continuing the band’s tradition of getting together on the 1st Sunday of Aotearoa’s daylight saving.
The weather was so abysmal this time that the drummer didn’t want to bike over in the rain, and so it was just Dave and Antony for this one (though Dave did jump on the drums for the last track).
“A few months between drinks but The Troubled Times are back with perhaps their ‘dustiest’ session yet. The whole thing was recorded onto Dave Edwards‘ phone resulting in a slightly more lo-fi sound than usual. Murky drones, percussive clatter and spasms of edgy delay soaked bliss. A mumbled song.” – Antony Milton
“Sometime in 2024 a battered old home dubbed cassette was found in a local charity shop. Hand written on the cover was ‘Graveyard show, Masterton radio, 1998’. It was 20c and I figured it was worth the punt. As the text suggested it was an after midnight radio show, mainly made up of – to my ears- mediocre (or at least very dated) grindcore and industrial techno. Not my bag at all really- but the in-between banter was GOLD. I true snapshot of the generally ‘munted’ nature of Masterton at that time. (Its only moderately improved since to be honest). I only remembered the existence of this tape when the idea struck me to do this compilation- why not swap out the music but keep the banter? I make no claims to this being anything like a reliable overview of underground music in the Wairarapa. All the towns here are ‘small town’ small towns, generally very conservative and less than likely to celebrate their ‘weirdos’. All the same I’ve gotten to know a fair few of them over the 7 years I’ve been here and had been tipped off to a couple more. There must be some I just haven’t stumbled across yet however. It was particularly exciting for me to finally hear Spectrum Is Green as David (Heath– the drummer in The Troubled Times) had always been a little elusive about this band from the 1980s that he had fronted. Finally he gave me their unreleased album from 1988 to listen to. Its gobsmackingly great and WILL be getting released shortly. David also gave me a cdr of a singer/songwriter from Masterton named Brent Grey to check out. This was recorded in 1999 and is also a true treasure. The track on here was so perfect that its title became the title of the entire compilation. Most of the other stuff is a lot more recent. Some of the names will be familiar but I’m sure many won’t. I also made the perhaps perverse decision to go with somewhat more ‘approachable’ tracks from each artist. For the most part anyway. I have given a full breakdown of each artist on their individual track pages which can be linked to by clicking on the respective title.” – Antony Milton
“Every few weeks the peace of a small hall in the otherwise quiet tiny town of Featherston at the very bottom of the North Island of New Zealand/Aotearoa is disrupted by a gathering of eccentric misfits with a ragtag collection of noise making electronics. Old tape decks playing home made loops, dusty turntables spinning even dustier vinyl festooned with tags of sellotape, and glitchy cheap effects pedals disrupting the signal of an array of instruments that are being force-fed into weirdly small amplifiers. “The recordings here in are from a variety of said get togethers and performances. Noise collage meets odd techno dub butted up against distorted rock. Tapiness wins.” – Antony Milton
Poems & Lyrics by John Collie (1856)Poems & Lyrics by John Collie (1856)Ruasagavulu ka lima (Fiji)The Troubled Times: dDAHomo Homini Lupus (compilation)The Troubled Times: Unsteady GroundThe Troubled Times: Sparkle TubeLive 2025Featherston Free Sound Ensemble
“I have been lucky enough to hear some of Dave Edwards work on this at a couple of shows – very cool concept project and worth a listen” – James Trotman
Background
My great-great-grandfather published his book in 1856, before emigrating to New Zealand for the rest of his life.
Discovering this family outsider art precedent in 2018 cast fiffdimension in a whole new light! It sparked a seven-year project to record musical arrangements of his poems for a new century’s audience.
“And with a trembling hand I launch my tiny vessel into the troubled ocean of literature , where many a noble craft has been shattered to pieces…”
Like his better-known countryman (and influence) Robert Burns, John Collie wrote in both English and Scots. The other half of the album is Poems & Lyrics in the Scotch Dialect
“Songs from the harp and lyre – a fantastic flow back from the ancient days” – Dr Emit Snake-Beings
“I have been lucky enough to hear some of Dave Edwards work on this at a couple of shows – very cool concept project and worth a listen” – James Trotman
Background
“And with a trembling hand I launch my tiny vessel into the troubled ocean of literature , where many a noble craft has been shattered to pieces…”
