The Troubled Times: Hill Road in Winter

Happy new year – here’s our first new music release of 2023 – available for download or limited-edition cassette, courtesy of Antony Milton‘s Smalltown Electron label:

The first physical format release from Masterton trio The Troubled Times (and the debut release for Small Town Electron as a label) is a loud and noisy nocturnal romp through the hills and onto the gravel back roads of one of Aotearoa/New Zealand’s least visited regions.

(see also

The Troubled Times discography

)

Continue reading “The Troubled Times: Hill Road in Winter”

águas brilhantes: 2018​-​2022

fiffdimension vol 4

  • made in Featherston, Masterton, and Suva – ft Antony Milton, James Robinson, Dr Emit Snake-Beings, Campbell Kneale, and lyrics by John Collie (1834-1893) – the title is ‘Wairarapa’ in Portuguese.
  • Collaborations with my ancestors and younger relatives, friends in Fiji, a painter in Otago, the curator of PseudoArcana, and the family dog.

(See also
fiffdimension.bandcamp.com/album/gleefully-unknown-1997-2005
fiffdimension.bandcamp.com/album/fame-oblivion-2005-2012
fiffdimension.bandcamp.com/album/other-islands-2012-2018

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I’ve lived the last few years.

My ancestors arrived here in the 19th century – one was a Scottish poet, another a stowaway from the Azores islands.

a followup to
fiffdimension.bandcamp.com/album/gleefully-unknown-1997-2005
fiffdimension.bandcamp.com/album/fame-oblivion-2005-2012
fiffdimension.bandcamp.com/album/other-islands-2012-2018

with videos at www.youtube.com/playlist?list=PLtbrBpNjlOHOhGouOChNl3jVUif1AZIl6 )

águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I live. Several of my pākeha ancestors arrived here in the 19th century.

Much of the music is inspired by two of my great-great-grandfathers – John Collie (1834-1893), a Scottish poet, who helped build the Remutaka incline railway; and Manuel Bernard (1847-1928), who left the Azores islands, as a teenaged stowaway on a whaling ship and ended up in Masterton. It’s also a torch-passing to the next generation – recorded with nephews Hans and Rhys, and niece Celeste.

Also ft literal garage rock with Antony Milton and David Heath (the Troubled Times); duos with James Robinson, Dr Emit Snake-Beings, Campbell Kneale, and Nat da Hatt; side trips to Fiji; an interspecies duet with Oscar (a huntaway); and solo instrumentals and live reinterpretations of oldies.

Includes previously unreleased recordings, download-only bonus tracks, and excerpts from the albums

fiffdimension.bandcamp.com/album/escape-velocity-live-2018
fiffdimension.bandcamp.com/album/a-ton-of-feathers-2018
fiffdimension.bandcamp.com/album/live-2019
fiffdimension.bandcamp.com/album/glimpses-of-utopia-2020
fiffdimension.bandcamp.com/album/ruasagavulu-2020
fiffdimension.bandcamp.com/album/spastic-rhythms-vol-1-2021
fiffdimension.bandcamp.com/album/return-of-the-sun-2021
layyourburdensdown.bandcamp.com/album/-
fiffdimension.bandcamp.com/album/state-highway-2-2022
fiffdimension.bandcamp.com/album/a-second-sun-2022
fiffdimension.bandcamp.com/album/poems-lyrics-in-the-english-dialect-1856
fiffdimension.bandcamp.com/album/poems-lyrics-in-the-scotch-dialect-1856
fiffdimension.bandcamp.com/album/long-live-the-miracle-room-live-2022  

Continue reading “águas brilhantes: 2018​-​2022”

The Troubled Times: A Second Sun

credits

Antony Milton electric guitar, keyboard (1,4), drums (4), painting

Dave Edwards – bass, electric guitar (4), vocal (6), harmonica (7)

David Heath – drums


John Collie (1834-1893) – lyrics (6) (a crossover with fiffdimension.bandcamp.com/album/poems-lyrics-in-the-english-dialect-1856 )

Recorded in Masterton, New Zealand, 25 September 2022

Loosely a sequel to Antony Milton and Dave Edwards‘ first duo collaboration fiffdimension.bandcamp.com/album/return-of-the-sun-2021 – The Troubled Times’ debut.

Continue reading “The Troubled Times: A Second Sun”

w/ James Robinson – Negentropic Diatribes

James Robinson – words, voice, paintings & drawings, bell drum

Dave Black – electric guitar, bass, loop pedal


James Robinson is a mid career contemporary New Zealand mixed media artist, exhibiting widely since 1989 – www.jamesrobinson.nz

fiffdimension is music and multimedia by Dave Edwards (aka Dave Black) and collaborators, since 1998 – www.fiffdimension.com
‐‐——-

James won 2007 paramount prize in the wallace award for
” Taniwaha dragon mother ( spirit bones)”

Read more: w/ James Robinson – Negentropic Diatribes

‘… a great big flatulent belch of fresh air amongst all the tight-sphinctered, deodorised boys and girls of the accepted national art world….. off-kilter and threatening but always sumptuously, gloriously beautiful.’

– Chris Knox.
Continue reading “w/ James Robinson – Negentropic Diatribes”

Escape Velocity: the Electricka Zoo live

New live album!

With New Zealand in lockdown this might be the next best thing to an actual gig..

Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18

Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18

As part of the New Zealand Fringe Festival

credits

The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar

www.fiffdimension.com/the-electricka-zoo

Outono 21

A new multilayered Dave Black electric improv / xenochronous composition.

The track continues the evolution of my Wairarapa one man band 2020s ‘late style’, which began with Glimpses of Utopia (2020) and Spastic Rhythms (2021)

It was originally created for the Psi-solation+12021 compilation album curated by fellow Featherston resident Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room.

Continue reading “Outono 21”

2002: self-isolation before it was cool?

The difficult third album – recorded during a time of intense introspection in 2002. I locked myself in my room in Wellington for all of November with an analogue 4-track cassette recorder.The results rapidly put an end to my promising New Zealand music career!

Wellington, New Zealand

In 2002, a year whose digits are an anagram of this one’s, I locked myself in my room for a month of self-isolation.

It had nothing to do with a pandemic!

Kia kaha Aotearoa…

It was just me living in Wellington and looking for a way to follow up The Marion Flow (part 2).

I was moving further away from conventional 3min song formats into the avant-garde. Continue reading “2002: self-isolation before it was cool?”

Huia Vortex

Animated visuals, with electric guitar loops, one-stringed bass, and drums – the opening track from the ‘Ngumbang‘ album (get the free download) – w/ Emit Snake-beings & Nat da Hatt

The title ‘Huia Vortex’ refers to the location where the track was recorded, in Huia, a small village on the outskirts of west Auckland.

Dave Black & Emit Snake-Beings

It’s not necessarily related to ‘Swansong (for the Huia)(2004), the second album by The Winter, an electro-acoustic trio improvisation in tribute to the extinct New Zealand bird the huia by Dave Edwards, Mike Kingston, and Simon Sweetman. Its 19-minute final track remains an underrated fiffdimension epic. [send us your review]