“It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002
Listen
Credits
Produced by Paul Winstanley, & featuring Steve Duffels, the Digitator, and the Dadapapa Magickclone Orchestra.
Recorded at the TFC Lounge, New Plymouth, 1999 – with special thanks to Brian Wafer.
About
The Marion Flow is a pre-millennial fusion of warm acoustic pop, spoken word and postpunk discord.. An almost-acknowledged New Zealand classic from Taranaki – of its time (the ’90s!) yet timeless.
As the sophomore fiffdimension release (following 1998’s Scratched Surface), The Marion Flow began to mix more experimental elements alongside the songwriting. It shows an evolution in ambition and production values, and a more complex & impressionistic lyrical style.
“I sit in this tower of tongues & bells, & move to the groove
Or so that I’m reckoned, & then I am beckoned
Back to these shoes, nigh marion blues
And so to the seashore our body now go, & tale shall flow & power ye know…” – The Marion Flow
In 1999, aged 20, I left New Plymouth, a large rural town, where I grew up, and moved to Wellington, New Zealand’s capital city, where I was born. The Marion Flow reflects this journey, geographically, sonically and spiritually.
The Marion Flow was originally a longer album spanning recordings from New Plymouth in 1999 and Wellington in 2001. I’ve now reissued the two halves separately – to emphasise the sense of time and place, and stylistic evolution, and to re-present each more concisely (for the short-attention-span 21st century).
This page is for the 1999 New Plymouth sessions; for the 2001 Wellington followup recordings see The Marion Flow (part 2);
“Edwards’ music is often a sculpture rather than a melodic composition. Within this chosen form, amongst all the writings rantings & poetry there’s much difficult pleasure to be had for the musically adventurous.” – Brent Cardy, Real Groove, July 2002
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