Music video by The Troubled Times (Antony Milton, Dave Edwards, David Heath)
from the CD ‘Another Sunday’
Continue reading “The Wind Always Gets Through”Category: video
águas brilhantes: 2018-2022
“We go from bossa nova rhythms to folk to RIO to indie to, what is interesting listening if nothing else, a dog howling along to a banjo (Oscar’s Blues) […] and songs taken from Poems & Lyrics (in the Scotch dialect) (1856), where Dave paid tribute to his ancestor John Collie who wrote a book of poems more than 150 years ago.
“It is unusual to find someone playing so confidently in such diverse areas, and anyone into independent music will certainly find something on here to enjoy – Kev Rowland, muzic.nz
Listen
About
- fiffdimension compilation vol 4 (a followup to Gleefully Unknown: 1997-2005, Fame & Oblivion: 2005-2012, and Other Islands: 2012-2018)
- Made in Featherston, Masterton and Port Chalmers (NZ), Paris (France), and Suva (Fiji)
- Includes tracks by The Troubled Times, Campbell Kneale & Dave Black, James Robinson & fiffdimension, Oscar (the dog), and poems & lyrics by John Collie (1834-1893)
águas brilhantes (or ‘glistening waters’ in English) is the Portuguese translation of Wairarapa, the Māori name of the region where I’ve lived the last few years.
My ancestors arrived here in the 19th century – one was a Scottish poet, another a stowaway from the Azores islands.
This compilation includes pieces inspired by the region and my ancestors, and new and old collaborators – including a torch-passing to younger members of my family.
Credits1
by Dave Edwards – guitars, bass, banjo, harmonica, vocal, lyrics
with
- Antony Milton – keyboard, electric guitar (The Troubled Times)
- David Heath – drums (The Troubled Times)
- Campbell Kneale – electric guitar & analogue synthesiser on ‘both chords’
- Hans Landon-Lane – ukulele, accordion, vocal (Clever Hansel)
- Celeste Rochery – guitar & vocal on ‘My Native Land’
- James Robinson – bell drum on ‘June’s Lounge‘, lyrics & vocal on ‘the edge‘ and ‘old brain‘
- John Collie (1834-1893) – Poems & Lyrics (in the English and Scotch Dialects, 1856)
- Dr Emit Snake-Beings – keyboards & percussion (in Fiji)
- Elario Irava – acoustic guitar & vocal (from Fiji)
- Nat da Hatt – electric guitar & thumb piano on ‘June’s Lounge‘
- The Digitator – keyboards & vocal on ‘Inverno‘
- Oscar – vocal on ‘Oscar’s blues‘
- Rhys Landon-Lane – classical guitar & vocal on ‘by my faith sirs this canna lang dee‘
released December 22, 2022
Tracklist
Features previously unreleased recordings, and tracks from
Further listening: the albums
Escape Velocity: the Electricka Zoo live
New live album!
With New Zealand in lockdown this might be the next best thing to an actual gig..
Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18
Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18
As part of the New Zealand Fringe Festival
credits
The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar
www.fiffdimension.com/the-electricka-zoo
Glimpses of Utopia (2020)
Palette-cleansing electric solo improvisations.
Listen
About
Recorded solo in Featherston, New Zealand, 2019-20.
Not specifically a ‘lockdown album’, but nonetheless recorded solo at home during the pandemic.
It marked the emergence of a new ‘late period‘ solo style.
I’m not a trained jazz musician, but nor do I fit neatly into the ‘NZ noise‘ genre.
Tracklist
| 1. | Abbadebdab 03:00 |
| 2. | October ring 03:37 |
| 3. | 11 through the viewer 7 (acoustic) 01:24 |
| 4. | Torrential logistics 04:05 |
| 5. | Usquebaugh 03:53 |
| 6. | Walking through an aye (in Paparoa national park) 03:53 |
| 7. | Solstice Shards 19 05:07 |
| 8. | Teenager 01:39 |
Further listening
Continue reading “Glimpses of Utopia (2020)”Loose Autumn Moans (2003)
“Wellington, NZ composer Dave Edwards with some able assistance from duo or trio the Winter... Guitars, violin, cello, and percussion all stack up… He’s got a persona that’s all his own.” – George Parsons, Dream Magazine #5
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About
All acoustic, no overdubs, and complete with a string section! Recorded and mixed on analogue equipment, and originally released on cassette in 2003 – new 2020 remaster.
“Edwards‘ art is always an interactive experience, and the spontaneous nature of his audio output encourages descriptions such as abrasive, discordant, sombre and atmospheric. Such adjectives contribute but never tell the whole tale.” – Real Groove
The album is structured as a progression from summer. The cover image shows a NZ pohutukawa tree in flower. It continues through autumn, a time of harvest, preparation, shortening daylight, and the shedding of old dead layers.
It finishes with an extended live version of ‘O Henry Ending‘, recorded at the Winter’s first gig.
“O Henry falling leaves & branches, talk a worried sad refrain
Your eyes half tilt, your brain half mast
To tie the fond anonymous bond beyond yr aching shelter lying walls
That fall to fall, & raise the days, museum haze …”
Credits
Dave Edwards (archtop acoustic guitar, harmonica, vocal, lyrics)
Sam Prebble (violin) / Mike Kingston (cello)
Simon Sweetman (percussion)
Recorded in Wellington, NZ, 2003
Tracklist
1. | Summer Skin 06:19 |
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Mouth of the Caveman 03:26
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Dedication: Bond Street Bridge
Loose Autumn Moans is dedicated to Sam Prebble (aka Bond Street Bridge), who died in 2014.
Rest easy Sam, and thank you..
Further listening
The Winter: Shortest Days 2003-2015
Continuing the seasonal theme, Dave Edwards, Mike Kingston, and Simon Sweetman (occasionally joined by Sam Prebble) formed a regular free improvising instrumental trio , the Winter.
“A strange sonic brew that includes dissonant rock textures, rough outsider folk-blues mysteries, electric and acoustic improvisations and a considerable part of tasty feedback. Imagine equal parts Derek Bailey, New Zealand’s Pumice and classic ’60s blues/folk and you’re in the right ballpark.” – The Broken Face
After the Filmshoot (2002)
The original C60 cassette release of Loose Autumn Moans included solo interludes recorded the previous year, in 2002. These have since been reissued as a separate album.
By shortening to just the 2003 ensemble sessions, Loose Autumn Moans becomes concise. It emphasises the lyrics, and the jazzy acoustic instrumental interplay.
After Maths & Sciences (2005)
A different take of ‘O Henry Ending‘ was recorded in Melbourne, Australia in 2005. I had just bought a banjo (which I still have), Mike Kingston played acoustic guitar this time, and Francesca Mountfort took the cello role, along with Cylvi M on percussion.
While much of the album was in a new style, incorporating electronica and field recordings, ‘O Henry Ending’ and the presence of fellow expat kiwis provided a thematic bridge from the Wellington days.
Acoustic yin / Electric yang – 2CD 1998-2023
To illustrate how a song can be interpreted in multiple ways, the fiffdimension 25th anniversary 2CD features Mouth of the Caveman – and both the 2005 Melbourne version and a new (2022) a live electric arrangement of O Henry Ending
Live 2019 and Live 2022-24
Three of the Loose Autumn Moans tracks were revived in new solo arrangements for these more recent live albums:
Gleefully Unknown: 1997-2005 compilation
Tracks from Loose Autumn Moans also appear on this compilation, that gives an overview of the early years.
Poems & Lyrics by John Collie (1856).
My great-great-grandfather (himself a young man at the time) self-published a book of poems in 19th century Scotland. It includes a piece about Autumn.
Adapting John Collie’s words to music is a current major work-in-progress, that .allows a new ‘mature’ version of my acoustic style, and shows the early works, like Loose Autumn Moans, in a new light!
Ruasagavulu
Out now – the new album
by Dave Black & Dr Emit Snake-Beings
Made in Fiji
“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse
Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.
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Snake Beings & Dave Black in Fiji |
This was one of the last in-person international collaborations from before the world ended… it’s got nothing to do with the pandemic.
It was recorded in Suva, Fiji, 2nd and 4th of November 2019.
The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade optimistically.
Further listening
Our first duo recording was ‘Ngumbang‘ (2015) –
a fusion of several genres and a DIY manifesto – “Pick up the pieces and make them into something new, it’s what we do…”
Fiji 1976, by Alastair Edwards
Film footage by my father, Alastair Edwards (1936-2010), in Nadi and around Viti Levu in 1976.
It’s from my parents’ honeymoon, a couple of years before I was born.
There was no sound, so I’ve added a soundtrack from Ruasagavulu, which Dr Emit Snake-Beings and I recorded in Suva decades later.
My Dad’s interest in film (then video) and photography was one of the key influences on my own travel and videomaking. He was doing this long before youtube or instagram!
I miss you Dad…
First Time Around: South Korea (2008)
– field recordings, electro-acoustic ethnography, Asian industrial soundscapes
by kiwis in South Korea, 2007–2008
Listen
Before there was ‘Gangnam Style‘ there was 영통동버스 노래 (Yeongtongdong Bus Song)
Credits
Recorded in Suwon and Busan, Republic of Korea, 2007-2008
Dave Black – field recordings, laptop, gayageum, loops, bass, acoustic guitar, vocal
Cylvi M – tangso, shakuhachi, shaker, vocal
The pieces here are made from remixed field recordings of traditional Korean musicians, and instruments such as the gayageum, taepyongso, buddhist chants and samulnori drumming, plus our live version of the folk song ‘Arirang’.
Tracklist
Further listening
Continue reading “First Time Around: South Korea (2008)”Ruasagavulu – with Snake Beings in Fiji
Made in Suva, Fiji – the new album by Dave Black & Dr Emit Snake-Beings
“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse
Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.
This was one of the last in-person international collaborations from before the world ended.
The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade.
recorded in Suva, Fiji, 2nd November 2019
Further listening
Our first duo recording was ‘Ngumbang‘ (2015) –
Continue reading “Ruasagavulu – with Snake Beings in Fiji”
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