Escape Velocity: the Electricka Zoo live

New live album!

With New Zealand in lockdown this might be the next best thing to an actual gig..

Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18

Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18

As part of the New Zealand Fringe Festival

credits

The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar

www.fiffdimension.com/the-electricka-zoo

Campbell Kneale & Dave Black: A Ton of Feathers

releases October 17, 2020

Campbell Kneale – electric guitar, analogue synth

Dave Black – bass, electric toothbrush, key ring

Featherston, New Zealand,
27-Nov-18

(one continuous take, unabridged, no overdubs – the first time we’d played together)

A 3min excerpt appeared on Other Islands: 2012-2018

but you need to hear the full length version to truly enter Campbell’s world.

Continue reading “Campbell Kneale & Dave Black: A Ton of Feathers”

2018

The main project for 2018 was Other Islands: 2012-2018;

 

The last five (of the 20) tracks were recorded in 2018 – each in a different genre:

Continue reading “2018”

The Blast of a Wintry Day (by John Collie, 1856)

A song written by my great-great-grandfather John Collie, in Banffshire, Scotland, in 1856.

It also appeared on

Other Islands: 2012​-​2018

Where it marked a return to my solo acoustic approach of early years.

lyrics

Continue reading “The Blast of a Wintry Day (by John Collie, 1856)”

Scratched Surface 20th anniversary

“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

In December 1998 I self-released my debut album . Scratched Surface was a teenage no-budget lo-fi postpunk pakeha singer-songwriter album from the Taranaki, Aotearoa underground, recorded on analogue reel-to-reel tape.

I burned it on CDR and sent out copies to anyone who would listen. It was the opening salvo in a recording career that’s gone on for over 20 years now, occasionally dismissed, largely ignored, gloriously unsuccessful. A career nonetheless; I’ve made an album most years since.

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20 years on I’m still creating – here’s some of what I’ve done more recently:

Continue reading “Scratched Surface 20th anniversary”

Isa Lei, and the Yasawa islands, Fiji

This rearrangement of a traditional Fijian folk song was inspired by hearing the song sung there.

In May I visited the Yasawa Islands, to the northwest of Nadi and the main Fijian island Viti Levu.

The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning

The marine life included

Part of Other Islands: 2012-2018

– recent highlights recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa

Campbell Kneale & Dave Black

A Ton of Feathers is the first collaboration

by Campbell Kneale (guitar, analogue synthesiser)

& Dave Black (bass, electric toothbrush, video).

Made in Featherston, Wairarapa NZ in 2018.

New Zealand folk music, in the tradition of Birchville Cat Motel, the Dead C, and Len Lye.

This excerpt appears on the compilation Other Islands: 2012-2018, and is part of a longer piece, due for release in 2020.

Continue reading “Campbell Kneale & Dave Black”

Ritual Remnants exhibition by snakebeings

Saturday 2 September in Port Chalmers

Emit Snake-Beings 2-9-18

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Ritual Remnants’ is an exhibition by snakebeings using leftover objects, failed electronic projects and discarded materials from the process of designing and making an electronic instruments which combines Gamelan musical structures with the rhythms of Morse code.

The objects were made during the art science residency in Port Chalmers between March and September 2018.
snakebeings and dave black also collaborated in 2018 on ‘sampak membengkak
and in 2015 on the Ngumbang album

Wayang for Cirebon – 30 June 2018

Saturday 30 June 2018
in the Adam Concert Room (NZSM, Victoria University of Wellington).
$30/adult – all proceeds go to Cirebon

This show is a repeat of our recent successful show at CubaDupa.

This fund-raising event was sparked by a tragedy in Cirebon, Indonesia, in April this year when a wall adjacent to the rehearsal space collapsed on top of the players, killing seven youngsters, aged between 12 –15 years, and their teacher, dhalang Mas Herman Basari.

The Cirebon area of Northwest Java is dear to our hearts. Allan Thomas brought the first gamelan to New Zealand from Cirebon in 1974. You can read about the history and about these instruments on the Gamelan NZ site by following the links. Later named The First Smile, the ensemble is still played by a local Wellington group who are embarking on a fund-raising campaign to send support to Gegesik village and families affected by the tragedy. Plans are already underway there to purchase a new gamelan, and dedicate it to the memory of those who died.

You are invited to attend what promises to be a spirited occasion, and to contribute generously to the funds. The programme for this concert will include:

  • A wayang kulit (shadow puppet show), The Fall of Gathutkaca, performed by dhalang Ki Joko Susilo, accompanied by Gamelan Padhang Moncar of the New Zealand School of Music, Victoria University of Wellington. Dr. Joko Susilo is a celebrated dhalang, Indonesian traditional shadow puppet-master, the eighth generation in his family. He has lived with his New Zealand family and taught gamelan in Dunedin for over 25 years, but is often in demand for wayang kulit performances and gamelan teaching abroad.
  • Ambassador Bapak Tantowi Yahya will also perform as part of the event.
  • Refreshments

Tickets are $30 per adult. School aged children are free. All funds will be directly sent to Cirebon.

Half way to summer, 21 June 2018

Thursday 21 June, 8pm @ Fringe Bar

26-32 Allen Street, Wellington, NZ

fiffdimension is an umbrella name for music and multimedia projects by Dave Edwards, solo or with various collaborators. Shows may include acoustic songs, spoken word, distorted postpunk, free improvisation, lo fi electronica, Eurasian folk music, 19th century ballads, video installations, or all or none of the above.

www.facebook.com/fiffdimension
www.fiffdimension.com

MuscleMan are an alt. country band that write dark, sweet, melancholy songs about love, loss, and questionable life decisions. Their performances range from intimate, acoustic sessions, to loud, raucous, throw the drum kit into the crowd encounters. Most of all though, they play with feeling.

https://www.facebook.com/musclemannz/

Fredd Marshall is a sonic shaman. Using his voice he takes you on a journey to the unknown. Improvising loops, drones and overtones he will bring you to contemplate the universe and rethink what it means to be human. He has been to the realms of infinity and brought back treasures to share.

http://www.soundcloud.com/theshaman/

As a solo acoustic bassist, Vince Cabrera draws inspiration from sources such as the Argentine folk music of his childhood, American primitive guitarists such as John Fahey, and composer Erik Satie for a rich ambient, acoustic experience.

https://soundcloud.com/vince-cabrera-1