(Sometimes I like to play electric) (& I’ve picked up influences from living and travelling
A stylistic departure when I left New Zealand in 2005 led to a new moniker for a wider-ranging non-linear approach, and let me break my own rules.
In Melbourne, Australia I bought a banjo, and started to incorporate it along with field recordings and electronica, using a cassette dictaphone and the laptop technology of the time.
The following year I was back in New Zealand, but living in the South Island in Nelson. I spent a year studying at the Nelson School of Music, finally learning to play some basic scales and melody. We played gigs down the West Coast, and in Lyttelton and Dunedin.
And the next two years after that I lived in Asia, and the possibilities of sound exploded further…
Dave Black works include:
“So easy to get totally lost in this music; recommend for helping with your inner peace” – Andi Verse
vol3 – made in New Zealand, Western Australia, Fiji, Indonesia and Okinawa , by Dave Black with The Winter, The Electricka Zoo, Snake Beings, Nat da Hatt, Campbell Kneale, Gamelan Padhang Moncar, and Gamelan Taniwha Jaya
“The 20 song album covers traditional Javanese and Balinese gamelan, Asia-Pacific folk music, free jazz, and free noise…. If you have an open inquiring mind and love hearing a variety of sound, this is excellent. – Darryl Baser, muzic.net.nz“
“A totally original, mind warping album that smacks you across the face with big sound…. I salute anyone that makes a whole album out of EDM post-punk avant-garde rock / jazz, reggae, Balkan, [and] Portuguese music” – http://www.muzic.net.nz
“Experimental and avant-garde…. There is a clear passion, and a commitment to pushing the boundaries… This will challenge your perceptions of what constitutes music and open the mind to new possibilities of sounds that surround us – muzic.net.nz“
“There are New Zealand artists working in this medium (Montano, Seht, Audible 3) combining concrete poetry, field recordings, found-sounds and electro-acoustic manipulations to sit as aural wallpaper, but Dave Black’s debut release (and a re-birth, if you like, for David Edwards) is an actual document – as much a post-modern piece of Performance Journalism as it is a static batch of “songs” or tracks, After Maths & Sciences is a pleasing challenge of an album. It lives up to the cliché of presenting something new with each listen,”– Simon Sweetman