The third volume of fiffdimension’s best-of compilations (see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012) brings us into the current decade – with further wide-ranging experimentation and exploration both sonically and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
Now available to pre-order (some tracks available immediately and you’ll be automatically sent the rest once everything’s finalised).
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
ネオン列車の風景 Neon Train Landscapes (2010-2015)
Ngumbang (2014-2015)
The Winter: Exit Points (2010/2015)
The Electricka Zoo (2017)
and previously unheard tracks
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Cylvi M (vocal, field recordings, percussion, shakuhachi), Emit Snake-Beings (vocal, percussion, flute, electronics), Blair Latham (bass clarinet), Simon O’Rorke (synthesiser), Chris Prosser (violin), Julie Bevan (acoustic guitar), the Digitator (electric drums, keyboards & loops),
plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,
and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.
If you enjoy this, try the previous volumes Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012
Adam Concert Room, NZ School of Music, Kelburn, Wellington
Featuring gamelan ensembles led by Budi S Putra:
with special guests:
Also, Gamelan Padhang Moncar are recording a new album – watch this space!
Gamelan Padhang Moncar braved wind and rain to perform twice at the night market on the Wellington Waterfront, near Te Papa.
Two audience videos at the Indonesia Festival at Te Papa national museum in Wellington, NZ:
Gamelan music, in styles from Bali by Gamelan Taniwha Jaya
and central Java by Gamelan Padhang Moncar.
Museum of New Zealand Te Papa Tongarewa
Te Marae, Level 4
Sunday 23 October 2016, 10am-5pm
This was a full day of music, dance, song, and batik fashion from Indonesia.
Gamelan Padhang Moncar featured on Metro TV news in Indonesia today.
Happy Indonesian Independence Day, 17th August!
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ShadowPlay – an exhibition of wayang kulit shadow puppets from Cirebon (West Java) at Pataka Museum in Porirua. The antique collection of puppets was purchased by the late Allan Thomas (who also commissioned me to contribute to the book Jazz Aotearoa) in 1974 together with a set of gamelan instruments. Jennifer Shennan and Joko Susilo have worked to curate a unique exhibition showcasing these treasures.
Associated events:
Saturday 6 February, 11:30am, Performing Arts Studio, Pataka Art + Museum
Wayang kulit performance by Joko Susilo accompanied by The First Smile gamelan.
Sunday 7 February, 1:45pm
Concert by Gamelan Padhang Moncar.
Gamelan Padhang Moncar is a group of New Zealand musicians dedicated to the study and performance of Javanese music and based at the New Zealand School of Music (Victoria University campus) in Wellington. They are directed by Budi S. Putra, and managed by Megan Collins.
The group performs traditional repertoire from the courts and villages of central Java as well as contemporary works by New Zealand composers such as Jack Body and Gareth Farr. They also frequently accompany wayang kulit (traditional shadow puppetry) with Joko Susilo.
Members come from a diverse range of backgrounds and include: Judith Exley, Marie Direen, Jo Hilder, Greg Street, Pippa Strom, Mike Jones, Briar Prastiti, Jason Erskine, Helen O’Rourke, Stephanie Cairns, Carina Esguerra, Rupert Snook, Tristan Carter, Jack Hooker, Megan Collins, Anton Killin, Alisa Hogan, Bronwyn Poultney.
I’ll be joining the group in 2016, after performing with the Balinese gamelan ensemble Gamelan Taniwha Jaya in 2010 and 2015 and playing Javanese gamelan in Perth and travelling to Java in 2014.
The Javanese name can be interpreted in several ways. Read the rest of this entry »
Here’s video from my two visits to Indonesia in 2014 – a fascinating new country that I’m only just beginning to explore, and can continue to do so through gamelan (like Indonesia itself it gets more complex & interesting the more you look).
Partly because I’ve visited several countries in East Asia now, and lived in two (Japan and South Korea), Indonesia seems like something else entirely. It’s less Chinese-influenced and has a style of its own.
I had mixed results in my cultural studies mission this morning. Read the rest of this entry »
