Best of « fiffdimension

Spotify playlist – fiffdimension & friends

Posted on 24/11/2019 Updated on 24/11/2019

Here’s my first Spotify playlist… a mix of my own tracks and by other artists who I’ve had the privilege to meet and be inspired by, in several cases played gigs alongside and/or collaborated with.

Thank you all for the journey! And some great music here.

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This entry was posted in 2019, Best of, Music, New Zealand and tagged 1990s music, 2000s music, 2010s music, Campbell Kneale, Dave Black, Dave Edwards, Gamelan Padhang Moncar, Gareth Farr, Jeff Henderson, Mike Kingston, New Zealand music, playlist, Ryan Prebble, Simon Sweetman, Snake Beings, Spotify, the Digitator.

Other Islands: 2012-2018

Posted on 29/04/2018 Updated on 15/12/2019

fiffdimension vol3

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

: The Winter: Flying Visit (2012)

: 安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa), 2015

: in the non-idiomatic idiom in Norway (1999/2014)

: Ngumbang (2015)

: The Winter: Exit Points (2015)

: The Electricka Zoo (2017)

And hear the previous compilations

Gleefully Unknown: 1997-2005

This entry was posted in 2012, 2013, 2014, 2015, 2016, 2017, 2018, Asia, Australia, Best of, Fiji, Indonesia, Japan, Music, Nat da Hatt, New Zealand, the Electricka Zoo, The Winter, video and tagged 2010s, 2010s music, 2012, 2013, 2014, 2015, 2016, 2017, 2018, acoustic, acoustic guitar, Asia, Auckland, avant-garde, banjo, bass, Cylvi M, Dave Black, drums, electric, electric guitar, electroacoustic, electronica, ethnomusicology, experimental, field recordings, fiffdimension, folk, Free improv, gamelan, Gamelan Padhang Moncar, harmonica, improvisation, Indonesia, Mike Kingston, music, new zealand, New Zealand music, Simon Sweetman, Snake Beings, Southeast Asia, the Digitator, The Winter, travel, Wellington.

Fame & Oblivion: 2005-2012

Posted on 22/12/2013 Updated on 05/01/2019

“This is something that he has to do, that he will do, come fame or oblivion” –Chris Knox

Now available on Spotify, iTunes, Bandcamp, Deezer etc

fiffdimension vol2, a sequel to Gleefully Unknown: 1997-2005, sees increasingly wide-ranging experimentation and exploration both sonically and geographically, from New Zealand and beyond to Australia and East Asia, and a reinvention as Dave Black.

Whereas Gleefully Unknown: 1997-2005 showed a youthful kiwi fusion of songs with avant-garde spoken word and instrumental pieces, Fame & Oblivion: 2005-2012 documents me in my late 20s and early 30s moving beyond these parameters.

My approach became less introspective and more journalistic – thanks to new influences from years spent living abroad in Australia, South Korea and Japan. New elements include the banjo, electronica, field recordings, multimedia performances, and touches of traditional Asian music. I also adopted the moniker Dave Black, to differentiate from my earlier works.

The third part of the trilogy, Other Islands: 2012-2018, documents my return to NZ via other Asia Pacific countries, and more recent works.

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Featuring tracks from the albums

Ascension Band: Evolution (2005)

After Maths & Sciences (2005-2006)

South Island Sessions (2006)

First Time Around: East Asia (2008)

The Winter: 2011 (2011)

The Winter: Exit Points (2010/2015)

ネオン列車の風景 Neon Train Landscapes (2010-2015)

and previously unheard tracks

: Ascension Band: Evolution (2005)

: After Maths & Sciences (2005-2006)

: South Island Sessions (2006)

: First Time Around: East Asia (2007-2008)

: The Winter: 2011

: Neon Train Landscapes (2010-2015)

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, gayageum, vocal), with

Mike Kingston (acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Hayden Gifkins (electric guitar),

Nigel Patterson (hammond organ),

Ryan Prebble (tone generator),

Matthew Thornicroft (electric guitar),

Jeff Henderson (drums),

Noel Meek (vocal),

Clever Hansel (ukulele)

and field recordings from Australia, South Korea, Thailand, Mongolia, and Japan.

If you enjoy this, try the first volume Gleefully Unknown: 1997-2005 and the third, Other Islands: 2012-2018

This entry was posted in 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, Asia, Australia, Best of, Japan, Korea, Mongolia, Music, New Zealand, Thailand and tagged 2000s music, acoustic, acoustic guitar, Asia, Australia, avant-garde, banjo, clarinet, Cylvi M, Dave Black, Dave Edwards, electric, electric guitar, electroacoustic, ethnomusicology, experimental, field recordings, fiffdimension, folk, harmonica, improvisation, kiwi, korea, nat da hatt, New Nealand, New Zealand music, piano, rock, saxophone, songs, spoken word, Wellington, world.

Gleefully Unknown: 1997-2005

Posted on 16/12/2013 Updated on 21/05/2019

“Whilst shopping from fiffdimension make sure to get hold of ‘Gleefully Unknown’, a best-of compilation of Dave Edwards’ music from 1997 to 2005. Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations…

“Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face

Now available from Spotify, Bandcamp etc

A compilation of songs, spoken word and instrumentals from the first half of my gloriously unsuccessful career to date: