Korea
Fame & Oblivion: 2005-2012
“This is something that he has to do, that he will do, come fame or oblivion” –Chris Knox
Now available on Spotify, iTunes, Bandcamp, Deezer etc
The second volume of fiffdimension’s best-of compilations (a sequel to Gleefully Unknown: 1997-2005) sees increasingly wide-ranging experimentation and exploration both sonically and geographically, from New Zealand and beyond to Australia and East Asia, and a reinvention as Dave Black.
A third volume, Other Islands: 2012-2018 will be out in the next couple of months and include my return to NZ and more recent works.
Featuring tracks from the albums
Ascension Band: Evolution (2005)
After Maths & Sciences (2005-2006)
South Island Sessions (2006)
First Time Around: East Asia (2008)
The Winter: 2011 (2011)
The Winter: Exit Points (2010/2015)
ネオン列車の風景 Neon Train Landscapes (2010-2015)
and previously unheard tracks
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, gayageum, vocal), with
Mike Kingston (acoustic guitar), Simon Sweetman (percussion), Nat da Hatt (electric guitar, keyboards), Hayden Gifkins (electric guitar), Nigel Patterson (hammond organ), Ryan Prebble (tone generator), Matthew Thornicroft (electric guitar), Cylvi M (vocal, field recordings, percussion, shakuhachi), Jeff Henderson (drums), Noel Meek (vocal), Clever Hansel (ukulele)
and field recordings from Australia, South Korea, Thailand, Mongolia, and Japan.
If you enjoy this, try the first volume Gleefully Unknown: 1997-2005 and the third, Other Islands: 2012-2018
First Time Around: East Asia
As (south)westerners living in Asia, we had our minds blown all over again by new and fascinating forms of music.
This is an album of sound recordings, made in six different countries, edited into sonic short stories and soundscapes – from
South Korea 대한민국
Japan 日本
China 中国
Thailand ประเทศไทย
Vietnam Việt Nam
Mongolia Монгол улс
South Korea 대한민국
Music and videos by Dave Black & Cylvi Manthyng, two New Zealanders living in South Korea.
The pieces here are made from remixed field recordings of traditional Korean musicians and instruments such as the gayageum, taepyongso, buddhist chants and samulnori drumming, plus our live version of the folk song ‘Arirang’.
