brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.
And hear the previous compilations
A night of improv, otherworld musics, and ethereal sonic crunch at Wellington’s Pyramid Club, plus an album release for The Electricka Zoo.
Saturday 22nd July 2017, 8pm
@ the Pyramid Club
272 Taranaki Street, Wellington NZ – $10 door sales
The duo of Dave Black & the Digitator, The Electricka Zoo combine influences from EDM and post-punk avant-garde rock to jazz, reggae, Balkan and Portuguese music. Their self-titled debut album will be released at this gig, and features 8 original tunes by the bass/guitar and electronica duo wrapped in colourful mandala artwork by Lucie Hannon.
Also in the line up; the 1/3 Octave Band, aka Bill Wood. A master of tones and drones, Bill an his collaborators in the group have released many CD,s LP’s over the past decade, and recently been championed by no less than former Black Flag frontman Henry Rollins in his column for LA Weekly. Don’t miss this once a year appearance from Mr Wood.
And let’s not forget and that merry duo of free thinkers, Tapioca Dragon, feat. Andy Wright (ex-Orchestra of Spheres) and Mark Williams (MarineVille / Cookie Brooklyn and the Crumbs). Tapioca Dragon released their debut album last year, a collection of 5 improvisations building from sparse, loops and jabs into a psychedelic spin cycle.
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Out now!! the new collaboration with even more legendary & underground NZ artist Snake Beings.
Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word. The album was recorded in and near Auckland, New Zealand in 2014–2015 and includes live performances at Vitamin S and the Audio Foundation.
Emit Snake-Beings, who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz
Dave Black, originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com
‘Ngumbang’ is Read the rest of this entry »
A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.
in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players – including Jeff Henderson, Blair Latham, Paul Winstanley, Dan Beban, Julie Bevan and more.
It was partly recorded in 1999 and partly in 2014, to show an evolution. An easy way to tell them apart is that Simon O’Rorke played percussion on all the 1999 tracks and synthesiser on all the 2014 ones.
Simon O’Rorke – percussion, synthesisers
Paul Winstanley – synth bass
Blair Latham – alto sax, bass clarinet
Jeff Henderson – clarinet
Bridget Kelly – tenor sax
Dan Beban – electric guitar
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – electric and acoustic guitars, bass, electronics, tenor sax
Read the rest of this entry »
A companion to The Marion Flow, recorded in 1999 by the same lineup who provided that album’s longest (and least conventionally song-based track, pointing the way towards the increasingly radio-unfriendly Mantis Shaped and Worrying), “Lucifer Directing Traffic (at 3AM)”
Recording engineer Paul Winstanley, head of the excellent, now San Francisco-based avant-garde music label Eden Gully recalls it thus:
“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth an ad hoc group of associated locals assembled to record for several sessions of improvised rock/noise deconstruction. really, the only rock references here come from the guitars, with the sputtering synth, air-sucking turntables, didgeridoo and sundry toys providing layers of surreal abstraction. throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye.
“it wasn’t until several years later after the master mixes had been lost, partially recovered and then rediscovered intact again that “Waiting for the Drummer’ was given a final mastering and released as a CDR on EdenGully. it’s been a long strange journey…..”