Produced by Paul Winstanley, & featuring Steve Duffels, the Digitator, the Dadapapa Magickclone Orchestra and more. Recorded at the TFC Lounge, New Plymouth, 1999 – with special thanks to Brian Wafer.
“It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002
The Marion Flow was originally a longer album spanning recordings from New Plymouth in 1999 and Wellington in 2001. I’ve now reissued the two halves separately – to emphasise the sense of time and place, and stylistic evolution, and to re-present each more concisely for the short-attention-span 21st century.
We discussed the origins of fiffdimension (including where the name comes from), 19th century ancestors, life in the Wairarapa, and various projects, collaborators, and influences from New Zealand and abroad.
– which took place live on the internet. This was simulcast on Freeview CH41, ArrowFM 89.7FM and YouTube.
The set was part of the Property Law Service May Music Marathon – 12 straight hours of live Music to Television screens during NZ Music Month on May the 4th 2019.
Living in a small town I don’t get to as many gigs as I used to… so here using 21st century technology to play ‘virtually’ everywhere.
I kept my half hour minimal and acoustic (the discord and electric noise I’m saving for another time soon) and updated my past – with
Poem by John Collie (1834-1893),
from his book Poems and Lyrics in the English and Scotch Dialects, published in Banffshire, Scotland in 1856
John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.