electric guitar

Top 10 albums*

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by Dave Edwards (aka Dave Black) and collaborators,

202120202010s 2000s 1990s 1850s

#1 Other Islands: 2012-2018

Gamelan Taniwha Jaya at Te Papa, Wellington, 2016

Compilation made in New Zealand, Okinawa, Western AustraliaIndonesia and Fiji,,

by Dave Black with The Winter, The Electricka Zoo, Dr Emit Snake-Beings, Nat da Hatt, Campbell Kneale, Gamelan Sekar Puri, Gamelan Padhang Moncar, and Gamelan Taniwha Jaya

“The 20 song album covers traditional Javanese and Balinese gamelan, AsiaPacific folk music, free jazz, and free noise…. If you have an open inquiring mind and love hearing a variety of sound, this is excellent. – Darryl Baser, muzic.net.nz

#2: Fame & Oblivion: 2005-2012

Taking a Korean gayageum lesson, 2007

vol2 – made in New Zealand, Australia, South Korea, Thailand, Mongolia, and Japan,

by Dave Black with Ascension Band, The Winter, Nat da Hatt, Wellington’s Most Famous Orchestra, and Cylvi M

“Experimental and avant-garde…. There is a clear passion, and a commitment to pushing the boundaries… This will challenge your perceptions of what constitutes music and open the mind to new possibilities of sounds that surround us – muzic.net.nz

#3 The Electricka Zoo (2017)

The duo of live electronica by the Digitator, and Dave Black on bass and electric guitar (2017)

The Electricka Zoo, 2017

“A totally original, mind warping album that smacks you across the face with big sound…. I salute anyone that makes a whole album out of EDM post-punk avant-garde rock / jazz, reggae, Balkan, [and] Portuguese music” – Corrinne Rutherford, www.muzic.net.nz

# 4 Ngumbang (2015)

Dave Black & Snake Beings

Our first collaboration with the even more legendary & underground artist Dr Emit Snake Beings (2015)

[send us your review]

# 5 After the Filmshoot (2002)

Dave Edwards solo postpunk spoken word free improv guitar spasms (2002)

[send us your review]

#6 Live 1999

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Streaming Silver (2016)

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A new archival release, of early postpunk instrumental improv by ex-Taranaki duo the Electricka Zoo

recorded in 2016, this has nothing to do with Brexit or Trump!

The Electricka Zoo, 2016

These informal recordings are a precursor to our 2017 debut album proper, The Electricka Zoo

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Outono 21

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A new multilayered Dave Black electric improv / xenochronous composition.

The track continues the evolution of my Wairarapa one man band 2020s ‘late style’, which began with Glimpses of Utopia (2020) and Spastic Rhythms (2021)

It was originally created for the Psi-solation+12021 compilation album curated by fellow Featherston resident Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room.

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PSI​-​SOLATION + 1 (one year on)

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PSI-SOLATION | a global compilation of music made in lockdown | CELEBRATE PSI PHENOMENON (bandcamp.com)

2021 compilation album curated by Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room gallery in Featherston.

A sequel to his acclaimed 119-track Psi-solation compilation of music made in lockdown 2020.

Both albums are pay what you want via Campbell’s label, Celebrate Psi Phenomenon.

I contributed a new Dave Black piece, Outono 21.

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ilhas Atlânticas

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The last track on Spastic Rhythms vol 1 is a Dave Black solo rendition of a tune by the Electricka Zoo.

It originally appeared on The Electricka Zoo (2017), and on the Other Islands: 2012-2018 compilation. It’s based around a (non-diatonic) Cmaj7 – Amaj7 pattern, with a bossa nova rhythm.

The words are in (beginner) Portuguese:

Eu gosto de falar

no meus ancestrais

de as ilhas Atlânticas

Madeiras e Açores

It’s dedicated to my great-great-grandfather Manuel Bernard.

Manuel José Bernard (1847-1928)

He was born in 1847 in Ponta Delgada, Flores Island, Azores, Portugal.

Portugal is the westernmost country in Europe, with its back to it geographically and culturally. It was the edge of the known world for Europeans until the Age of Discovery. The Azores islands are even further west.

As a teenager Manuel Bernard stowed away on a passing American whaling ship.

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Spastic Rhythms vol1

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A quickfire Dave Black solo EP, recorded one summer morning, 24 January 2021

[send us your review]

It adds banjo and electric drums to the 2020s Wairarapa DIY solo electric improv style begun in

Glimpses of Utopia (2020)

Glimpses of Utopia

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Palette cleansing electric solo improv.

Recorded in Featherston, New Zealand, 2019-20.

I’m not a trained jazz musician, but nor do I fit neatly into the ‘NZ noise‘ genre.

Further listening

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Campbell Kneale & Dave Black: A Ton of Feathers

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releases October 17, 2020

Campbell Kneale – electric guitar, analogue synth

Dave Black – bass, electric toothbrush, key ring

Featherston, New Zealand,
27-Nov-18

(one continuous take, unabridged, no overdubs – the first time we’d played together)

A 3min excerpt appeared on Other Islands: 2012-2018

but you need to hear the full length version to truly enter Campbell’s world.

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Loose Autumn Moans (2003)

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“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”

George Parsons, Dream Magazine #5

All acoustic, with a string section, recorded and mixed on analogue equipment, and originally released on cassette in 2003 – new 2020 remaster.

Featuring

Sam Prebble (violin)

Mike Kingston (cello)

sam & san

and Simon Sweetman on percussion.

simon w newspaper

Wellington, New Zealand

Bats Theatre, Wellington NZ 2003

 

Loose Autumn Moans consists of five acoustic ensemble tracks:

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4.
5.

The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.

 

The original C60 cassette (and later online) release included solo interludes recorded in 2002. These are now available separately as

After the Filmshoot (2002)

By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.

Sam Prebble RIP, 2014

Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.

Further listening

The collaboration with these guys followed on from

The Winter: Parataxes

The Winter live at Photospace Gallery, July 2003 (photo by James Gilberd)

The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)

“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.”The Broken Face

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After the filmshoot (2002)

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Dave Edwards solo cassette tracks, in Wellington NZ, 2002.

Wellington, New Zealand

 

Hey so the new (2020) album Ruasagavulu is out!

(go there, like, share etc)…

 

& in the meantime, until the next new project, here’s one from the vault:

 
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In 2002, a year whose digits are an anagram of this one’s,  I was living in Wellington (New Zealand’s capital, and my birthplace), looking for a way to follow up the almost-success of The Marion Flow (part 2).

But I was moving further away from conventional 3min song formats into the avant-garde.

This is the second largely solo album I made in 2002.

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