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solo acoustic at the Fernside Gardens Open Day on Sunday 16th February Website: https://www.eventfinda.co.nz/2020/fernside-gardens-open-days/featherston Greytown Little Theatre Saturday 15 and Sunday 16 February 2020 10:00am – 4:00pm … For two days only, visit one of New Zealand’s most beautiful and historic gardens as part of a fund-raising event for Greytown Little Theatre’s new theatre development project. The magnificent house and gardens were developed by wealthy pastoralist Charles Elgar and his wife Ella. Tragically the first homestead burned down in 1923 and a new one in American colonial style was designed and built by Heathcote Helmore. The homestead is set at the end of a tree-lined avenue, in acres of landscaped gardens. Wander your way through the Scented Walkway, through the Oak Cathedral, passing the Sound Shell to the stunning lake area which played a starring role as Lothlorien in several scenes in the filming of the Sir Peter Jackson’s Lord of Rings. The gardens have been developed over the years in a style that reflects both English Arts and Crafts with a layout in rooms but wit with the additional touches of European and Japanese water gardens and Australian and New Zealand natives interspersed. The effect is an appealing fusion of old and new world. The current owners when they bought the property in 2007 recognised its historic importance and have dedicated themselves to the continued restoration of the gardens. #wairarapamusic #newzealandfolk #2020music #banjo #garden #landscaping #wairarapa
At the end of the decade, and looking for a way to follow up the eclectic Asia-Pacific Odyssey of Other Islands: 2012-2018, I stripped things back down to the solo acoustic format of my early years with Live 2019.
The set, at Wairarapa TV in Masterton, New Zealand, was streamed live on the internet on 4th of May 2019.
For the past couple of years I’ve been living in a small town and don’t get to as many gigs as I used to… so here was an opportunity to use 21st century technology to play ‘virtually’ everywhere.
On the other hand musically this was closer to a traditional folk/singer-songwriter set than I’d done for quite a while. I eschewed dissonant improv, multitracking, live backing musicians, field recordings, or electronic trickery this time, and used just acoustic guitar, banjo, and harmonica (and a few seconds of wah pedal on ‘Eastern’).
The set was followed by an interview.
I also released a companion album to Live 2019 – its stroppier lo-fi postpunk ‘official bootleg’ predecesor Live 1999. This was recorded on cassette 20 years (or half my lifetime) ago, when I opened for Chris Knox at Bar Bodega in Wellington NZ last millennium:
I started and finished both live sets on the same two songs, to show continuity and evolution.
It’s been quite a journey in between!
My other 2019 works in progress included
* a couple of informal jam sessions with the Electricka Zoo (which has otherwise been on hold since last year); ( http://www.soundcloud.com/darrel-hannon/jamming-with-dave)
* and I continued to adapt the 19th century book ‘Poems & Lyrics by John Collie’, which I’d learned was written by my Scottish great-great-grandfather in 1856 before he came to NZ. Three of his poems featured on Live 2019, with more in the pipeline.Read the rest of this entry »
We discussed the origins of fiffdimension (including where the name comes from), 19th century ancestors, life in the Wairarapa, and various projects, collaborators, and influences from New Zealand and abroad.
– which took place live on the internet. This was simulcast on Freeview CH41, ArrowFM 89.7FM and YouTube.
The set was part of the Property Law Service May Music Marathon – 12 straight hours of live Music to Television screens during NZ Music Month on May the 4th 2019.
Living in a small town I don’t get to as many gigs as I used to… so here using 21st century technology to play ‘virtually’ everywhere.
On the other hand musically this was closer to a traditional folk/singer-songwriter set than I’d done for quite a while, eschewing dissonant improv, multitracking, live backing musicians or electronic trickery.
I kept my half hour minimal and acoustic (the discord and electric noise I’m saving for another time soon) and updated my past – with
Solo guitar & harmonica version of track http://www.fiffdimension.bandcamp.com/track/summer-skin
Originally recorded in Wellington NZ, September 2003, for the album ‘Loose Autumn Moans‘, with a mini string section of Mike Kingston on cello and Sam Prebble (RIP) on violin. It also appears on the Gleefully Unknown: 1997-2005 compilation.