New Zealand
The Land of My Youth (by John Collie, 1856)
Poem by John Collie (1834-1893),
from his book Poems and Lyrics in the English and Scotch Dialects, published in Scotland in 1856
Performed by his great-great-grandson Dave Edwards in Featherston, New Zealand, January 2019.
John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.
Lyrics
2005
2005
The year got off to a good start, with Ascension Band: Evolution
The successful collaboration with Nigel Patterson, Ryan Prebble, and over a dozen other musicians, from jazz-schooled to untrained punks, won the best music award in the NZ Fringe Festival.
I had my first taste of success (the fame part of Fame & Oblivion 2005-2012)…
…But by this time I was ready to see the world beyond Aotearoa. I shifted across the Tasman Sea to Melbourne – in Australia, the West Island.
For the next few months I lived in Brunswick, and worked in temp jobs around the city and in rural Victoria.
The results became After Maths & Sciences
2018
The main project for 2018 was Other Islands: 2012-2018;
The last five (of the 20) tracks were recorded in 2018 – each in a different genre:
The Blast of a Wintry Day (by John Collie, 1856)
A song written by my great-great-grandfather John Collie, in Banffshire, Scotland, in 1856
from Other Islands: 2012-2018
lyrics
Scratched Surface 20th anniversary
“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.” – Chris Knox
In December 1998 I self-released my debut album . Scratched Surface was a teenage no-budget lo-fi postpunk pakeha singer-songwriter album from the Taranaki, Aotearoa underground, recorded on analogue reel-to-reel tape.
I burned it on CDR and sent out copies to anyone who would listen. It was the opening salvo in a recording career that’s gone on for over 20 years now, occasionally dismissed, largely ignored, gloriously unsuccessful. A career nonetheless; I’ve made an album most years since.
20 years on I’m still creating – here’s some of what I’ve done more recently:
Campbell Kneale & Dave Black
A Ton of Feathers is the first collaboration
by Campbell Kneale (guitar, analogue synth)
& Dave Black (bass, electric toothbrush, video).
Made in Featherston, Wairarapa NZ in 2018.
New Zealand folk music, in the tradition of Birchville Cat Motel, the Dead C, and Len Lye.
This excerpt appears on the compilation Other Islands: 2012-2018, and is part of a longer piece…
2012
2012
part of
Other Islands: 2012-2018 – a compilation of recent highlights, recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa
In 2012 I was home in New Zealand for a total of seven days, in July/August. Oherwise it was very much a year of two halves.
Until the end of June I lived in 沖縄 (Okinawa).
Nat da Hatt and I recorded a track for our duo album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song)
