percussion

The Winter: Exit Points

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Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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Simon Sweetman

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Simon Sweetman is the drummer/percussionist for The Winter

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He writes about music at www.offthetracks.co.nz

and podcasts at https://soundcloud.com/off-the-tracks

Ngumbang

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Out now!! the new collaboration with even more legendary & underground NZ artist Snake Beings.

Ngumbang is the first collaborative album by two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.  The album was recorded in and near Auckland, New Zealand in 20142015 and includes live performances at Vitamin S and the Audio Foundation.

Emit Snake-Beings, who over several decades has travelled intensively in Spain, Holland, the Middle East, Mexico, America and Japan, is a New Zealand / British experimental filmmaker and musician who has produced over 40 independently released film soundtrack CDs and made a number of short experimental and narrative films in Spain, U.K. and New Zealand. www.snakebeings.co.nz

Dave Black, originally from Taranaki and active since the late 90s on the NZ underground music scene, began by fusing acoustic songs, noisy postpunk, spoken word and avant-garde improvisation – and has diversified further from there. Notable performances include the award-winning 14-piece Ascension Band, appearing as an international artist at the Liquid Architecture Festival in Brisbane, Australia, and teaching a thousand Okinawan school students to perform a haka. www.fiffdimension.com

Dave Black & Snake Beings
Dave Black & Snake Beings

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Bali, Indonesia

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There’s my first video from Bali, from footage taken on my earlier visit in August.  Note the gamelan (bronze percussion) and rindik (bamboo percussion) soundtrack.

I left my job in Perth and am on my way home to New Zealand, so I’m nervous about jobhunting & starting all over again (again).  On the way home I’m spending a week on a smaller island, Nusa Penida, doing conservation volunteer work with www.fnpf.org  If you’d like to help me afford to stay longer and make more of a contribution  ($20 = 1 day’s expenses) please  – or even better, buy some of our music.

Bali is (once you get away from the main city and the tacky resorts in the south) an almost absurdly beautiful place… frangipani and Indonesian flags (preparing for the August 17th independence day celebrations) everywhere, majestic hillsides lined with centuries-old rice terraces, and too many Hindu temples to count (each family has their own). That plus the many international flights, and entertainment options from adventure sports to nightclubbing to traditional arts make it easy to see why it’s such a popular destination (I read somewhere that 80% of visitors to Indonesia go to Bali and nowhere else, which makes me glad I saw Java first).

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in the non-idiomatic idiom in Norway

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978-1-877448-59-1A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.

in the non-idiomatic idiom in Norway is a collection of improvised Simon O'Rorkeinstrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players – including Jeff Henderson, Blair Latham, Paul Winstanley, Dan Beban, Julie Bevan and more.

It was partly recorded in 1999 and partly in 2014, to show an evolution.  An easy way to tell them apart is that Simon O’Rorke played percussion on all the 1999 tracks and synthesiser on all the 2014 ones.

Featuring

Simon O’Rorke – percussion, synthesisers

Paul Winstanley – synth bass
Blair Latham – alto sax, bass clarinet
Jeff Henderson – clarinet
Bridget Kelly – tenor sax
Dan Beban – electric guitar
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – electric and acoustic guitars, bass, electronics, tenor sax
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The Winter: Flying Visit

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Acoustic instrumental music by Wellington, New Zealand, improvising trio The Winter.

Mike Kingston: charango, guitar, clarinet

Dave Edwards: ukulele, sanshin, tenor sax, piano

Simon Sweetman: xylophone, percussion

Our most recent recordings to date

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The Winter: 2011

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2011 – year of the Christchurch earthquakes, the Arab Spring, the Fukushima disaster, the shootings in Norway,the Queensland floods… and the Wellington (New Zealand) winter was colder than usual.
Acoustic improvisations on guitar, ukulele, banjo, clarinet, piano, harmonica and percussion by The Winter (Simon, Dave and Mike).

Liner notes by Dave

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