ethnomusicology
Live 2019
An acoustic solo set, live at Wairarapa TV in Masterton, New Zealand
– which took place live on the internet. This was simulcast on Freeview CH41, ArrowFM 89.7FM and YouTube.
The set was part of the Property Law Service May Music Marathon – 12 straight hours of live Music to Television screens during NZ Music Month on May the 4th 2019.
Living in a small town I don’t get to as many gigs as I used to… so here using 21st century technology to play ‘virtually’ everywhere.
I kept my half hour minimal and acoustic (the discord and electric noise I’m saving for another time soon) and updated my past – with
아리랑
Live 4th May 2019 at Wairarapa TV May Music Marathon –
Banjo rendition of a Korean folk tune 아리랑 (“Arirang”). The banjo is not typically found in Korean music – this would normally be played on a gayageum.
Eastern
4th May 2019 at Wairarapa TV May Music Marathon
Solo guitar version of a tune by the Electricka Zoo, from our 2017 debut album:
It’s based on the hijaz scale and a 7/8 rhythm.
2005
2005
The year got off to a good start, with Ascension Band: Evolution
The successful collaboration with Nigel Patterson, Ryan Prebble, and over a dozen other musicians, from jazz-schooled to untrained punks, won the best music award in the NZ Fringe Festival.
I had my first taste of success (the fame part of Fame & Oblivion 2005-2012)…
…But by this time I was ready to see the world beyond Aotearoa. I shifted across the Tasman Sea to Melbourne – in Australia, the West Island.
For the next few months I lived in Brunswick, and worked in temp jobs around the city and in rural Victoria.
The results became After Maths & Sciences
Isa Lei, and the Yasawa islands, Fiji
This odd arrangement of a traditional Fijian folk song was inspired by hearing the real thing.
In May I visited the Yasawa Islands, to the northwest of Nadi and the main Fijian island Viti Levu.
The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning
The marine life included
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Part of Other Islands: 2012-2018
– recent highlights recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa
Wayang for Cirebon – 30 June 2018
Saturday 30 June 2018
in the Adam Concert Room (NZSM, Victoria University of Wellington).
$30/adult – all proceeds go to Cirebon
This show is a repeat of our recent successful show at CubaDupa.
This fund-raising event was sparked by a tragedy in Cirebon, Indonesia, in April this year when a wall adjacent to the rehearsal space collapsed on top of the players, killing seven youngsters, aged between 12 –15 years, and their teacher, dhalang Mas Herman Basari.
The Cirebon area of Northwest Java is dear to our hearts. Allan Thomas brought the first gamelan to New Zealand from Cirebon in 1974. You can read about the history and about these instruments on the Gamelan NZ site by following the links. Later named The First Smile, the ensemble is still played by a local Wellington group who are embarking on a fund-raising campaign to send support to Gegesik village and families affected by the tragedy. Plans are already underway there to purchase a new gamelan, and dedicate it to the memory of those who died.
You are invited to attend what promises to be a spirited occasion, and to contribute generously to the funds. The programme for this concert will include:
- A wayang kulit (shadow puppet show), The Fall of Gathutkaca, performed by dhalang Ki Joko Susilo, accompanied by Gamelan Padhang Moncar of the New Zealand School of Music, Victoria University of Wellington. Dr. Joko Susilo is a celebrated dhalang, Indonesian traditional shadow puppet-master, the eighth generation in his family. He has lived with his New Zealand family and taught gamelan in Dunedin for over 25 years, but is often in demand for wayang kulit performances and gamelan teaching abroad.
- Ambassador Bapak Tantowi Yahya will also perform as part of the event.
- Refreshments
Tickets are $30 per adult. School aged children are free. All funds will be directly sent to Cirebon.
Other Islands: 2012-2018
fiffdimension vol3
(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,
a song by my great-great-grandfather John Collie (1856),
and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
ネオン列車の風景 Neon Train Landscapes (2010-15)
Ngumbang (2014-15)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.
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- The Winter: Flying Visit (2012)
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- 安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa), 2015
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- in the non-idiomatic idiom in Norway (1999/2014)
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- Ngumbang (2015)
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- The Winter: Exit Points (2015)
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- The Electricka Zoo (2017)
And hear the previous compilations
