1990s

The Marion Flow

Electric and acoustic songs, spoken word and instrumentals – an almost-recognised New Zealand classic, featuring Chris O’Connor, Paul Winstanley, Simon O’Rorke, Chris Palmer, Joe Callwood, the Digitator, Steve Duffels, Dean Brown, and Brian Wafer.

Made in New Plymouth
and Wellington

It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002

Live 1999

“If only I could play guitar like that… bastard” – Chris Knox

 

in the non-idiomatic idiom in Norway

Wellington free jazz

Free (in both senses) jazz from Wellington, Aotearoa, by Dave Edwards and Simon O’Rorke with Blair Latham, Chris Prosser, Julie Bevan, and Michael Hall (1999 / 2014)

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dAdApApA: Waiting for the Drummer

Taranaki improvised rock/noise deconstruction with sputtering synth, air-sucking turntables, didgeridoo and sundry toys providing layers of surreal abstraction, by Paul Winstanley with Dave Edwards, the Digitator, Paul Winther, and Brian Wafer (1999)

“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth, an ad hoc group of associated locals assembled to record… the only rock references here come from the guitars… throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye” – Eden Gully

Scratched Surface

The debut album – a genuine lo-fi postpunk teenage singer/songwriter artifact from the ’90s Taranaki underground, by Dave Edwards with Tim McVicar (1997-1998)