acoustic

Half way to summer, 21 June 2018

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Thursday 21 June, 8pm @ Fringe Bar

26-32 Allen Street, Wellington, NZ

fiffdimension is an umbrella name for music and multimedia projects by Dave Edwards, solo or with various collaborators. Shows may include acoustic songs, spoken word, distorted postpunk, free improvisation, lo fi electronica, Eurasian folk music, 19th century ballads, video installations, or all or none of the above.

www.facebook.com/fiffdimension
www.fiffdimension.com

MuscleMan are an alt. country band that write dark, sweet, melancholy songs about love, loss, and questionable life decisions. Their performances range from intimate, acoustic sessions, to loud, raucous, throw the drum kit into the crowd encounters. Most of all though, they play with feeling.

https://www.facebook.com/musclemannz/

Fredd Marshall is a sonic shaman. Using his voice he takes you on a journey to the unknown. Improvising loops, drones and overtones he will bring you to contemplate the universe and rethink what it means to be human. He has been to the realms of infinity and brought back treasures to share.

http://www.soundcloud.com/theshaman/

As a solo acoustic bassist, Vince Cabrera draws inspiration from sources such as the Argentine folk music of his childhood, American primitive guitarists such as John Fahey, and composer Erik Satie for a rich ambient, acoustic experience.

https://soundcloud.com/vince-cabrera-1

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Other Islands: 2012-2018

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Coming in 2018

The third fiffdimension compilation (see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012) brings us into the current decade – with further wide-ranging experimentation and exploration both sonically and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

Now available to pre-order (some tracks available immediately and you’ll be automatically sent the rest once everything’s finalised).

Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-2015)

Ngumbang (2014-2015)

The Winter: Exit Points (2010/2015)

The Electricka Zoo (2017)

and previously unheard tracks

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Cylvi M (vocal, field recordings, percussion, shakuhachi), Emit Snake-Beings (vocal, percussion, flute, electronics), Blair Latham (bass clarinet), Simon O’Rorke (synthesiser), Chris Prosser (violin), Julie Bevan (acoustic guitar), the Digitator (electric drums, keyboards & loops),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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If you enjoy this, try the previous volumes Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012

Phantasticus Acousticus

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Phantasticus is a 5 piece high-energy gypsy-flavours ensemble hailing from Wellington, the Gypsy-Balkan capital of New Zealand.

 The lineup combines the fearless fiddling skills of Ana Christie and Alex Hills, matched by the awesome forces of Michael Kingston and Rick Shaw on guitar, all wrapped up in the powerful bass boutique of Jacqui Nyman.

With an album of delicious original tunes under their belt, Phantasticus are taking the world by storm.  These musicians are so well-seasoned they will leave you asking for ‘Kiwi-hot please’.

Mike Kingston is a key member of The Winter.  He plays guitar or cello on several fiffdimension tracks

A Visit to the Beehive

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A pleasant surprise this week to get a small (single figure) royalty payment from APRA for radio airplay for the shortest track from The Marion Flow, recorded back in 2001!

That goes some way towards recovering the $600 or so I spent recording the album (a lot of money for a broke student back then). I can’t claim it’s a prescient political satire that predicted this week’s news events, but maybe like the album as a whole it’s just timeless…

It’s also, for fans of Wellington avant-garde music, a rare opportunity to hear Simon O’Rorke play a straight rock beat on drums!

The Beehive is the nickname for the Executive Wing of New Zealand’s government building in Wellington .

Free mp3s 2014 – 2015

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New free downloads 2014-2015 !  Pay koha / what you want for

Ngumbang

the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.

and

ネオン列車の風景 Neon Train Landscapes

(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.

plus

The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards

and

Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net

and a video clip of

Gamelan Taniwha Jaya

rejection-dryrot-ripple-gombageand Dave and Cylvi contributed to Postmoderncore‘s first volume of Dada Songwriting Compilation, Rejection dryrot ripple Gombage.

 

Enjoy!

We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!

The Winter: Exit Points

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Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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Mike Kingston

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Mike Kingston is a multi-instrumentalist front man and composer in ‘Bella Cajon‘ , ‘The Wagtails‘, and Phantasticus.  He continues to perform regularly throughout Wellington and New Zealand.

He plays guitar on After Maths & Sciences

and cello on Loose Autumn Moans

and is a key member of The Winter

www.mikekingstonmusic.com