New Zealand music
Here’s a Health to my Cronies (by John Collie, 1856)
19th century Scottish drinking song, by John Collie (1834-1893), from his book ‘Poems and Lyrics‘
Played by his great-great-grandson Dave Edwards – first public performance of this piece, at Dragon Inn, Featherston, NZ, 6 Feb 2019
HERE’S A HEALTH TO MY CRONIES.
HERE’S a health to my cronies where’er they reside, Whether this side or that o’ yon big rowin’ tide ; I care na what country or kingdom they claim, Be they English or Irish to me it’s the same, Gif their hearts to a glass o’ gude whisky incline, I instantly class them as “Cronies o’ mine.”
Awa wi’ yon nabob purse-proud o’ his gear, Neither he nor his wealth hae charms for us here; Awa wi’ yon fop wi’ his clear headed cane, A bit trip through the warld, it’s use may explain; But welcome my cronies wherever ye be, To join in this gude reekin’ bumper wi’ me.
A fig for the wealth that this warld can gie, We naething brought here, sae we’ve naething to lea; The farmer wi’ ousen an’ acres galore, Has his crosses just now, an’ may sune count on more; Then come here, my cronies, let’s kick awa care, As lang’s we’ve a groat or a shilling to spare.
The Land of My Youth (by John Collie, 1856)
Poem by John Collie (1834-1893),
from his book Poems and Lyrics in the English and Scotch Dialects, published in Scotland in 1856
Performed by his great-great-grandson Dave Edwards in Featherston, New Zealand, January 2019.
John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.
Lyrics
2005
2005
The year got off to a good start, with Ascension Band: Evolution
The successful collaboration with Nigel Patterson, Ryan Prebble, and over a dozen other musicians, from jazz-schooled to untrained punks, won the best music award in the NZ Fringe Festival.
I had my first taste of success (the fame part of Fame & Oblivion 2005-2012)…
…But by this time I was ready to see the world beyond Aotearoa. I shifted across the Tasman Sea to Melbourne – in Australia, the West Island.
For the next few months I lived in Brunswick, and worked in temp jobs around the city and in rural Victoria.
The results became After Maths & Sciences
2018
The main project for 2018 was Other Islands: 2012-2018;
The last five (of the 20) tracks were recorded in 2018 – each in a different genre:
Scratched Surface 20th anniversary
“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.” – Chris Knox
In December 1998 I self-released my debut album . Scratched Surface was a teenage no-budget lo-fi postpunk pakeha singer-songwriter album from the Taranaki, Aotearoa underground, recorded on analogue reel-to-reel tape.
I burned it on CDR and sent out copies to anyone who would listen. It was the opening salvo in a recording career that’s gone on for over 20 years now, occasionally dismissed, largely ignored, gloriously unsuccessful. A career nonetheless; I’ve made an album most years since.
20 years on I’m still creating – here’s some of what I’ve done more recently:
2012
2012
part of
Other Islands: 2012-2018 – a compilation of recent highlights, recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa
In 2012 I was home in New Zealand for a total of seven days, in July/August. Oherwise it was very much a year of two halves.
Until the end of June I lived in 沖縄 (Okinawa).
Nat da Hatt and I recorded a track for our duo album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song)
Half way to summer, 21 June 2018
Thursday 21 June, 8pm @ Fringe Bar
26-32 Allen Street, Wellington, NZ
fiffdimension is an umbrella name for music and multimedia projects by Dave Edwards, solo or with various collaborators. Shows may include acoustic songs, spoken word, distorted postpunk, free improvisation, lo fi electronica, Eurasian folk music, 19th century ballads, video installations, or all or none of the above.
www.facebook.com/fiffdimension
www.fiffdimension.com
MuscleMan are an alt. country band that write dark, sweet, melancholy songs about love, loss, and questionable life decisions. Their performances range from intimate, acoustic sessions, to loud, raucous, throw the drum kit into the crowd encounters. Most of all though, they play with feeling.
https://www.facebook.com/musclemannz/
Fredd Marshall is a sonic shaman. Using his voice he takes you on a journey to the unknown. Improvising loops, drones and overtones he will bring you to contemplate the universe and rethink what it means to be human. He has been to the realms of infinity and brought back treasures to share.
http://www.soundcloud.com/theshaman/
As a solo acoustic bassist, Vince Cabrera draws inspiration from sources such as the Argentine folk music of his childhood, American primitive guitarists such as John Fahey, and composer Erik Satie for a rich ambient, acoustic experience.
