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Loose Autumn Moans (2003)
“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”
– George Parsons, Dream Magazine #5
Featuring
Sam Prebble (violin)
Mike Kingston (cello)
and Simon Sweetman on percussion.
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Loose Autumn Moans consists of five acoustic ensemble tracks:
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Summer Skin 06:20
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Mouth of the Caveman 03:26
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The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.
The original C60 cassette (and later online) release included solo interludes recorded in 2002. These are now available separately as
After the Filmshoot (2002)
By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.
Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.
Further listening
The collaboration with these guys followed on from
The Winter: Parataxes
The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)
“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.” – The Broken Face
Ruasagavulu
Out now – the new album
by Dave Black & Dr Emit Snake-Beings
Made in Fiji
“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse
Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.
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Snake Beings & Dave Black in Fiji |
This was one of the last in-person international collaborations from before the world ended… it’s got nothing to do with the pandemic.
It was recorded in Suva, Fiji, 2nd and 4th of November 2019.
The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade optimistically.
Further listening
Our first duo recording was ‘Ngumbang‘ (2015) –
a fusion of several genres and a DIY manifesto – “Pick up the pieces and make them into something new, it’s what we do…”
Fiji 1976, by Alastair Edwards
Film footage by my father, Alastair Edwards, in Nadi and around Viti Levu in 1976.
It’s from a couple of years before I was born.
There was no sound, so I’ve added a soundtrack from Ruasagavulu, which Dr Emit Snake-Beings and I recorded in Suva decades later.
My Dad’s interest in film (then video) and photography was one of the key influences on my own travel and videomaking. He was doing this long before youtube or instagram!
I miss you Dad…
First Time Around: South Korea
Before there was ‘Gangnam Style’ there was
– field recordings, electro-acoustic ethnography, Asian industrial soundscapes
by kiwis in South Korea, 2007–2008
Credits
released July 1, 2008
Dave Black – field recordings, laptop, gayageum, loops, bass, acoustic guitar, vocal
Cylvi M – tangso, shakuhachi, shaker, vocal
www.fiffdimension.com/category/korea
www.youtube.com/playlist?list=PL26D01AF2105C675D
Further listening
Ruasagavulu – with Snake Beings in Fiji
Made in Suva, Fiji – the new album by Dave Black & Dr Emit Snake-Beings
“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse
Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.
This was one of the last in-person international collaborations from before the world ended.
The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade.
recorded in Suva, Fiji, 2nd November 2019
Further listening
2019 roundup
At the end of the decade, and looking for a way to follow up the eclectic Asia-Pacific Odyssey of Other Islands: 2012-2018, I stripped things back down to the solo acoustic format of my early years with Live 2019.
The set, at Wairarapa TV in Masterton, New Zealand, was streamed live on the internet on 4th of May 2019.
For the past couple of years I’ve been living in a small town and don’t get to as many gigs as I used to… so here was an opportunity to use 21st century technology to play ‘virtually’ everywhere.
On the other hand musically this was closer to a traditional folk/singer-songwriter set than I’d done for quite a while. I eschewed dissonant improv, multitracking, live backing musicians, field recordings, or electronic trickery this time, and used just acoustic guitar, banjo, and harmonica (and a few seconds of wah pedal on ‘Eastern’).
The set was followed by an interview.
I also released a companion album to Live 2019 – its stroppier lo-fi postpunk ‘official bootleg’ predecesor Live 1999. This was recorded on cassette 20 years (or half my lifetime) ago, when I opened for Chris Knox at Bar Bodega in Wellington NZ last millennium:
Live 1999
I started and finished both live sets on the same two songs, to show continuity and evolution.
It’s been quite a journey in between!
Other projects
My other 2019 works in progress included
* experiments with animated visuals and electric improvisations (the ‘yang’ flipside of the deliberately toned down ‘yin’ Live 2019)
* a duo with Emit Snake-Beings, for an as-yet-untitled sequel to Ngumbang, coming in 2020 (we had a recording session in Suva, Fiji, of all places);
* a couple of informal jam sessions with the Electricka Zoo (which has otherwise been on hold since last year); ( http://www.soundcloud.com/darrel-hannon/jamming-with-dave)
* and I continued to adapt the 19th century book ‘Poems & Lyrics by John Collie’, which I’d learned was written by my Scottish great-great-grandfather in 1856 before he came to NZ. Three of his poems featured on Live 2019, with more in the pipeline.
Read the rest of this entry »Huia Vortex
Animated visuals, with electric guitar loops, one-stringed bass, and drums – the opening track from the ‘Ngumbang‘ album (get the free download) – w/ Emit Snake-beings & Nat da Hatt
The title ‘Huia Vortex’ refers to the location where the track was recorded, in Huia, a small village on the outskirts of west Auckland.
It’s not necessarily related to ‘Swansong (for the Huia)‘ (2004), the second album by The Winter, an electro-acoustic trio improvisation in tribute to the extinct New Zealand bird the huia by Dave Edwards, Mike Kingston, and Simon Sweetman. Its 19-minute final track remains an underrated fiffdimension epic. [send us your review]
Ruasagavulu – with Snake Beings in Fiji
Made in Suva, Fiji – the new album by Dave Black & Dr Emit Snake-Beings
“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse
Meditative tropical avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video. This was one of the last in-person international collaborations from before the world ended.
This is currently a pre-order work in progress, as some of the mixes will be refined over the next few weeks.
The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade.
A new sound for 2020 perhaps?
In the meantime have a listen to the ‘Ngumbang‘ album we made together in 2015 – Read the rest of this entry »
Here’s a Health to my Cronies (by John Collie, 1856)
19th century Scottish drinking song, by John Collie (1834-1893), from his book ‘Poems and Lyrics‘
Played by his great-great-grandson Dave Edwards -at Wairarapa TV May Music Marathon on 4th of May 2019. It features on the Live 2019 album.
