A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.
in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players.
Simon O’Rorke – synthesisers
The first volume was recorded in Wellington in 1999
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.
And hear the previous compilations
New free downloads 2014-2015 ! Pay koha / what you want for
the first collaborative album by New Zealand artist/musician/filmmaker/ethnomusicologists Dave Black & Snake Beings – performed on guitars, bass, banjo, percussion, saxophones, clarinets, harmonicas, synthesisers, Indonesian gamelan, Okinawan sanshin, ukulele, violin, loop pedal, piano, drums and spoken word.
(2014) Japanese psychedelic rock by Dave Black & Nat da Hatt – two New Zealanders living in Japan.
The fifth album from New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards
Free-jazz & improv from Wellington, New Zealand 1999/2014 – in collaboration with simon.ororke.net
and a video clip of
We’ll take a break from more releases for the remainder of this year while some new ideas percolate – thanks for listening, see you at the New Zealand Fringe Festival in 2016!
Here’s video from my two visits to Indonesia in 2014 – a fascinating new country that I’m only just beginning to explore, and can continue to do so through gamelan (like Indonesia itself it gets more complex & interesting the more you look).
Partly because I’ve visited several countries in East Asia now, and lived in two (Japan and South Korea), Indonesia seems like something else entirely. It’s less Chinese-influenced and has a style of its own.
I had mixed results in my cultural studies mission this morning. Read the rest of this entry »
Bye 2014 – overall a pretty good year here.
It was also a good year for travel to southeast Asia: I visited Singapore, Malaysia and Indonesia for the first time… and I finally returned home to New Zealand after two years living in Western Australia and a year before that in Okinawa.
Each contributor created two mins of raw sound – a single track recorded live with no post-processing. After each set of four tracks arrived, they were blindly put together to create each track – as & when they arrived in Corporal Tofulung’s inbox.
The title of the album was created by writing the 40 contributed words on individual pieces of paper & drawing them randomly out of a bucket. Read the rest of this entry »
A major highlight of 2014 for me was visiting some new parts of Southeast Asia. I enjoyed the Tamil Indian culture in Singapore and Malaysia, which has sated my curiosity for India itself for the moment.
The sensory overload of the Hindu temples was an intriguing contrast from the elegant minimalism of the Japanese approach, and the mix of Indian, Chinese and Malay cultures is like having three different Asian countries in one.