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The Marion Flow, March 2019

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Since last year I’ve been getting back into playing solo acoustic. Here’s a 6 March 2019 version of ‘the Marion Flow‘:

Originally recorded in New Plymouth in 1999, it became the title track of my second album.

The 1999 recording had quite a different vibe – spoken word delivery, electric guitars panned left & right, and Paul Winstanley playing a cymbal through a pitch shifter, turning it into a deep sea gong sound.

On other occasions it became a rock riff, based around just an E note and its octave.

I was surrounded by wider & weirder music too. I moved to Wellington and found a  kiwi avant-garde scene with free jazz, noise, and theatre gallore. We eventually finished The Marion Flow album in 2001, after recording sessions at Thistle Hall.

The lyrics are some of my favourite. They were scribbled in a notebook sometime in the late 90s. I was digesting the influence of literary modernism (eg lines like ‘yea take in that wake’ a shout out to James Joyce, using nouns as verbs and vice versa, and other general flouting of grammatical rules).

Taranaki and its coastlines inspired much of the atmosphere.

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Here’s a Health to my Cronies (by John Collie, 1856)

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19th century Scottish drinking song, by John Collie (1834-1893), from his book ‘Poems and Lyrics

Played by his great-great-grandson Dave Edwards – first public performance of this piece, at Dragon Inn, Featherston, NZ, 6 Feb 2019

HERE’S A HEALTH TO MY CRONIES.

HERE’S a health to my cronies where’er they reside, Whether this side or that o’ yon big rowin’ tide ; I care na what country or kingdom they claim, Be they English or Irish to me it’s the same, Gif their hearts to a glass o’ gude whisky incline, I instantly class them as “Cronies o’ mine.”

Awa wi’ yon nabob purse-proud o’ his gear, Neither he nor his wealth hae charms for us here; Awa wi’ yon fop wi’ his clear headed cane, A bit trip through the warld, it’s use may explain; But welcome my cronies wherever ye be, To join in this gude reekin’ bumper wi’ me.

A fig for the wealth that this warld can gie, We naething brought here, sae we’ve naething to lea; The farmer wi’ ousen an’ acres galore, Has his crosses just now, an’ may sune count on more; Then come here, my cronies, let’s kick awa care, As lang’s we’ve a groat or a shilling to spare.

The Land of My Youth (by John Collie, 1856)

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Poem by John Collie (1834-1893),

 

from his book Poems and Lyrics in the English and Scotch Dialects, published in Scotland in 1856

Performed by his great-great-grandson Dave Edwards in Featherston, New Zealand, January 2019.

John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.

 

 

 

 

 

Lyrics

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Campbell Kneale & Dave Black

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A Ton of Feathers is the first collaboration

by Campbell Kneale (guitar, analogue synth)

& Dave Black (bass, electric toothbrush, video).

Made in Featherston, Wairarapa NZ in 2018.

New Zealand folk music, in the tradition of Birchville Cat Motel, the Dead C, and Len Lye.

This excerpt appears on the compilation Other Islands: 2012-2018, and is part of a longer piece…

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Other Islands: 2012-2018

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fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

Show Me Your House Moves

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Our version of a catchy groove, the first track off the Electricka Zoo album… we’re working on a music video and maybe a 7″ remix, but in the meantime…

the Electricka Zoo, early 2017

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Next appearing at Fringe Bar in Wellington, Tuesday 28th March 2017, 8:45pm.  Free entry.

The Electricka Zoo are one of Wellington’s most intriguing new live bands, a bass/guitar and live electronica duo of Dave Black and the Digitator. They combine influences from EDM, punk rock, jazz, reggae, Balkan and Portuguese music into their own homegrown NZ sound.

Keep an eye and two ears out for their first album, coming soon.

In the meantime a vinyl-only 7″ single and collection of early (2015-2016) demos on Soundcloud are available.