Richard Morrison: jaw harp, Korg synthesizer, samples
Nathan Palmer: guitar, Korg vocoder, samples, thumb piano
Mixed and engineered by Nathan Palmer. Continue reading “Mezcla de Refresco”
1856 to 2026 – DIY outsider music, from Aotearoa NZ and beyond
Richard Morrison: jaw harp, Korg synthesizer, samples
Nathan Palmer: guitar, Korg vocoder, samples, thumb piano
Mixed and engineered by Nathan Palmer. Continue reading “Mezcla de Refresco”
East to West brings together for the first time two of New Zealand’s more unusual artist/musician/filmmaker/ethnomusicologists, taking the audience on an epic journey from one side of the Eurasian continent to another in the space of an hour. Continue reading “Dave Black & Snake Beings: East to West”
As well as recording music together, we completed a six-day hiking mission across the northern alps in July 2012, from Kamikochi to Toyama.
The album closes with our rendition of a traditional Okinawa shima uta (island song). It’s a tribute to Japan’s southernmost island prefecture, where Dave lived in 2011/12. The ‘overdrive’ is a tribute to early Pink Floyd, reflecting the psychedelic update of the tune.
Nat da Hatt – electric & acoustic guitars, drum machine, synths, laptop, samples
Dave Black – bass, banjo, acoustic guitar (5), electric guitar (3), loop pedal, electronics, laptop, field recordings
| 1. | 東京から槍ヶ岳 Tokyo to Yarigatake 03:38 |
| 2. | 携帯電話 Keitai Denwa 05:43 |
| 3. | 幸せとは何?What actually is happiness? 04:17 |
| 4. | 剃毛電球ブルース Shaved Lightbulb Blues 04:18 |
| 5. | 福岡に到着 Arrival in Fukuoka 04:41 |
| 6. | 電機市 Denki Ken 03:58 |
| 7. | 平仮名 Hiragana 04:57 |
| 8. | 薬師岳から漓江まで Yakushidake to Li Jiang 05:07 |
| 9. | 安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa) 05:20 |
Nat da Hatt also contributes guest tracks to
and
“This is something that he has to do, that he will do, come fame or oblivion” –Chris Knox
“As Dave Edwards he has explored fuzzy punk, free-jazz, spoken word, alternative-folk and demented pop… as Dave Black, the palette is broadened” – Simon Sweetman
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, gayageum, vocal), with
“Experimental and avant-garde…. There is a clear passion, and a commitment to pushing the boundaries… This will challenge your perceptions of what constitutes music and open the mind to new possibilities of sounds that surround us – muzic.net.nz“
A compilation of songs, spoken word and instrumentals from the early phase of my gloriously unsuccessful career:
“Whilst shopping from fiffdimension, make sure to get hold of ‘Gleefully Unknown’ – a best-of compilation of Dave Edwards’ music from 1997 to 2005. Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations…
“Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – Mats Gustafsson, The Broken Face
by Dave Edwards (acoustic & electric guitars, harmonica, bass, banjo, vocal), with
Featuring tracks from the albums









… if you enjoy this, try the sequels Fame & Oblivion: 2005-2012 and Other Islands: 2012-2018


This is an ethnomusicological album of pieces made from sound recordings, during visits to six different countries in Asia during 2007-2008, The sounds are edited into sonic short stories.
During, and immediately after, a year and a half living in
(teaching English for a living, and to fund further travels – see First Time Around: South Korea),
we travelled to:
8. 请介意你的脚步 (Please Mind Your Step) 01:33
2. Cylvi M – シルビエム在佛的脚在京都 (at Buddha’s Foot, Kyoto) 02:16
| 3. | ระดับที่สามพระอารามหลวง (3rd Grade Royal Temple) 04:04 |
| 4. | เชียงใหม่ร้านรัฐบาล (Chiang Mai government shop) 02:35 |
| 5. | หมู่บ้านกะเหรี่ยง (The Karen Village) 04:10 |
| 6. | Việt Nam chào buổi tối (Good Evening Vietnam) 02:25 |
| 7. | núi và rất cây (Mountain and Very Tree) 04:43 |
| 9. | Монголын хувьсгалт нам ((It’s a) Mongolian Revolutionary Party) 02:33 |
| 10. | ханаду ямаа (Goats in Xanadu) 03:32 |
It was a great pleasure to get to Vietnam. There was a stopover in Hong Kong airport – out the windows I could see glass apartment towers, hillsides eroded from deforestation and a polluted green harbour. Then on to Vietnam, a fertile countryside of rice paddies and fruit trees with sudden rock formations rising out of the plains. Everywhere hundreds of Vietnamese in cone-shaped coolie hats were at work in the fields from dawn to dusk… it’s definitely the land of the cone heads. The hats are an elegantly simple design that protect from the sun and rain.
Although poorer, the Vietnamese people overall seemed healthier, happier, and more stylish, industrious, humorous and better looking than the average Korean. I enjoyed the fusion of old and new on display, whereas Koreans keep their traditional things quite separate from their modern life. There was also a refreshing absence of the usual celebrity stooges’ faces everywhere, and no McDonalds restaurants to be found. Instead they had communist-style posters of good workers and Ho Chi Minh. The atmosphere was never dreary or oppressive though – it’s a vibrant, colourful country.
Hanoi, the capital, was full of motorbikes, their horns a constant soundtrack. The traffic is busy but not especially fast – to cross a road you just walk out at a steady pace and the traffic all somehow avoids you. It’s a much better system than in Thailand where you wait for a gap and then sprint across. Catching a motorbike ride with Vietnamese locals is a good way to get around and definitely part of the experience.
The slightly unsatisfying aspect was being on a time limit and being on the tourist trail for some of it. Prices were cheap but not that cheap and there were always locals around trying to sell something, and many small-time scams to get extra money. It’s hard to begrudge them though – they’re doing a great job rebuilding from the American war (one-legged mine victims the most visible reminder) and finding their place in the world. The newspaper headlines were mostly government propaganda (it’s a one-party state) and one that stood out was their goal to become an average income nation by 2020. That contrasts with Korea’s frantic industrial development (at the expense of their own culture and environment) and their new president’s unattainable election promise of 7% growth every year.Highlights included Cuc Phuong national park where we explored a bat-filled cave where stone-age people had lived 7500 years ago; the national water puppet theatre, a great Vietnamese art-form with live music, carving, action and splashes; a night drinking on a boat on Halong Bay with kiwis and aussies; and the sights and general ambience – there was an overall sense of optimism in the country.
In all, I’d love to go back to Southeast Asia another time with an open itinerary and no time limit, and see Cambodia and Laos as well.
Tonight it’s time to get on the train to Siberia, so I’ll write about Mongolia when I get a chance…
Acoustic instrumental music by Wellington, New Zealand, improvising trio The Winter.
Mike Kingston: charango, guitar, clarinet
Dave Edwards: ukulele, sanshin, tenor sax, piano
Simon Sweetman: xylophone, percussion
Recorded in Nelson, NZ, 2006.
1861 revisited – my pākeha (European) ancestors, John ‘Totara Jack’ and Mary Edwards, arrived in the South Island of New Zealand on board the Olympus and settled in Nelson1.
When I lived nearby a century and a half later,
The early settler stories marked the start of an interest in genealogy, and prompted the music video for The Ballad of William Knife3 (loosely based on ‘Totara Jack’).
In contrast to the ‘traditional’ South Island NZ ‘Flying Nun‘ or The Dead C inspired sounds, South Island Sessions blended acoustic instruments with field recordings and electronic glitches. I played acoustic guitar, banjo and saxophone, and delegated the electric guitar role to two local players. We named this new genre “Steampunk Folktronica“4.
Recorded in Nelson NZ, 2006