Other Islands: 2012-2018

fiffdimension vol3

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western Australia, Indonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa), 2015

in the non-idiomatic idiom in Norway (1999/2014)

And hear the previous compilations

Gleefully Unknown: 1997-2005

Gamelan Padhang Moncar at the SE Asian Night Market 2017

Sunday 2 April 2017

Gamelan Padhang Moncar braved wind and rain to perform twice at the night market on the Wellington Waterfront, near Te Papa.

Continue reading “Gamelan Padhang Moncar at the SE Asian Night Market 2017” →

Gamelan Jadi Mata Kuliah di Selandia Baru

Gamelan Padhang Moncar featured on Metro TV news in Indonesia today.

Happy Indonesian Independence Day, 17th August!

Gamelan Padhang Moncar @ Pataka Gallery

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5 Feb – 13 March 2016

ShadowPlay – an exhibition of wayang kulit shadow puppets from Cirebon (West Java) at Pataka Museum in Porirua. The antique collection of puppets was purchased by the late Allan Thomas (who also commissioned me to contribute to the book Jazz Aotearoa) in 1974 together with a set of gamelan instruments. Jennifer Shennan and Joko Susilo have worked to curate a unique exhibition showcasing these treasures.

Associated events:

Saturday 6 February, 11:30am, Performing Arts Studio, Pataka Art + Museum

Wayang kulit performance by Joko Susilo accompanied by The First Smile gamelan.

Sunday 7 February, 1:45pm

Concert by Gamelan Padhang Moncar.

Gamelan Padhang Moncar is a group of New Zealand musicians dedicated to the study and performance of Javanese music and based at the New Zealand School of Music (Victoria University campus) in Wellington. They are directed by Budi S. Putra, and managed by Megan Collins.

The group performs traditional repertoire from the courts and villages of central Java as well as contemporary works by New Zealand composers such as Jack Body and Gareth Farr. They also frequently accompany wayang kulit (traditional shadow puppetry) with Joko Susilo.

Members come from a diverse range of backgrounds and include: Judith Exley, Marie Direen, Jo Hilder, Greg Street, Pippa Strom, Mike Jones, Briar Prastiti, Jason Erskine, Helen O’Rourke, Stephanie Cairns, Carina Esguerra, Rupert Snook, Tristan Carter, Jack Hooker, Megan Collins, Anton Killin, Alisa Hogan, Bronwyn Poultney.

I’ll be joining the group in 2016, after performing with the Balinese gamelan ensemble Gamelan Taniwha Jaya in 2010 and 2015 and playing Javanese gamelan in Perth and travelling to Java in 2014.

Panoramic With Singers — Gamelan Padhang Moncar

The Javanese name can be interpreted in several ways. Continue reading “Gamelan Padhang Moncar @ Pataka Gallery” →

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)

Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).

Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi

As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.

Fringe Festival 2016: East to West

Here’s my first major project for 2016, as part of the New Zealand Fringe Festival:

The show is a big OE epic of video & music from the Tasman to the Atlantic, a decade in the making.

It takes the audience on a journey half way around the world from New Zealand, across Australia, via a dozen countries including Indonesia, Thailand, Japan, South Korea, Mongolia, Russia, Albania, Portugal and more.

l’ll play a live soundtrack myself as a solo performance, to evoke each country… it’ll be a culmination of the travelling and field recording /world music direction I’ve taken over the past decade.

So far it’s screened in New Zealand Fringe Festival and also at the Southland Arts Festival in Invercargill.

My 2005 Fringe show Ascension Band won best music award. So did the 2006 Lines of Flight show in Dunedin that I was part of.

Yogyakarta, Indonesia

Here’s video from my two visits to Indonesia in 2014 – a fascinating new country that I’m only just beginning to explore, and can continue to do so through gamelan (like Indonesia itself it gets more complex & interesting the more you look).

Partly because I’ve visited several countries in East Asia now, and lived in two (Japan and South Korea), Indonesia seems like something else entirely. It’s less Chinese-influenced and has a style of its own.

[Diary from September] This trip was just enough for an introductory sampler. I decided to focus on the arts this time rather than the mountains, ocean and jungle which would require more time, money and preparation.

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I had mixed results in my cultural studies mission this morning. Continue reading “Yogyakarta, Indonesia” →

Gamelan Taniwha Jaya 2015

Thanks to everyone who came to see Gamelan Taniwha Jaya play in Wellington recently!

Gopala

Tabuh Telu

In 2015 we’ve also performed at the Newtown Festival, the Southeast Asian Night Market, and Indonesia Day.

11949438_10153533387512380_2874393366942624543_n — Indonesian news article, 31/08/15, http://nasional.kompas.com

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Gamelan Taniwha Jaya

Gamelan Taniwha Jaya, 2015

Wellington Southeast Asian Night Market

Gamelan Taniwha Jaya

Here are a couple of recordings of two of the pieces we played:

https://soundcloud.com/user521325057/gopala-rehearsal-feb-2015/s-l3LrV

https://soundcloud.com/user521325057/margapati-rehearsal-feb-2015/s-rQW6u

These are in the Balinese gong kebyar style of gamelan, which is loud, fast, intricate and modernist. For more info see http://gamelan.org.nz/

Gamelan Taniwha Jaya is a group of New Zealand musicians dedicated to the study and performance of Balinese music. They specialise in contemporary music for Gamelan Gong Kebyar, and frequently incorporate western instruments into the ensemble. Continue reading “Gamelan Taniwha Jaya 2015” →

Bali, Indonesia

There’s my first video from Bali, from footage taken on my earlier visit in August. Note the gamelan (bronze percussion) and rindik (bamboo percussion) soundtrack.

I left my job in Perth and am on my way home to New Zealand, so I’m nervous about jobhunting & starting all over again (again). On the way home I’m spending a week on a smaller island, Nusa Penida, doing conservation volunteer work with www.fnpf.org If you’d like to help me afford to stay longer and make more of a contribution ($20 = 1 day’s expenses) please – or even better, buy some of our music.

Bali is (once you get away from the main city and the tacky resorts in the south) an almost absurdly beautiful place… frangipani and Indonesian flags (preparing for the August 17th independence day celebrations) everywhere, majestic hillsides lined with centuries-old rice terraces, and too many Hindu temples to count (each family has t…heir own). That plus the many international flights, and entertainment options from adventure sports to nightclubbing to traditional arts make it easy to see why it’s such a popular destination (I read somewhere that 80% of visitors to Indonesia go to Bali and nowhere else, which makes me glad I saw Java first).

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Continue reading “Bali, Indonesia” →