Free improv
Other Islands: 2012-2018
Coming in 2018
The third fiffdimension compilation (see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012) brings us into the current decade – with further wide-ranging experimentation and exploration both sonically and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
Now available to pre-order (some tracks available immediately and you’ll be automatically sent the rest once everything’s finalised).
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
ネオン列車の風景 Neon Train Landscapes (2010-2015)
Ngumbang (2014-2015)
The Winter: Exit Points (2010/2015)
The Electricka Zoo (2017)
and previously unheard tracks
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Cylvi M (vocal, field recordings, percussion, shakuhachi), Emit Snake-Beings (vocal, percussion, flute, electronics), Blair Latham (bass clarinet), Simon O’Rorke (synthesiser), Chris Prosser (violin), Julie Bevan (acoustic guitar), the Digitator (electric drums, keyboards & loops),
plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,
and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.
If you enjoy this, try the previous volumes Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012
22nd July – Tapioca Dragon, the Electricka Zoo, 1/3 Octave Band @ Pyramid Club
A night of improv, otherworld musics, and ethereal sonic crunch at Wellington’s Pyramid Club, plus an album release for The Electricka Zoo.
Saturday 22nd July 2017, 8pm
@ the Pyramid Club
272 Taranaki Street, Wellington NZ – $10 door sales
The Electricka Zoo
The duo of Dave Black & the Digitator, The Electricka Zoo combine influences from EDM and post-punk avant-garde rock to jazz, reggae, Balkan and Portuguese music. Their self-titled debut album will be released at this gig, and features 8 original tunes by the bass/guitar and electronica duo wrapped in colourful mandala artwork by Lucie Hannon.
1/3 Octave Band
Also in the line up; the 1/3 Octave Band, aka Bill Wood. A master of tones and drones, Bill an his collaborators in the group have released many CD,s LP’s over the past decade, and recently been championed by no less than former Black Flag frontman Henry Rollins in his column for LA Weekly. Don’t miss this once a year appearance from Mr Wood.
Tapioca Dragon
And let’s not forget and that merry duo of free thinkers, Tapioca Dragon, feat. Andy Wright (ex-Orchestra of Spheres) and Mark Williams (MarineVille / Cookie Brooklyn and the Crumbs). Tapioca Dragon released their debut album last year, a collection of 5 improvisations building from sparse, loops and jabs into a psychedelic spin cycle.
New releases coming in 2017
Coming soon in 2017… new projects on the go, available to pre-order.
The Electricka Zoo
The debut album from the Hutt Valley guitar/bass and live electronica duo – full of eclectic electric sonic surprises.
and
Other Islands: 2012-2017
Our third overview compilation* of album tracks and previously unreleased recordings – made in Okinawa, Indonesia, Western Australia, Fiji, and New Zealand.
*see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012
Pre-order now and you’ll be automatically sent the download link to the full albums once these are released, along with bonus material not available for streaming.
Also coming in the near future, two new field-recording based albums made of sounds from Western Australia and Indonesia. We didn’t release an album in 2016, but that wasn’t for lack of ideas!
The Winter: Exit Points
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics
The Winter at Pyramid Club, 2015
Thanks to Brent for the photos and to everyone who came along to the Pyramid Club on Thursday!
Ngumbang
Out now!! the new collaboration with even more legendary & underground NZ artist Snake Beings.
Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word. The album was recorded in and near Auckland, New Zealand in 2014–2015 and includes live performances at Vitamin S and the Audio Foundation.
Emit Snake-Beings, who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz
Dave Black, originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com
‘Ngumbang’ is Read the rest of this entry »
in the non-idiomatic idiom in Norway
A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.
in the non-idiomatic idiom in Norway is a collection of improvised 
instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players – including Jeff Henderson, Blair Latham, Paul Winstanley, Dan Beban, Julie Bevan and more.
It was partly recorded in 1999 and partly in 2014, to show an evolution. An easy way to tell them apart is that Simon O’Rorke played percussion on all the 1999 tracks and synthesiser on all the 2014 ones.
Featuring
Simon O’Rorke – percussion, synthesisers
Paul Winstanley – synth bass
Blair Latham – alto sax, bass clarinet
Jeff Henderson – clarinet
Bridget Kelly – tenor sax
Dan Beban – electric guitar
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – electric and acoustic guitars, bass, electronics, tenor sax
Read the rest of this entry »
