New Zealand

Campbell Kneale & Dave Black: A Ton of Feathers

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releases October 17, 2020

Campbell Kneale – electric guitar, analogue synth

Dave Black – bass, electric toothbrush, key ring

Featherston, New Zealand,
27-Nov-18

(one continuous take, unabridged, no overdubs – the first time we’d played together)

A 3min excerpt appeared on Other Islands: 2012-2018

but you need to hear the full length version to truly enter Campbell’s world.

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Scotland, postponed

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John Collie (1834-1893)

Around this time (September 2020) I’d planned to travel to Scotland, on my first visit. There was to be a family gathering for my sister’s wedding in Edinburgh.

The trip’s now postponed indefinitely, for obvious reasons

The idea was to visit Boyndie, Banffshire, where my great-great-grandfather John Collie grew up.

In 1856, in his early 20s he published a book : Poems and Lyrics (in the English and Scotch Dialects).

I‘ve started setting some of it to music.

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Articulation Incommunicate (2004)

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Previously unreleased! 

Dave Edwards dictaphone cassette recordings 2004, for spoken word and improvised guitar – a trip down a road not taken for New Zealand music.

Bomb the Space Festival, Wellington NZ, 2004

These tracks were primitively recorded, not just obscure but completely unheard by anyone else, and seemed like raw unfinished demos at the time – but in hindsight may be the culmination of my 1997-2005 early period (a fusion of original songs, spoken word and free improv).

By 2004 my style was wordy, dense with allusions, and deliberately flouted not only verse/chorus structures but grammatical convention in parts; the influences here were literary modernists as much as music – eg  Joyce, Beckett, Burroughs, Pynchon, Dylan (Thomas), and New Zealand poets James K Baxter, Alan Brunton and Hone Tuwhare. I was a postgrad journalism student that year, so partly it was spare time relief from the constraints of non-fiction writing.

My guitar heroes included British free improviser Derek Bailey and my Mississippi bluesman namesake David ‘Honeyboy’ Edwards – and fellow explorers in the New Zealand underground music scene.

Wellington, New Zealand

The album is rounded out by an abrasive noise guitar, dictaphone and electric razor performance at the Bomb the Space Festival (the youtube clip is one of my few music videos to have over a thousand views… go figure),

and a pair of free improvisations, with percussionists Simon O’Rorke and Simon Sweetman, and Korean bassist Youjae Lee.

Next, needing a change of scenery, having pushed the singer/songwriter envelope as far as I could, and following some last ensemble collaborations with Ascension Band,

and The Winter

the next year I left the country on my OE and took a different approach again….

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Loose Autumn Moans (2003)

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“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”

George Parsons, Dream Magazine #5

All acoustic, with a string section, recorded and mixed on analogue equipment, and originally released on cassette in 2003 – new 2020 remaster.

Featuring

Sam Prebble (violin)

Mike Kingston (cello)

sam & san

and Simon Sweetman on percussion.

simon w newspaper

Wellington, New Zealand

Bats Theatre, Wellington NZ 2003

 

Loose Autumn Moans consists of five acoustic ensemble tracks:

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2.
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4.
5.

The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.

 

The original C60 cassette (and later online) release included solo interludes recorded in 2002. These are now available separately as

After the Filmshoot (2002)

By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.

Sam Prebble RIP, 2014

Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.

Further listening

The collaboration with these guys followed on from

The Winter: Parataxes

The Winter live at Photospace Gallery, July 2003 (photo by James Gilberd)

The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)

“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.”The Broken Face

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After the filmshoot (2002)

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Dave Edwards solo cassette tracks, in Wellington NZ, 2002.

Wellington, New Zealand

 

Hey so the new (2020) album Ruasagavulu is out!

(go there, like, share etc)…

 

& in the meantime, until the next new project, here’s one from the vault:

 
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In 2002, a year whose digits are an anagram of this one’s,  I was living in Wellington (New Zealand’s capital, and my birthplace), looking for a way to follow up the almost-success of The Marion Flow (part 2).

But I was moving further away from conventional 3min song formats into the avant-garde.

This is the second largely solo album I made in 2002.

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Psi-solation

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Solitude‘ appears on this new compilation of lockdown sounds from around the world, curated by Campbell Kneale

(who I collaborated with in 2018… the full length version of ‘a ton of feathers’ is coming later this year)

Psi-solation has 119 tracks, you can pay what you want, and it wins album of the year by default!

Dearest fellow music-hounds and shut-aways, CELEBRATE PSI PHENOMENON proudly presents…

‘PSI-SOLATION: A GLOBAL COMPILATION OF MUSIC MADE IN LOCKDOWN’

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Solitude

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Written in 1856, but timely perhaps?

This poem is the first of 44 pieces in the book Poems & Lyric by John Collie.

It was written by my great-great-grandfather in Scotland. 164 years later, living in 21st century coronavirus lockdown NZ, we’ve all had to bring back solitude. Creating music’s become a solitary pursuit again (or else a virtual one). Adapting this poem gave the chance for a 12-minute acoustic epic whose time had come (again).

lyrics

OH give me near some swelling stream to stray, 0r tread the windings of some pathless wood, For I am wearied of the bustling day, And long to meet thee, gloomy Solitude: That I with thee may climb those shelfy steeps, Which frown majestic o’er the boiling deeps. Read the rest of this entry »

Sonnet on Summer

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from Poems & Lyrics by John Collie (1856)

Rosemary Bromley, Dave Edwards, Hans Landon-Lane

Clever Hansel – ukulele vocal
Dave Edwards – guitar, harmonica, vocal

This was the last in-person collaboration before the COVID-19 shutdown, recorded in Lower Hutt, New Zealand, March 2020.

John Collie (1834-1893)

THE sweet breath of summer blows fresh o’er each plain,

The woods have resumed their lost grandeur again;

The groves with the notes of the blackbird are ringing,

By fountain and streamlet the wild flowers are springing.

And the breath of the heather bell sweetens the breeze,

And the old stormy ocean lies slumbering in peace;

And the wild bees are humming around the wild flowers,

Afar above earth the lark proudly soars;

The bleat of the lamb on the moss-cover’d hill,

The sound of the shepherd’s pipe jocund and shrill,

All tell in a language most striking and plain,

T hat summer, fair summer, is reigning again,

The old face of nature her smiles has put on,

And the blustery appearance of winter has flown.

Fiji 1976, by Alastair Edwards

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Film footage by my father, Alastair Edwards, in Nadi and around Viti Levu in 1976.

It’s from a couple of years before I was born.

There was no sound, so I’ve added a soundtrack from Ruasagavulu, which Dr Emit Snake-Beings and I recorded in Suva decades later.

My Dad’s interest in film (then video) and photography was one of the key influences on my own travel and videomaking. He was doing this long before youtube or instagram!

I miss you Dad…

16 February @ Fernside Gardens Open Days

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I played solo acoustic at the Fernside Gardens Open Day on Sunday 16th February, 11am.

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solo acoustic at the Fernside Gardens Open Day on Sunday 16th February Website: https://www.eventfinda.co.nz/2020/fernside-gardens-open-days/featherston Greytown Little Theatre Saturday 15 and Sunday 16 February 2020 10:00am – 4:00pm … For two days only, visit one of New Zealand’s most beautiful and historic gardens as part of a fund-raising event for Greytown Little Theatre’s new theatre development project. The magnificent house and gardens were developed by wealthy pastoralist Charles Elgar and his wife Ella. Tragically the first homestead burned down in 1923 and a new one in American colonial style was designed and built by Heathcote Helmore. The homestead is set at the end of a tree-lined avenue, in acres of landscaped gardens. Wander your way through the Scented Walkway, through the Oak Cathedral, passing the Sound Shell to the stunning lake area which played a starring role as Lothlorien in several scenes in the filming of the Sir Peter Jackson’s Lord of Rings. The gardens have been developed over the years in a style that reflects both English Arts and Crafts with a layout in rooms but wit with the additional touches of European and Japanese water gardens and Australian and New Zealand natives interspersed. The effect is an appealing fusion of old and new world. The current owners when they bought the property in 2007 recognised its historic importance and have dedicated themselves to the continued restoration of the gardens. #wairarapamusic #newzealandfolk #2020music #banjo #garden #landscaping #wairarapa

A post shared by Dave Edwards (@fiffdimension) on

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