2019 roundup

At the end of the decade, and looking for a way to follow up the eclectic Asia-Pacific Odyssey of Other Islands: 2012-2018, I stripped things back down to the solo acoustic format of my early years with Live 2019.

The set, at Wairarapa TV in Masterton, New Zealand, was streamed live on the internet on 4th of May 2019.

For the past couple of years I’ve been living in a small town and don’t get to as many gigs as I used to… so here was an opportunity to use 21st century technology to play ‘virtually’ everywhere.

On the other hand musically this was closer to a traditional folk/singer-songwriter set than I’d done for quite a while. I eschewed dissonant improv, multitracking, live backing musicians, field recordings, or electronic trickery this time, and used just acoustic guitar, banjo, and harmonica (and a few seconds of wah pedal on ‘Eastern’).

The set was followed by an interview.

I also released a companion album to Live 2019 its stroppier lo-fi postpunk ‘official bootleg’ predecesor Live 1999. This was recorded on cassette 20 years (or half my lifetime) ago, when I opened for Chris Knox at Bar Bodega in Wellington NZ last millennium:

Live 1999

I started and finished both live sets on the same two songs, to show continuity and evolution.

It’s been quite a journey in between!

Other projects

My other 2019 works in progress included

* experiments with animated visuals and electric improvisations (the ‘yang’ flipside of the deliberately toned down ‘yin’ Live 2019)

* a duo with Emit Snake-Beings, for an as-yet-untitled sequel to Ngumbang, coming in 2020 (we had a recording session in Suva, Fiji, of all places);

* a couple of informal jam sessions with the Electricka Zoo (which has otherwise been on hold since last year); ( http://www.soundcloud.com/darrel-hannon/jamming-with-dave)

* and I continued to adapt the 19th century book ‘Poems & Lyrics by John Collie’, which I’d learned was written by my Scottish great-great-grandfather in 1856 before he came to NZ. Three of his poems featured on Live 2019, with more in the pipeline.

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Huia Vortex

Animated visuals, with electric guitar loops, one-stringed bass, and drums – the opening track from the ‘Ngumbang‘ album (get the free download) – w/ Emit Snake-beings & Nat da Hatt

The title ‘Huia Vortex’ refers to the location where the track was recorded, in Huia, a small village on the outskirts of west Auckland.

Dave Black & Emit Snake-Beings

It’s not necessarily related to ‘Swansong (for the Huia)(2004), the second album by The Winter, an electro-acoustic trio improvisation in tribute to the extinct New Zealand bird the huia by Dave Edwards, Mike Kingston, and Simon Sweetman. Its 19-minute final track remains an underrated fiffdimension epic. [send us your review]

Here’s a Health to my Cronies (by John Collie, 1856)

19th century Scottish drinking song, by John Collie (1834-1893), from his book ‘Poems and Lyrics

Played by his great-great-grandson Dave Edwards -at Wairarapa TV May Music Marathon on 4th of May 2019. It features on the Live 2019 album.

Continue reading “Here’s a Health to my Cronies (by John Collie, 1856)”

The Land of My Youth (by John Collie, 1856)

Poem by John Collie (1834-1893),

 

from his book Poems and Lyrics in the English and Scotch Dialects, published in Banffshire, Scotland in 1856

Performed by his great-great-grandson Dave Edwards on banjo at Wairarapa TV in Masterton, New Zealand, 4 May 2019.

John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.

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logistical torrents

31 July 2019

electric guitar and video by Dave Black,

Featherston, NZ.

One in a series of quickfire improvisations with video effects. Rather than finish an album before releasing anything in 2019, I’m opening a curtain on some of my demo ideas in progress.

11 through the viewer 7

11th July 2019

Improvised acoustic guitar and video effects by Dave Black,

Featherston, NZ.

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Solstice Shards 19

I spent the longest night of the year at home and improvised this:

.

As I’d been doing mainly solo acoustic songs recently this was a palette cleansing electric improvisation from the other side of my coin.

I think of acoustic as yin and electric as yang forces.

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Cafes in Conversation

4th May 2019 at Wairarapa TV May Music Marathon

I wrote this in 1999, after moving to Wellington. I was at an open mic night, at an upstairs bar in Cuba Mall that no longer exists, waiting for my turn to play. I had to wait a while – hence a lot of lyrics.

It was my attempt at a beat poet vibe, reflecting my move to the capital city and discovery of a local jazz scene. Continue reading “Cafes in Conversation”

아리랑

Live 4th May 2019 at Wairarapa TV May Music Marathon

Banjo rendition of a Korean folk tune 아리랑 (“Arirang”).  The banjo is not typically found in Korean music – this would normally be played on a gayageum.

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Eastern

4th May 2019 at Wairarapa TV May Music Marathon

Solo guitar version of a tune by the Electricka Zoo, from our 2017 debut album:

It’s based on the hijaz scale and a 7/8 rhythm.

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