(*as picked by casual streaming listeners, based on % of tracks played in full minus % of tracks skipped… not necessarily the ones I would have picked – there’s little or no correlation between the “important” works and the parts other people like!).
“Dave Black’s debut release (and a re-birth, if you like, for David Edwards) is as much a post-modern piece of Performance Journalism as it is a static batch of “songs” or tracks, After Maths & Sciences is a pleasing challenge of an album. It lives up to the cliché of presenting something new with each listen,”– Simon Sweetman
My approach became less introspective and more journalistic – thanks to new influences from years spent living abroad in Australia, South Korea and Japan. New elements include the banjo, electronica, field recordings, multimedia performances, and touches of traditional Asian music. I also adopted the moniker Dave Black, to differentiate from my earlier works.
The third part of the trilogy, Other Islands: 2012-2018, documents my return to NZ via other Asia Pacific countries, and more recent works.
“Whilst shopping from fiffdimension make sure to get hold of ‘Gleefully Unknown’, a best-of compilation of Dave Edwards’ music from 1997 to 2005. Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations…
“Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face