Outono 21

A new multilayered Dave Black electric improv / xenochronous composition.

The track continues the evolution of my Wairarapa one man band 2020s ‘late style’, which began with Glimpses of Utopia (2020) and Spastic Rhythms (2021)

It was originally created for the Psi-solation+12021 compilation album curated by fellow Featherston resident Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room.

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PSI​-​SOLATION + 1 (one year on)

PSI-SOLATION | a global compilation of music made in lockdown | CELEBRATE PSI PHENOMENON (bandcamp.com)

2021 compilation album curated by Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room gallery in Featherston.

A sequel to his acclaimed 119-track Psi-solation compilation of music made in lockdown 2020.

Both albums are pay what you want via Campbell’s label, Celebrate Psi Phenomenon.

I contributed a new Dave Black piece, Outono 21.

Continue reading “PSI​-​SOLATION + 1 (one year on)”

Farewell to Thee, Charming Deceiver

A 19th century unrequited love ballad – how anachronistic in the 2020s?

John Collie (1834-1893) – lyrics

Dave Edwardsbanjo, harmonica, vocal

lyrics

FAREWELL to thee , charming deceiver , No more will I crouch at thy gate ; I once was an earnest believer , And my folly I see when too late .

Continue reading “Farewell to Thee, Charming Deceiver”

ilhas Atlânticas

The last track on Spastic Rhythms vol 1 is a Dave Black solo rendition of a tune by the Electricka Zoo.

It originally appeared on The Electricka Zoo (2017), and on the Other Islands: 2012-2018 compilation. It’s based around a (non-diatonic) Cmaj7 – Amaj7 pattern, with a bossa nova rhythm.

The words are in (beginner) Portuguese:

Eu gosto de falar

no meus ancestrais

de as ilhas Atlânticas

Madeiras e Açores

It’s dedicated to my great-great-grandfather Manuel Bernard.

Manuel José Bernard (1847-1928)

He was born in 1847 in Ponta Delgada, Flores Island, Azores, Portugal.

Portugal is the westernmost country in Europe, with its back to it geographically and culturally. It was the edge of the known world for Europeans until the Age of Discovery. The Azores islands are even further west.

As a teenager Manuel Bernard stowed away on a passing American whaling ship.

Continue reading “ilhas Atlânticas”

Gar mar par da nee sa

the opening track from Ruasagavulu

by Dave Black & Snake-Beings

recorded in Suva, Fiji, 2nd November 2019

Snake Beings and Dave Black in Fiji

This short warmup improv is based on an Indian scale, inspired by Dr Emit Snake-Beings‘ travels to Kerala in India, and harmonium lessons in Suva.

There’s an Indian influence throughout the album, as several sections are based on drones and modal improv (rather than the chord changes)… though this is not a traditional Indian album, we’ve borrowed ideas to inform our own experiments.

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The temple in the photo is Sri Siva Subramaniya in Nadi. It’s built in the Dravidian style from southern India, which is also found in Singapore and Malaysia.

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In contrast to other Pacific Island countries, Fiji has a large – almost half – population of Indian descent. Indians came to Fiji in the 19th century, as indentured labourers to work the sugar cane plantations.

The following videos are made in India, courtesy of www.snakebeings.co.nz

Continue reading “Gar mar par da nee sa”

Solitude

Written in 1856, but timely perhaps?

This poem is the first of 44 pieces in the book Poems & Lyric by John Collie.

It was written by my great-great-grandfather in Scotland.

164 years later, living in 21st century coronavirus lockdown NZ, we’ve all had to bring back solitude. Creating music’s become a solitary pursuit again (or else a virtual one). Adapting this poem gave the chance for a 12-minute acoustic epic whose time had come (again).

lyrics

‘SOLITUDE’

by John Collie, 1856

OH give me near some swelling stream to stray, 0r tread the windings of some pathless wood, For I am wearied of the bustling day, And long to meet thee, gloomy Solitude: That I with thee may climb those shelfy steeps, Which frown majestic o’er the boiling deeps. Continue reading “Solitude”

Sonnet on Summer

from Poems & Lyrics by John Collie (1856)

Rosemary Bromley, Dave Edwards, Hans Landon-Lane

Clever Hansel – ukulele vocal
Dave Edwards – guitar, harmonica, vocal

This was the last in-person collaboration before the COVID-19 shutdown, recorded in Lower Hutt, New Zealand, March 2020.

John Collie (1834-1893)

THE sweet breath of summer blows fresh o’er each plain,

The woods have resumed their lost grandeur again;

The groves with the notes of the blackbird are ringing,

By fountain and streamlet the wild flowers are springing.

And the breath of the heather bell sweetens the breeze,

And the old stormy ocean lies slumbering in peace;

And the wild bees are humming around the wild flowers,

Afar above earth the lark proudly soars;

The bleat of the lamb on the moss-cover’d hill,

The sound of the shepherd’s pipe jocund and shrill,

All tell in a language most striking and plain,

T hat summer, fair summer, is reigning again,

The old face of nature her smiles has put on,

And the blustery appearance of winter has flown.

2002: self-isolation before it was cool?

The difficult third album – recorded during a time of intense introspection in 2002. I locked myself in my room in Wellington for all of November with an analogue 4-track cassette recorder.The results rapidly put an end to my promising New Zealand music career!

Wellington, New Zealand

In 2002, a year whose digits are an anagram of this one’s, I locked myself in my room for a month of self-isolation.

It had nothing to do with a pandemic!

Kia kaha Aotearoa…

It was just me living in Wellington and looking for a way to follow up The Marion Flow (part 2).

I was moving further away from conventional 3min song formats into the avant-garde. Continue reading “2002: self-isolation before it was cool?”

Fiji 1976, by Alastair Edwards

Film footage by my father, Alastair Edwards, in Nadi and around Viti Levu in 1976.

It’s from a couple of years before I was born.

There was no sound, so I’ve added a soundtrack from Ruasagavulu, which Dr Emit Snake-Beings and I recorded in Suva decades later.

My Dad’s interest in film (then video) and photography was one of the key influences on my own travel and videomaking. He was doing this long before youtube or instagram!

I miss you Dad…

Huia Vortex

Animated visuals, with electric guitar loops, one-stringed bass, and drums – the opening track from the ‘Ngumbang‘ album (get the free download) – w/ Emit Snake-beings & Nat da Hatt

The title ‘Huia Vortex’ refers to the location where the track was recorded, in Huia, a small village on the outskirts of west Auckland.

Dave Black & Emit Snake-Beings

It’s not necessarily related to ‘Swansong (for the Huia)(2004), the second album by The Winter, an electro-acoustic trio improvisation in tribute to the extinct New Zealand bird the huia by Dave Edwards, Mike Kingston, and Simon Sweetman. Its 19-minute final track remains an underrated fiffdimension epic. [send us your review]