Poems & Lyrics by John Collie, 1856

In 1856, my great-great-grandfather John Collie (1834-1893), of Boyndie, Scotland, published a book : Poems and Lyrics

(in the English
and Scotch Dialects).

I‘ve been setting some of it to music over the past few years – along with some of his other descendants: my nephews Hans and Rhys Landon-Lane, my niece Celeste Rochery, and my sister Megan Edwards-Rochery .

The Troubled Times (trio with Antony Milton and David Heath) also do an epic electric blues guest arrangement of The Dying Monarch (a key crossover track that ties together the different strands of my music).

For me this is a major work-in-progress; an acknowledgement of my pākeha whakapapa (European ancestry); an inspiration for new music (a mostly folk style seemed fitting); a window into the culture of the time period and a vicarious travel experience (plans to visit Scotland in 2020 were ruined by the pandemic); a family precedent for DIY outsider art that puts fiffdimension in a deeper context; and gives me renewed appreciation for the beauty and musicality of the English (and Scots) language.

“T’were a noble sight to see the mighty men of old, who bled that their countries might be free from the tyrants’ fatal hold – yet I’d deem it a nobler sight by far to behold the sons of the harp & lyre!

“[…] If aught can claim a spirit’s admiration, Sure it must be this beautiful creation

John Collie (1834-1893)

In 1858 John Collie emigrated to New Zealand.

His book is available free online.
Continue reading “Poems & Lyrics by John Collie, 1856”

águas brilhantes: 2018​-​2022

fiffdimension vol 4

  • made in Featherston, Masterton, and Suva – ft Antony Milton, James Robinson, Dr Emit Snake-Beings, Campbell Kneale, and lyrics by John Collie (1834-1893) – the title is ‘Wairarapa’ in Portuguese.
  • Collaborations with my ancestors and younger relatives, friends in Fiji, a painter in Otago, the curator of PseudoArcana, and the family dog.

(See also
fiffdimension.bandcamp.com/album/gleefully-unknown-1997-2005
fiffdimension.bandcamp.com/album/fame-oblivion-2005-2012
fiffdimension.bandcamp.com/album/other-islands-2012-2018

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I’ve lived the last few years.

My ancestors arrived here in the 19th century – one was a Scottish poet, another a stowaway from the Azores islands.

a followup to
fiffdimension.bandcamp.com/album/gleefully-unknown-1997-2005
fiffdimension.bandcamp.com/album/fame-oblivion-2005-2012
fiffdimension.bandcamp.com/album/other-islands-2012-2018

with videos at www.youtube.com/playlist?list=PLtbrBpNjlOHOhGouOChNl3jVUif1AZIl6 )

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I live. Several of my pākeha ancestors arrived here in the 19th century.

Much of the music is inspired by two of my great-great-grandfathers – John Collie (1834-1893), a Scottish poet, who helped build the Remutaka incline railway; and Manuel Bernard (1847-1928), who left the Azores islands, as a teenaged stowaway on a whaling ship and ended up in Masterton. It’s also a torch-passing to the next generation – recorded with nephews Hans and Rhys, and niece Celeste.

Also ft literal garage rock with Antony Milton and David Heath (the Troubled Times); duos with James Robinson, Dr Emit Snake-Beings, Campbell Kneale, and Nat da Hatt; side trips to Fiji; an interspecies duet with Oscar (a huntaway); and solo instrumentals and live reinterpretations of oldies.

Includes previously unreleased recordings, download-only bonus tracks, and excerpts from the albums

fiffdimension.bandcamp.com/album/escape-velocity-live-2018
fiffdimension.bandcamp.com/album/a-ton-of-feathers-2018
fiffdimension.bandcamp.com/album/live-2019
fiffdimension.bandcamp.com/album/glimpses-of-utopia-2020
fiffdimension.bandcamp.com/album/ruasagavulu-2020
fiffdimension.bandcamp.com/album/spastic-rhythms-vol-1-2021
fiffdimension.bandcamp.com/album/return-of-the-sun-2021
layyourburdensdown.bandcamp.com/album/-
fiffdimension.bandcamp.com/album/state-highway-2-2022
fiffdimension.bandcamp.com/album/a-second-sun-2022
fiffdimension.bandcamp.com/album/poems-lyrics-in-the-english-dialect-1856
fiffdimension.bandcamp.com/album/poems-lyrics-in-the-scotch-dialect-1856
fiffdimension.bandcamp.com/album/long-live-the-miracle-room-live-2022  

Continue reading “águas brilhantes: 2018​-​2022”

Escape Velocity: the Electricka Zoo live

New live album!

With New Zealand in lockdown this might be the next best thing to an actual gig..

Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18

Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18

As part of the New Zealand Fringe Festival

credits

The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar

www.fiffdimension.com/the-electricka-zoo

Campbell Kneale & Dave Black: A Ton of Feathers

releases October 17, 2020

Campbell Kneale – electric guitar, analogue synth

Dave Black – bass, electric toothbrush, key ring

Featherston, New Zealand,
27-Nov-18

(one continuous take, unabridged, no overdubs – the first time we’d played together)

A 3min excerpt appeared on Other Islands: 2012-2018

but you need to hear the full length version to truly enter Campbell’s world.

Continue reading “Campbell Kneale & Dave Black: A Ton of Feathers”

The Blast of a Wintry Day (by John Collie, 1856)

A song written by my great-great-grandfather John Collie, in Banffshire, Scotland, in 1856.

It also appeared on

Other Islands: 2012​-​2018

Where it marked a return to my solo acoustic approach of early years.

lyrics

Continue reading “The Blast of a Wintry Day (by John Collie, 1856)”

Scratched Surface 20th anniversary

“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.”Chris Knox

In December 1998 I self-released my debut album . Scratched Surface was a teenage no-budget lo-fi postpunk pakeha singer-songwriter album from the Taranaki, Aotearoa underground, recorded on analogue reel-to-reel tape.

I burned it on CDR and sent out copies to anyone who would listen. It was the opening salvo in a recording career that’s gone on for over 20 years now, occasionally dismissed, largely ignored, gloriously unsuccessful. A career nonetheless; I’ve made an album most years since.

This slideshow requires JavaScript.

20 years on I’m still creating – here’s some of what I’ve done more recently:

Continue reading “Scratched Surface 20th anniversary”

Isa Lei, and the Yasawa islands, Fiji

This rearrangement of a traditional Fijian folk song was inspired by hearing the song sung there.

In May I visited the Yasawa Islands, to the northwest of Nadi and the main Fijian island Viti Levu.

The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning

The marine life included

Part of Other Islands: 2012-2018

– recent highlights recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa

Campbell Kneale & Dave Black

A Ton of Feathers is the first collaboration

by Campbell Kneale (guitar, analogue synthesiser)

& Dave Black (bass, electric toothbrush, video).

Made in Featherston, Wairarapa NZ in 2018.

New Zealand folk music, in the tradition of Birchville Cat Motel, the Dead C, and Len Lye.

This excerpt appears on the compilation Other Islands: 2012-2018, and is part of a longer piece, due for release in 2020.

Continue reading “Campbell Kneale & Dave Black”

Ritual Remnants exhibition by snakebeings

Saturday 2 September in Port Chalmers

Emit Snake-Beings 2-9-18

  •    

Ritual Remnants’ is an exhibition by snakebeings using leftover objects, failed electronic projects and discarded materials from the process of designing and making an electronic instruments which combines Gamelan musical structures with the rhythms of Morse code.

The objects were made during the art science residency in Port Chalmers between March and September 2018.
snakebeings and dave black also collaborated in 2018 on ‘sampak membengkak
and in 2015 on the Ngumbang album