electric guitar

The Electricka Zoo – new tracks, late 2019

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Here’s a pair of new (late 2019) tracks from The Electricka Zoo

Keyboards & electronica by the Digitator

& Dave Black on electric guitar

in Upper Hutt, New Zealand, November 2019

the Electricka Zoo, 2017

Get our album if you haven’t already!

 

in the non-idiomatic idiom in Norway (part 2, 2014)

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978-1-877448-59-1

A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.

in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players.

with

Simon O’Rorke – synthesisers

Blair Latham – bass clarinet
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – bass, electronics, tenor sax (8)

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The Marion Flow (part 1, Taranaki 1999)

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A pre-millennial fusion of warm acoustic pop, spoken word and postpunk discord.. An almost-acknowledged New Zealand classic from Taranaki – of its time (the ’90s!) yet timeless.

Produced by Paul Winstanley, & featuring Steve Duffels, the Digitator, the Dadapapa Magickclone Orchestra and more. Recorded at the TFC Lounge, New Plymouth, 1999 – with special thanks to Brian Wafer.

It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002

In 1999, aged 20, I left New Plymouth, a large rural town, where I grew up, and moved to Wellington, New Zealand’s capital city, where I was born. The Marion Flow reflects this journey, geographically, sonically and spiritually.

The Marion Flow was originally a longer album spanning recordings from New Plymouth in 1999 and Wellington in 2001. I’ve now reissued the two halves separately – to emphasise the sense of time and place, and stylistic evolution, and to re-present each more concisely for the short-attention-span 21st century.

This page is for the 1999 New Plymouth sessions;

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Further listening

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logistical torrents

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31 July 2019

electric guitar and video by Dave Black,

Featherston, NZ.

One in a series of quickfire improvisations with video effects. Rather than finish an album before releasing anything in 2019, I’m opening a curtain on some of my demo ideas in progress.

Solstice Shards 19

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I spent the longest night of the year at home and improvised this:

. As I’d been doing mainly solo acoustic songs recently this was a palette cleansing electric improvisation from the other side of my coin.

I think of acoustic as yin and electric as yang forces.

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Cafes in Conversation

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4th May 2019 at Wairarapa TV May Music Marathon

I wrote this in 1999, after moving to Wellington. I was at an open mic night, at an upstairs bar in Cuba Mall that no longer exists, waiting for my turn to play. I had to wait a while – hence a lot of lyrics.

It was my attempt at a beat poet vibe, reflecting my move to the capital city and discovery of a local jazz scene. Read the rest of this entry »

Live 1999

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by Dave Edwards – electric and acoustic guitars, harmonica, vocal

Live at Bar Bodega, Wellington, New Zealand, June 1999.

I was the opening act for Chris Knox, so this is obviously dedicated to him.

Chris Knox

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