken on my earlier visit in August.  Note the gamelan (bronze percussion) and rindik (bamboo percussion) soundtrack.

I left my job in Perth and am on my way home to New Zealand, so I’m nervous about jobhunting & starting all over again (again).  On the way home I’m spending a week on a smaller island, Nusa Penida, doing conservation volunteer work with www.fnpf.org  If you’d like to help me afford to stay longer and make more of a contribution  ($20 = 1 day’s expenses) please  – or even better, buy some of our music.

Bali is (once you get away from the main city and the tacky resorts in the south) an almost absurdly beautiful place… frangipani and Indonesian flags (preparing for the August 17th independence day celebrations) everywhere, majestic hillsides lined with centuries-old rice terraces, and too many Hindu temples to count (each family has their own). That plus the many international flights, and entertainment options from adventure sports to nightclubbing to traditional arts make it easy to see why it’s such a popular destination (I read somewhere that 80% of visitors to Indonesia go to Bali and nowhere else, which makes me glad I saw Java first).

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ネオン列車の風景 Neon Train Landscapes

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Music by Dave Black & Nat da Hatt – two New Zealanders living in Japan.   楽しむことができます!
 Like 日本 itself, this music offers a surrealistic fusion of ancient and modern.                 released 31 January 2014
Nat da Hatt – electric & acoustic guitars, drum machine, synths, laptop, samples
Dave Black – bass, banjo, acoustic guitar (5), electric guitar (3), loop pedal, electronics, laptop, field recordings

Welcome to the Year of the Horse!

Fame & Oblivion: 2005-2012

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“This is something that he has to do, that he will do, come fame or oblivion” –Chris Knox

Now available on Spotify, iTunes, Bandcamp, Deezer etc

The second volume of fiffdimension’s best-of compilations (a sequel to Gleefully Unknown: 1997-2005) sees increasingly wide-ranging experimentation and exploration both sonically and geographically, from New Zealand and beyond to Australia and East Asia, and a reinvention as Dave Black.

Whereas the first volume Gleefully Unknown: 1997-2005 showed a youthful kiwi fusion of songs with more avant-garde spoken word and instrumental pieces, Fame & Oblivion: 2005-2012 documents me in my late 20s and early 30s moving beyond these parameters.
My approach became less introspective and more journalistic – thanks to new influences from years spent living abroad in Australia, South Korea and Japan. New elements include the banjo, electronica, field recordings, multimedia performances, and touches of traditional Asian music. I also adopted the moniker Dave Black, to differentiate from my earlier works.

A third volume, Other Islands: 2012-2018  will be out in the next couple of months and include my return to NZ and more recent works.

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Featuring tracks from the albums

Ascension Band: Evolution (2005)

After Maths & Sciences (2005-2006)

South Island Sessions (2006)

First Time Around: East Asia (2008)

The Winter: 2011 (2011)

The Winter: Exit Points (2010/2015)

ネオン列車の風景 Neon Train Landscapes (2010-2015)

and previously unheard tracks

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, gayageum, vocal), with

Mike Kingston (acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Hayden Gifkins (electric guitar), Nigel Patterson (hammond organ), Ryan Prebble (tone generator), Matthew Thornicroft (electric guitar), Cylvi M (vocal, field recordings, percussion, shakuhachi), Jeff Henderson (drums), Noel Meek (vocal), Clever Hansel (ukulele)

and field recordings from Australia, South Korea, Thailand, Mongolia, and Japan.

If you enjoy this, try the first volume Gleefully Unknown: 1997-2005 and the third, Other Islands: 2012-2018