Gamelan Dimensi Kelima (Indonesia, 2014)

Field recordings and gamelan from my visits to Indonesia in 2014.

As well as the tracks recorded in Indonesia, the album includes gamelan ensembles in Western Australia, and NZ between 2010-2018.

Listen


About

The album title translates to “Gamelan Fifth Dimension”.

Gamelan was introduced to New Zealand in the 1970s. It has an active scene in Wellington (my birthplace, where I first encountered it in 2010 – thanks to www.gamelan.org.nz ).

From 2012-2014 I lived in Perth, Western Australia, and played in the ensemble Gamelan Sekar Puri. From there I was able to visit Indonesia (and Malaysia) relatively affordably.

On returning home to New Zealand at the end of 2014, I spent the next few years as a member of the Wellington gamelan ensembles: Gamelan Taniwha Jaya (Balinese) and Gamelan Padhang Moncar (Javanese). In 2017 I moved to the Wairarapa, so travelling for regular rehearsals became impractical.

The field recordings were made in 2014 in Indonesia -in central Java, then Bali and Nusa Penida islands;

As well as very different scenery, cultures, cuisines and religion – the islands have strikingly different subgenres of gamelan. Stereotypically, the Javanese style is more hypnotic and meditative, while the Balinese style is faster and complex.

Yogyakarta and Surakarta, Central Java

Bali and Nusa Penida

Credits

  • Dave Edwards – saron, jublag, jegogan, field recordings, bass, electric guitar, tenor saxophone

The field recordings are mixed alongside gamelan ensembles, recorded between 2010-2018;:

Other collaborators

The album also includes other, more experimental Indonesia-inspired 2010s collaborations with fellow postpunk expat ethnomusicologists:

Tracklist

1.Gamelan Taniwha Jaya – Gareth Farr: Mummy, do monsters clean their teeth? (2010) (bonus) 01:20
2.Gamelan Sekar Puri – Ladrang (ayum jantan dari Perth?) 02:14
3.Borobudur ke Kraton ke Prambanan (Yogyakarta) 04:08
4.Gamelan Pura Mangkunegaran – Slendro dan pelog (?) 04:00
5.snakebeings + fiffdimension – Kuningan dan perunggu 02:50
6.Gamelan Taniwha Jaya – Gopala (Bali) (live at NZ School of Music, 2015) 01:15
7.Ubud scenes (Bali) 02:30
8.Nat da Hatt + fiffdimension – Lost in the Monkey Forest 03:47
9.snakebeings + fiffdimension – East to West: Indonesia (live at the Audio Foundation, 2014) 04:33
10.snakebeings + fiffdimension – Sampak Membengkak 03:41
11.Gamelan Padhang Moncar – Ladrang Slament Slendro Manyura + Ketawang Sinom Parijata 02:01
12.Gamelan Padhang Moncar – Nusantara (live at Te Papa, 2016) 02:29
13.Gamelan Padhang Moncar – Improvisasi (di musim panis Wairarapa) 01:49
14.Dimensi keempat dan kelima (2023) 08:13
15.Gamelan Taniwha Jaya – Teruna Jaya (live at Te Papa, 2016) 01:00
Continue reading “Gamelan Dimensi Kelima (Indonesia, 2014)”

The Winter: Shortest Days 2003-2015

A compilation by Wellington NZ free improv trio The Winter

Simon Sweetman – drums, percussion

Mike Kingston – guitars, cello (2-5), clarinet (7,11,14), charango (7,10)

Dave Edwards – guitars, vocal (3), harmonica (4,7,9), banjo (7), ukulele (7,9,11), saxophone (10,14), piano (10), bass (12,13), electronics (6,8,13)

Wellington, New Zealand,
free improv music trio, formed on winter solstice day June 2003.

An archive compilation,

Continue reading “The Winter: Shortest Days 2003-2015”

Huia Vortex

Animated visuals, with electric guitar loops, one-stringed bass, and drums – the opening track from the ‘Ngumbang‘ album (get the free download) – w/ Emit Snake-beings & Nat da Hatt

The title ‘Huia Vortex’ refers to the location where the track was recorded, in Huia, a small village on the outskirts of west Auckland.

Dave Black & Emit Snake-Beings

It’s not necessarily related to ‘Swansong (for the Huia)(2004), the second album by The Winter, an electro-acoustic trio improvisation in tribute to the extinct New Zealand bird the huia by Dave Edwards, Mike Kingston, and Simon Sweetman. Its 19-minute final track remains an underrated fiffdimension epic. [send us your review]

Other Islands: 2012-2018

“The 20 song album covers traditional Javanese and Balinese gamelan, Asian folk music, to free jazz, and free noise. It’s not for anyone with narrow preconceived ideas about what music is, but it is for everyone else.

“If you have an open inquiring mind and love hearing a variety of sound, this is excellent.” – Darryl Baser, muzic.net.nz

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Featuring tracks from the albums

If you enjoy this, try the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

The Digitator

The Digitator: New Zealand Producer, Songwriter, Vocalist, Drummer, Synth Driver, Live Looping Musician.

A fellow traveller from Taranaki, New Zealand, who formed The Electricka Zoo in late 2015 with Dave Black.
Continue reading “The Digitator”

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)

Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).

Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi

As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.

Phantasticus Acousticus

Phantasticus is a 5 piece high-energy gypsy-flavours ensemble hailing from Wellington, the Gypsy-Balkan capital of New Zealand.

 The lineup combines the fearless fiddling skills of Ana Christie and Alex Hills, matched by the awesome forces of Michael Kingston* and Rick Shaw on guitar, all wrapped up in the powerful bass boutique of Jacqui Nyman.

With an album of delicious original tunes under their belt, Phantasticus are taking the world by storm.  These musicians are so well-seasoned they will leave you asking for ‘Kiwi-hot please’.

*Mike Kingston is a key member of The Winter He plays guitar or cello on several fiffdimension tracks

The Winter: Exit Points (2015)

Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

Continue reading “The Winter: Exit Points (2015)”

Nat da Hatt: Volume V

Presenting the second new solo album for 2015 from Nat da Hatt!

Volume V follows hot on the heels of Kleptomania

and his previous 2012 solo masterpiece, Twango

11178300_10153244487776763_3754437497238813588_nNat da Hatt is a political refugee from New Zealand who has settled in Japan where he spends his days in a cave creating tone paintings on an array of devices and instruments including: guitar, thumb piano and a Korg vocoder.

He’s also collaborated with fiffdimension’s Dave Black on the 2014 explicitly Japanese psychedelic album

ネオン列車の風景 Neon Train Landscapes

and some 2015 collaborations in progress

as well as with American jaw-harp maestro Richard Morrison as Mezcla de Refresco

https://natdahatt.bandcamp.com/

The Winter at Pyramid Club, 2015

Thanks to Brent for the photos and to everyone who came along to the Pyramid Club on Thursday!

The Winter’s new album ‘Exit Points’ is now available!

Continue reading “The Winter at Pyramid Club, 2015”