In 2012 I was home in New Zealand for a total of seven days, in July/August. Oherwise it was very much a year of two halves.
Until the end of June I lived in 沖縄 (Okinawa).
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Cylvi M (vocal, field recordings, percussion, shakuhachi), Emit Snake-Beings (vocal, percussion, flute, electronics), Blair Latham (bass clarinet), Simon O’Rorke (synthesiser), Chris Prosser (violin), Julie Bevan (acoustic guitar), the Digitator (electric drums, keyboards & loops), Campbell Kneale (electric guitar, analogue synthesiser),
a song by my great-great-grandfather John Collie (1856),
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
The Winter: Exit Points (2010/2015)
The Electricka Zoo (2017)
and previously unheard tracks,
and hear the previous compilations
Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.
Acoustic instrumental music by Wellington, New Zealand, improvising trio The Winter.