New Zealand jazz
Loose Autumn Moans (2003)
“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.”
– George Parsons, Dream Magazine #5
Featuring
Sam Prebble (violin)
Mike Kingston (cello)
and Simon Sweetman on percussion.
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Loose Autumn Moans consists of five acoustic ensemble tracks:
1.
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Summer Skin 06:20
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2.
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Mouth of the Caveman 03:26
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The album is structured as a progression from summer (with a NZ pohutukawa tree in flower on the cover) through autumn – a time of harvest, preparation, shortening daylight, and the shedding of old dead layers – and finishes with an extended live version of ‘O Henry Ending’, recorded at the Winter’s first gig.
The original C60 cassette (and later online) release included solo interludes recorded in 2002. These are now available separately as
After the Filmshoot (2002)
By focusing on the 2003 sessions Loose Autumn Moans becomes concise, emphasising the lyrics and the jazzy acoustic instrumental interplay – a mini orchestra to bring colour.

Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.
Further listening
The collaboration with these guys followed on from
The Winter: Parataxes

The Winter‘s debut: electric and acoustic trio improvisations for guitars, cello and percussion, by Dave Edwards, Mike Kingston, and Simon Sweetman (2003)
“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.” – The Broken Face
in the non-idiomatic idiom in Norway (part 2, 2014)
A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.
in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players.
with
Simon O’Rorke – synthesisers
Blair Latham – bass clarinet
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – bass, electronics, tenor sax (8)
These sessions were recorded in 2014. I’d just returned from living overseas, 15 years after my first exposure to Wellington free jazz.
The first volume was recorded in Wellington in 1999
Cafes in Conversation
4th May 2019 at Wairarapa TV May Music Marathon
I wrote this in 1999, after moving to Wellington. I was at an open mic night, at an upstairs bar in Cuba Mall that no longer exists, waiting for my turn to play. I had to wait a while – hence a lot of lyrics.
It was my attempt at a beat poet vibe, reflecting my move to the capital city and discovery of a local jazz scene. Read the rest of this entry »
Julie Bevan – Kaleidoscope
Kaleidoscope is the latest album by NZ composer/musician Julie Bevan.
Julie has a long-standing connection with Brazil. Its unique music and original styles serve as inspiration to Julie’s multicultural compositions. Many of the tracks on this album were composed and
recorded in Brazil.
Phantasticus Acousticus
Phantasticus is a 5 piece high-energy gypsy-flavours ensemble hailing from Wellington, the Gypsy-Balkan capital of New Zealand.
The lineup combines the fearless fiddling skills of Ana Christie and Alex Hills, matched by the awesome forces of Michael Kingston and Rick Shaw on guitar, all wrapped up in the powerful bass boutique of Jacqui Nyman.
With an album of delicious original tunes under their belt, Phantasticus are taking the world by storm. These musicians are so well-seasoned they will leave you asking for ‘Kiwi-hot please’.
Mike Kingston is a key member of The Winter. He plays guitar or cello on several fiffdimension tracks
The Woods
www.thewoodsnz.com
The Woods EP is available free during May 2017 (NZ Music Month) only… grab a copy at www.thewoodsnz.com/musicmonth2017
If you’re a fan of World Music, Blues or Jazz, then ‘The Woods’ are a must have for your collection. With influences from John Lee Hooker to Pharaoh Sanders, from Africa to Peru, their music will take you some place else…
For a FREE DOWNLOAD of ‘Cuzco’ and ‘Epic Dance Phantasy’ CLICK HERE
“This is easily one of my favorite albums of the year.
Mike Kingston
Mike Kingston is a multi-instrumentalist front man and composer in ‘Bella Cajon‘ , ‘The Wagtails‘, and Phantasticus. He continues to perform regularly throughout Wellington and New Zealand.
He plays guitar on After Maths & Sciences
and cello on Loose Autumn Moans
and is a key member of The Winter
www.mikekingstonmusic.com
in the non-idiomatic idiom in Norway (part 1, 1999)
A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.
in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players – including Jeff Henderson, Blair Latham , Paul Winstanley, Dan Beban, Julie Bevan and more.
It was recorded in Wellington in two halves, in 1999
Simon O’Rorke – percussion
Paul Winstanley – synth bass
Blair Latham – alto sax
Jeff Henderson – clarinet
Bridget Kelly – tenor sax
Dan Beban – electric guitar
Dave Edwards – electric and acoustic guitars
and 2014, to show an evolution.
Simon O’Rorke – synthesisers
Blair Latham – bass clarinet
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – bass, electronics, tenor sax
Free improvisation is a genre of music with a self-explanatory name. Nothing is planned in advance, and the performers create the music on the spot by responding to what the others are doing in that moment. Read the rest of this entry »