Hans Landon-Lane

Hans Landon-Lane plays accordion, ukulele and vocal on

Poems & Lyrics by John Collie (1856):

‘Sonnet on Summer‘

“The sweet breath of summer blows fresh o’er each plain

The woods have resumed their lost grandeur again

The grove with the notes of the blackbirds are singing

By fountain and stream the wild flowers are springing […]”

‘The Land of My Youth

“I sing of the land where in youth I have rambled

I sing of her heroes who long long are gone

And I sing of her steep crags where oft I have scrambled

When dull pining cares to me were unknown […]”

‘Here’s a Health to my Cronies’

Here’s a health to my cronies where e’er they reside,

whether this side or that o’ yon big rowing tide

I care na what country or kingdom they claim, be they English or Irish to me it’s the same

Gif their hearts to a glass o’ gude whisky incline, I instantly class them as cronies o’ mine […]”

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ilhas Atlânticas

This track was originally recorded by The Electricka Zoo (2017), and appears on the Other Islands: 2012-2018 compilation. It’s based around a (non-diatonic) Cmaj7 – Amaj7 pattern, with a bossa nova rhythm.

It’s dedicated to my great-great-grandfather Manuel Bernard.

He was born in 1847 in Ponta Delgada, Flores Island, Azores, Portugal.

The words are in (beginner) Portuguese:

Eu gosto de falar

no meus ancestrais

de as ilhas Atlânticas

Madeiras e Açores

Portugal is the westernmost country in Europe, with its back to it geographically and culturally. It was the edge of the known world for Europeans until the Age of Discovery. The Azores islands are even further west.

As a teenager, Manuel Bernard stowed away on a passing American whaling ship.

From a remote island in the Atlantic ocean, he ended up on an equally remote island in the Pacific – on the opposite side of the world, in Wellington, New Zealand.

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Scotland, postponed

Around September 2020 I’d planned to travel to Scotland, on my first visit. There was to be a family gathering for my sister’s wedding in Edinburgh.

The trip’s now postponed indefinitely, for obvious reasons

I’d planned to visit Boyndie, Banffshire, where my great-great-grandfather John Collie grew up.

In 1856, in his early 20s he published a book : Poems and Lyrics (in the English and Scotch Dialects).

I‘ve started setting some of it to music.

Continue reading “Scotland, postponed” →

Ruasagavulu

Out now – the new album

by Dave Black & Dr Emit Snake-Beings

Made in Fiji

“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse

Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.

Snake Beings & Dave Black in Fiji

This was one of the last in-person international collaborations from before the world ended… it’s got nothing to do with the pandemic.

It was recorded in Suva, Fiji, 2nd and 4th of November 2019.

The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade optimistically.

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Further listening

Our first duo recording was ‘Ngumbang‘ (2015) –

a fusion of several genres and a DIY manifesto – “Pick up the pieces and make them into something new, it’s what we do…”

Continue reading “Ruasagavulu” →

Gar mar par da nee sa

the opening track from Ruasagavulu

by Dave Black & Snake-Beings

recorded in Suva, Fiji, 2nd November 2019

This short warmup improv is based on an Indian scale, inspired by Dr Emit Snake-Beings‘ travels to Kerala in India, and harmonium lessons in Suva.

There’s an Indian influence throughout the album, as several sections are based on drones and modal improv (rather than the chord changes)… though this is not a traditional Indian album, we’ve borrowed ideas to inform our own experiments.

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The temple in the photo is Sri Siva Subramaniya in Nadi. It’s built in the Dravidian style from southern India, which is also found in Singapore and Malaysia.

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In contrast to other Pacific Island countries, Fiji has a large – almost half – population of Indian descent. Indians came to Fiji in the 19th century, as indentured labourers to work the sugar cane plantations.

The following videos are made in India, courtesy of www.snakebeings.co.nz

Continue reading “Gar mar par da nee sa” →

Solitude

The first piece from the book Poems & Lyrics by John Collie (1856).

Recorded by John Collie’s great-great-grandson, during pandemic lockdown, March 2020.

‘SOLITUDE’

by John Collie, 1856

OH give me near some swelling stream to stray, 0r tread the windings of some pathless wood, For I am wearied of the bustling day, And long to meet thee, gloomy Solitude: That I with thee may climb those shelfy steeps, Which frown majestic o’er the boiling deeps. Continue reading “Solitude” →

Sonnet on Summer

A duo with my nephew, Hans Landon-Lane, from Poems & Lyrics by John Collie (1856)

Rosemary Bromley, Dave Edwards, Hans Landon-Lane

Clever Hansel – ukulele vocal
Dave Edwards – guitar, harmonica, vocal

This was the last in-person collaboration before the COVID-19 shutdown, recorded in Lower Hutt, New Zealand, March 2020.

THE sweet breath of summer blows fresh o’er each plain,

The woods have resumed their lost grandeur again;

The groves with the notes of the blackbird are ringing,

By fountain and streamlet the wild ﬂowers are springing.

And the breath of the heather bell sweetens the breeze,

And the old stormy ocean lies slumbering in peace;

And the wild bees are humming around the wild ﬂowers,

Afar above earth the lark proudly soars;

The bleat of the lamb on the moss-cover’d hill,

The sound of the shepherd’s pipe jocund and shrill,

All tell in a language most striking and plain,

T hat summer, fair summer, is reigning again,

The old face of nature her smiles has put on,

And the blustery appearance of winter has ﬂown.

Fiji 1976, by Alastair Edwards

Film footage by my father, Alastair Edwards (1936-2010), in Nadi and around Viti Levu in 1976.

It’s from my parents’ honeymoon, a couple of years before I was born.

There was no sound, so I’ve added a soundtrack from Ruasagavulu, which Dr Emit Snake-Beings and I recorded in Suva decades later.

My Dad’s interest in film (then video) and photography was one of the key influences on my own travel and videomaking. He was doing this long before youtube or instagram!

I miss you Dad…

First Time Around: South Korea (2008)

– field recordings, electro-acoustic ethnography, Asian industrial soundscapes

by kiwis in South Korea, 2007–2008

Listen

Before there was ‘Gangnam Style‘ there was 영통동버스 노래 (Yeongtongdong Bus Song)

Credits

Recorded in Suwon and Busan, Republic of Korea, 2007-2008

Dave Black – field recordings, laptop, gayageum, loops, bass, acoustic guitar, vocal

Cylvi M – tangso, shakuhachi, shaker, vocal

Busan, South Korea
Dave and Cylvi at Dadaepo beach, Busan, South Korea
Korean gayageum, 2007
Busan, South Korea
Busan, South Korea
Geumjeong, Busan, South Korea
Busan, South Korea
Suwon, South Korea

The pieces here are made from remixed field recordings of traditional Korean musicians, and instruments such as the gayageum, taepyongso, buddhist chants and samulnori drumming, plus our live version of the folk song ‘Arirang’.

Busan, South Korea

Tracklist

1.	영통동버스 노래 (Yeongtongdong Bus Song) 02:30
2.	음악에 귀 결정적인 음악 관리자 (A Decisive Music Administrator (with an ear for music)) 03:18
3.	물주세요 (Mool Chuseyo (give me water)) 01:47
4.	동래의 행정 장관의 사무실 (Office of the Dongnae Magistrate) 03:34
5.	동쪽에서 서쪽을 충족 (Konglish Cananglish (east meets west)) 01:49
6.	부산 대학교 땅땅 (PNU Pounding (Arirang Blues)) 03:28
7.	아리랑 (Arirang (live in Busan)) 04:43

Further listening

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Ruasagavulu – with Snake Beings in Fiji

Made in Suva, Fiji – the new album by Dave Black & Dr Emit Snake-Beings

“So easy to get totally lost in this music, recommend for helping with your inner peace” – Andi Verse

Indo-Fijian inspired tropical devotional avant-garde instrumentals for keyboards, ukulele, dholak, duduk, harmonicas, DIY kitchen gamelan, and video.

This was one of the last in-person international collaborations from before the world ended.

The title ‘ruasagavulu’ means ‘twenty’ in Fijian, to kick off the new decade.

recorded in Suva, Fiji, 2nd November 2019