Nat da Hatt – Harpsychord

The latest offering from Nat da Hatt, recorded in 2015-2016 in Kawaguchi City, Japan using an array of instruments, devices and machines including: a Zoom digital eight track recorder, A Gretsch Electromatic guitar and a Korg vocoder.

Harpsychord follows hot on the heels of 2015’s Volume V and Kleptomania

and his previous 2012 solo masterpiece, Twango

11178300_10153244487776763_3754437497238813588_nNat da Hatt is a political refugee from New Zealand who has settled in Japan where he spends his days in a cave creating tone paintings on an array of devices and instruments including: guitar, thumb piano and a Korg vocoder.

He’s also collaborated with fiffdimension’s Dave Black on the 2014 explicitly Japanese psychedelic album

ネオン列車の風景 Neon Train Landscapes

and guested on Ngumbang

as well as with American jaw-harp maestro Richard Morrison as Mezcla de Refresco

https://natdahatt.bandcamp.com/

the Ballad of William Knife

Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme.  ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.

See also the videos for ‘Bandit Joe on a Scraded Gat’ and ‘BFD’

1861 revisited – Continue reading “the Ballad of William Knife” →

安里屋ユンタオーバードライブ Asadoya Yunta Overdrive (Okinawa)

Here’s a new bonus track we’ve added to the album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song) from 沖縄 (Okinawa).

Dave Black – sanshin, harmonica, field recordings
Nat da Hatt – acoustic & electric guitars, electronics
Cylvi Manthyng – shakuhachi

As you can hear, the music of Okinawa is quite distinct from that of mainland Japan.

Ascension Band 2005

“With elements of punk, post-punk, jazz, classical, straight rock, opera and music hall, the Ascension Band are that rare thing: Something Wholly Other. They retain avant garde cred and still manage to rock harder than AC/DC.” – www.varsity.co.nz

Dave Edwards – electric guitar & electronics
Nigel Patterson – hammond organ & conductor
Will Rattray – electric guitar
Bell Murphy – bass
Warwick Donald – bass
Murray Stewart – keyboards
Damian ‘Frey’ Stewart – laptop
Ryan Prebble – tone generator
Sam Jenks – trumpet
Felicity Perry – vocal
Atushi Iseki – vocal
Matt Baxter – drums
Greta Welson – drums

This riff

Continue reading “Ascension Band 2005” →

The Winter: Exit Points (2015)

Today is the last day of winter in the southern hemisphere – so to celebrate, here’s the fifth album from The Winter – a New Zealand free improvisation trio of Mike Kingston, Simon Sweetman and Dave Edwards… with a sound that swerves from acoustic folk/blues with hints of Asian, Celtic, and Balkan influences, to electroacoustic soundscapes, abstract dissonance, and pots & pans percussion.

Mike Kingston: guitar, bass, clarinet, electronics
Dave Edwards: guitar, bass, banjo, harmonica, ukulele, sanshin, electronics
Simon Sweetman: drums and percussion, electronics

Continue reading “The Winter: Exit Points (2015)” →

2014 roundup

Bye 2014 – overall a pretty good year here.

Most importantly we put out two new albums in contrasting styles: ネオン列車の風景 Neon Train Landscapes and in the non-idiomatic idiom in Norway. 

The first was a composed Japanese psychedelic rock album while the second showcased the free improvised music I’d been influenced by in my earlier years in Wellington.

It was also a good year for travel to southeast Asia: I visited Singapore, Malaysia and Indonesia for the first time… and I finally returned home to New Zealand after two years living in Western Australia and a year before that in Okinawa.

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Continue reading “2014 roundup” →

Dada Songwriting: Rejection dryrot ripple Gombage

by Uneasy Chairs (USA, guitar) / T4x0n0m13s (España, bass + distortion pedal) / Dave Black (NZ, banjo) / Cylvi Manthyng (NZ, shaker)

 Each contributor created two mins of raw sound – a single track recorded live with no post-processing. After each set of four tracks arrived, they were blindly put together to create each track – as & when they arrived in Corporal Tofulung’s inbox.
The title of the album was created by writing the 40 contributed words on individual pieces of paper & drawing them randomly out of a bucket. Continue reading “Dada Songwriting: Rejection dryrot ripple Gombage” →

in the non-idiomatic idiom in Norway (part 1, 1999)

Listen

credits

978-1-877448-59-1

Simon O’Rorke – percussion

Paul Winstanley – synth bass
Blair Latham – alto sax
Jeff Henderson – clarinet
Bridget Kelly – tenor sax
Dan Beban – electric guitar
Dave Edwards – electric and acoustic guitars

Background

A few years ago I wrote a chapter of Jazz Aotearoa, a book about New Zealand jazz music history, discussing the free improvisation and avant-garde jazz scene in Wellington at the turn of the millennium.

Simon O'Rorke

in the non-idiomatic idiom in Norway is a collection of improvised instrumental music with some of the musicians in that scene, from the point of view of my own attempts as an untrained outsider to fit in with these advanced jazz players – including Jeff Henderson, Blair Latham , Paul Winstanley, Dan Beban, Julie Bevan and others.

The title is a reference to Simon’s house on Norway Street, where the recordings took place. The ‘non idiomatic idiom’ suggests the paradox that improvising non-idiomatically (eg in an original personal style without reference to any genre – playing neither jazz, nor rock, blues, reggae, classical etc) is an idiom in itself.

It was recorded in Wellington in two volumes, in 1999 and 2014

Continue reading “in the non-idiomatic idiom in Norway (part 1, 1999)” →

First Time Around: East Asia (2008)

This is an ethnomusicological album of pieces made from sound recordings, during visits to six different countries in Asia during 2007-2008, The sounds are edited into sonic short stories.

Listen

Credits

  • Dave Black – field recordings, laptop, gayageum loops, clarinet, acoustic bass, guay, readings
  • Cylvi M – tangso, shakuhachi, golden egg, singing bowl, readings & rubbings
First time around [South Korea]

About

During, and immediately after, a year and a half living in

South Korea 대한민국,

(teaching English for a living, and to fund further travels – see First Time Around: South Korea),

we travelled to:

China 中国

  1. 挽歌为长江豚 (Elegy for the Yangtze River Dolphins) 01:22

8. 请介意你的脚步 (Please Mind Your Step) 01:33

Japan 日本

2. Cylvi M – シルビエム在佛的脚在京都 (at Buddha’s Foot, Kyoto) 02:16

 

Thailand ประเทศไทย

3.ระดับที่สามพระอารามหลวง (3rd Grade Royal Temple) 04:04
4.เชียงใหม่ร้านรัฐบาล (Chiang Mai government shop) 02:35
5.หมู่บ้านกะเหรี่ยง (The Karen Village) 04:10

Vietnam Việt Nam

6.Việt Nam chào buổi tối (Good Evening Vietnam) 02:25
7.núi và rất cây (Mountain and Very Tree) 04:43

Mongolia Монгол улс

9.Монголын хувьсгалт нам ((It’s a) Mongolian Revolutionary Party) 02:33
10.ханаду ямаа (Goats in Xanadu) 03:32

감사합니다 – ありがとうございました – 谢谢 – ขอขอบคุณคุณ – cảm ơn bạn – Баярлалаа!

Continue reading “First Time Around: East Asia (2008)” →

Vietnam Việt Nam

 

July 2008 –

It was a great pleasure to get to Vietnam. There was a stopover in Hong Kong airport – out the windows I could see glass apartment towers, hillsides eroded from deforestation and a polluted green harbour. Then on to Vietnam, a fertile countryside of rice paddies and fruit trees with sudden rock formations rising out of the plains. Everywhere hundreds of Vietnamese in cone-shaped coolie hats were at work in the fields from dawn to dusk… it’s definitely the land of the cone heads. The hats are an elegantly simple design that protect from the sun and rain.

Although poorer, the Vietnamese people overall seemed healthier, happier, and more stylish, industrious, humorous and better looking than the average Korean. I enjoyed the fusion of old and new on display, whereas Koreans keep their traditional things quite separate from their modern life. There was also a refreshing absence of the usual celebrity stooges’ faces everywhere, and no McDonalds restaurants to be found. Instead they had communist-style posters of good workers and Ho Chi Minh. The atmosphere was never dreary or oppressive though – it’s a vibrant, colourful country.

Hanoi, the capital, was full of motorbikes, their horns a constant soundtrack. The traffic is busy but not especially fast – to cross a road you just walk out at a steady pace and the traffic all somehow avoids you. It’s a much better system than in Thailand where you wait for a gap and then sprint across. Catching a motorbike ride with Vietnamese locals is a good way to get around and definitely part of the experience.
The slightly unsatisfying aspect was being on a time limit and being on the tourist trail for some of it. Prices were cheap but not that cheap and there were always locals around trying to sell something, and many small-time scams to get extra money. It’s hard to begrudge them though – they’re doing a great job rebuilding from the American war (one-legged mine victims the most visible reminder) and finding their place in the world. The newspaper headlines were mostly government propaganda (it’s a one-party state) and one that stood out was their goal to become an average income nation by 2020. That contrasts with Korea’s frantic industrial development (at the expense of their own culture and environment) and their new president’s unattainable election promise of 7% growth every year.

Highlights included Cuc Phuong national park where we explored a bat-filled cave where stone-age people had lived 7500 years ago; the national water puppet theatre, a great Vietnamese art-form with live music, carving, action and splashes; a night drinking on a boat on Halong Bay with kiwis and aussies; and the sights and general ambience – there was an overall sense of optimism in the country.

In all, I’d love to go back to Southeast Asia another time with an open itinerary and no time limit, and see Cambodia and Laos as well.

Tonight it’s time to get on the train to Siberia, so I’ll write about Mongolia when I get a chance…

first time around east asia 5(1)