improvisation

Articulation Incommunicate (2004)

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Previously unreleased! 

Dave Edwards dictaphone cassette recordings 2004, for spoken word and improvised guitar – a trip down a road not taken for New Zealand music.

Bomb the Space Festival, Wellington NZ, 2004

These tracks were primitively recorded, not just obscure but completely unheard by anyone else, and seemed like raw unfinished demos at the time – but in hindsight may be the culmination of my 1997-2005 early period (a fusion of original songs, spoken word and free improv).

By 2004 my style was wordy, dense with allusions, and deliberately flouted not only verse/chorus structures but grammatical convention in parts; the influences here were literary modernists as much as music – eg  Joyce, Beckett, Burroughs, Pynchon, Dylan (Thomas), and New Zealand poets James K Baxter, Alan Brunton and Hone Tuwhare. I was a postgrad journalism student that year, so partly it was spare time relief from the constraints of non-fiction writing.

My guitar heroes included British free improviser Derek Bailey and my Mississippi bluesman namesake David ‘Honeyboy’ Edwards – and fellow explorers in the New Zealand underground music scene.

Wellington, New Zealand

The album is rounded out by an abrasive noise guitar, dictaphone and electric razor performance at the Bomb the Space Festival (the youtube clip is one of my few music videos to have over a thousand views… go figure),

and a pair of free improvisations, with percussionists Simon O’Rorke and Simon Sweetman, and Korean bassist Youjae Lee.

Next, needing a change of scenery, having pushed the singer/songwriter envelope as far as I could, and following some last ensemble collaborations with Ascension Band,

and The Winter

the next year I left the country on my OE and took a different approach again….

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The Electricka Zoo – new tracks, late 2019

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Here’s a pair of new (late 2019) tracks from The Electricka Zoo

Keyboards & electronica by the Digitator

& Dave Black on electric guitar

in Upper Hutt, New Zealand, November 2019

the Electricka Zoo, 2017

Get our album if you haven’t already!

 

in the non-idiomatic idiom in Norway (part 2, 2014)

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978-1-877448-59-1

A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.

in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players.

with

Simon O’Rorke – synthesisers

Blair Latham – bass clarinet
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – bass, electronics, tenor sax (8)

These sessions were recorded in 2014. I’d just returned from living overseas, 15 years after my first exposure to Wellington free jazz.

The first volume was recorded in Wellington in 1999

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logistical torrents

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31 July 2019

electric guitar and video by Dave Black,

Featherston, NZ.

One in a series of quickfire improvisations with video effects. Rather than finish an album before releasing anything in 2019, I’m opening a curtain on some of my demo ideas in progress.

11 through the viewer 7

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11th July 2019

Improvised acoustic guitar and video effects by Dave Black,

Featherston, NZ.

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Other Islands: 2012-2018

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fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012

Fame & Oblivion: 2005-2013

Ascension Band 2005

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“With elements of punk, post-punk, jazz, classical, straight rock, opera and music hall, the Ascension Band are that rare thing: Something Wholly Other. They retain avant garde cred and still manage to rock harder than AC/DC.” – www.varsity.co.nz

This riff

by organist/conductor/arranger Nigel Patterson (The Black Seeds, The Manta Rays, Fly My Pretties), guitarist & organiser Dave Edwards (fiffdimension, The Winter), and over a dozen musicians on guitars, basses, drums, electronics, keyboards, trumpets and vocals, was the seed that grew into a full scale electric symphony: Evolution.

“The 50-minute piece of music, broken down into six movements, was performed live over a few nights for the Fringe Festival in 2005; the group taking out the Best Music Award.

“It was stunning. Discordant guitars were choked, drums clattered and crashed, voices mingled with percussion and keyboards – but this form of free-improvisation had a structure to it. It had movement, it had a plan. It was a great beast of a song that writhed and wriggled and often managed to run downhill, away from the players – in the best possible way.

“Here, the show has been recorded onto a CD for posterity – and it begs discovery. It’s an intense listen – but that’s to be expected from a group of players who took their name from one of John Coltrane’s toughest listening albums.” – Simon Sweetman

Dave Edwards – electric guitar & electronics
Nigel Patterson – hammond organ & conductor
Will Rattray – electric guitar
Bell Murphy – bass
Warwick Donald – bass
Murray Stewart – keyboards
Damian ‘Frey’ Stewart – laptop
Ryan Prebble – tone generator

Sam Jenks – trumpet
Felicity Perry – vocal
Atushi Iseki – vocal
Matt Baxter – drums
Greta Welson – drums
  • Give credit to the artist
  • Distribute all derivative works under the same license

The Winter: Exit Points

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Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

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in the non-idiomatic idiom in Norway (part 1, 1999)

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978-1-877448-59-1A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.

in the non-idiomatic idiom in Norway is a collection of improvised Simon O'Rorkeinstrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players – including Jeff Henderson, Blair Latham , Paul Winstanley, Dan Beban, Julie Bevan and more.

It was recorded in Wellington in two halves, in 1999

Simon O’Rorke – percussion

Paul Winstanley – synth bass
Blair Latham – alto sax
Jeff Henderson – clarinet
Bridget Kelly – tenor sax
Dan Beban – electric guitar
Dave Edwards – electric and acoustic guitars

and 2014, to show an evolution.

Simon O’Rorke – synthesisers

Blair Latham –  bass clarinet
Julie Bevan – acoustic guitar
Michael Hall – alto sax
Chris Prosser – violin
Dave Edwards – bass, electronics, tenor sax

Free improvisation is a genre of music with a self-explanatory name.  Nothing is planned in advance, and the performers create the music on the spot by responding to what the others are doing in that moment. Read the rest of this entry »