Free improv

in the non-idiomatic idiom in Norway (part 2, 2014)

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978-1-877448-59-1

A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.

in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players.

with

Simon O’Rorke – synthesisers

Blair Latham – bass clarinet
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – bass, electronics, tenor sax (8)

These sessions were recorded in 2014. I’d just returned from living overseas, 15 years after my first exposure to Wellington free jazz.

The first volume was recorded in Wellington in 1999

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11 through the viewer 7

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11th July 2019

Improvised acoustic guitar and video effects by Dave Black,

Featherston, NZ.

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Solstice Shards 19

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I spent the longest night of the year at home and improvised this:

. As I’d been doing mainly solo acoustic songs recently this was a palette cleansing electric improvisation from the other side of my coin.

I think of acoustic as yin and electric as yang forces.

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Other Islands: 2012-2018

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fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

22nd July – Tapioca Dragon, the Electricka Zoo, 1/3 Octave Band @ Pyramid Club

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A night of improv, otherworld musics, and ethereal sonic crunch at Wellington’s Pyramid Club, plus an album release for The Electricka Zoo.

Saturday 22nd July 2017, 8pm

@ the Pyramid Club

272 Taranaki Street, Wellington NZ – $10 door sales

 The Electricka Zoo


The duo of Dave Black & the Digitator, The Electricka Zoo combine influences from EDM and post-punk avant-garde rock to jazz, reggae, Balkan and Portuguese music. Their self-titled debut album will be released at this gig, and features 8 original tunes by the bass/guitar and electronica duo wrapped in colourful mandala artwork by Lucie Hannon.

1/3 Octave Band

Also in the line up; the 1/3 Octave Band, aka Bill Wood. A master of tones and drones, Bill an his collaborators in the group have released many CD,s LP’s over the past decade, and recently been championed by no less than former Black Flag frontman Henry Rollins in his column for LA Weekly. Don’t miss this once a year appearance from Mr Wood.

Tapioca Dragon

And let’s not forget and that merry duo of free thinkers, Tapioca Dragon, feat. Andy Wright (ex-Orchestra of Spheres) and Mark Williams (MarineVille / Cookie Brooklyn and the Crumbs). Tapioca Dragon released their debut album last year, a collection of 5 improvisations building from sparse, loops and jabs into a psychedelic spin cycle.

The Winter: Exit Points

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Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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