2005

2005

The year got off to a good start, with Ascension Band: Evolution

The successful collaboration with Nigel Patterson, Ryan Prebble, and over a dozen other musicians, from jazz-schooled to untrained punks, won the best music award in the NZ Fringe Festival.

I had my first taste of success (the fame part of Fame & Oblivion 2005-2012)

Melbourne, VIC, Australia 2005

…But by this time I was ready to see the world beyond Aotearoa.  I shifted across the Tasman Sea to Melbourne – in Australia, the West Island.

 

For the next few months I lived in Brunswick, and worked in temp jobs around the city and in rural Victoria.

 

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The results became After Maths & Sciences

Continue reading “2005”

Other Islands: 2012-2018

fiffdimension vol3

(see also Gleefully Unknown: 1997-2005 and Fame & Oblivion: 2005-2012)

brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with

Mike Kingston (charango, acoustic guitar),

Simon Sweetman (percussion),

Nat da Hatt (electric guitar, keyboards, banjo),

Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),

the Digitator (electric drums, keyboards & loops),

Campbell Kneale (electric guitar, analogue synthesiser),

Cylvi M (vocal, field recordings, percussion, shakuhachi),

Blair Latham (bass clarinet),

Simon O’Rorke (keyboards),

Chris Prosser (violin),

Julie Bevan (acoustic guitar),

plus Indonesian gamelan ensembles led by Sofari Hidayat, Budi Putra, and Gareth Farr,

a song by my great-great-grandfather John Collie (1856),

and field recordings from Western AustraliaIndonesia, Okinawa (Japan), and Fiji.

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Featuring tracks from the albums

The Winter: Flying Visit (2012)

in the non-idiomatic idiom in Norway (1999/2014)

ネオン列車の風景 Neon Train Landscapes (2010-15)

Ngumbang (2014-15)

The Winter: Exit Points (2015)

The Electricka Zoo (2017)

and previously unheard tracks.

And hear the previous compilations

Gleefully Unknown: 1997-2005 

and Fame & Oblivion: 2005-2012
Fame & Oblivion: 2005-2013

Friday 16th March @ Leroy’s

Postscript: thanks for coming along, keep an eye on www.fiffdimension.com/the-electricka-zoo for more!

The Electricka Zoo, 16-03-18

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Friday 16 March, 8:00pm, free entry, @ Leroy’s Bar, 2 Plimmer Steps

New Zealand Fringe Festival:

Continue reading “Friday 16th March @ Leroy’s”

22nd July – Tapioca Dragon, the Electricka Zoo, 1/3 Octave Band @ Pyramid Club

A night of improv, otherworld musics, and ethereal sonic crunch at Wellington’s Pyramid Club, plus an album release for The Electricka Zoo.

Saturday 22nd July 2017, 8pm

@ the Pyramid Club

272 Taranaki Street, Wellington NZ – $10 door sales

 The Electricka Zoo

The duo of Dave Black & the Digitator, The Electricka Zoo combine influences from EDM and post-punk avant-garde rock to jazz, reggae, Balkan and Portuguese music. Their self-titled debut album will be released at this gig, and features 8 original tunes by the bass/guitar and electronica duo wrapped in colourful mandala artwork by Lucie Hannon.

1/3 Octave Band

Also in the line up; the 1/3 Octave Band, aka Bill Wood. A master of tones and drones, Bill an his collaborators in the group have released many CD,s LP’s over the past decade, and recently been championed by no less than former Black Flag frontman Henry Rollins in his column for LA Weekly. Don’t miss this once a year appearance from Mr Wood.

Tapioca Dragon

And let’s not forget and that merry duo of free thinkers, Tapioca Dragon, feat. Andy Wright (ex-Orchestra of Spheres) and Mark Williams (MarineVille / Cookie Brooklyn and the Crumbs). Tapioca Dragon released their debut album last year, a collection of 5 improvisations building from sparse, loops and jabs into a psychedelic spin cycle.

The Electricka Zoo

http://www.fiffdimension.com/the-electricka-zoo

https://soundcloud.com/fiffdimension/sets/the-electrickazoo

IMG_20160102_154834This duo from Taranaki formed in late 2015 following an extended 15 year incubatory period. Roots in rock and electronica, The Electricka Zoo will leave you wondering if you should dance along, close your eyes, or just scratch your head in wonder how two people can produce such a wall of sound.

Our first release is available now on vinyl!

http://heavyspacerecords.blogspot.co.nz/2016/03/23-electricka-zoombadger-sett-split-7.html?m=1

the Ballad of William Knife

Music video from the album ‘South Island Sessions‘, set in 19th century New Zealand with an ecological theme.  ‘The Ballad of William Knife’ was the name of the show we took to the Dunedin Fringe Festival in 2006.

See also the videos for ‘Bandit Joe on a Scraded Gat’ and ‘BFD’

1861 revisited – Continue reading “the Ballad of William Knife”

Ascension Band 2005

“With elements of punk, post-punk, jazz, classical, straight rock, opera and music hall, the Ascension Band are that rare thing: Something Wholly Other. They retain avant garde cred and still manage to rock harder than AC/DC.” – www.varsity.co.nz

This riff

by organist/conductor/arranger Nigel Patterson (The Black Seeds, The Manta Rays, Fly My Pretties), guitarist & organiser Dave Edwards (fiffdimension, The Winter), and over a dozen musicians on guitars, basses, drums, electronics, keyboards, trumpets and vocals, was the seed that grew into a full scale electric symphony: Evolution.

“The 50-minute piece of music, broken down into six movements, was performed live over a few nights for the Fringe Festival in 2005; the group taking out the Best Music Award.

“It was stunning. Discordant guitars were choked, drums clattered and crashed, voices mingled with percussion and keyboards – but this form of free-improvisation had a structure to it. It had movement, it had a plan. It was a great beast of a song that writhed and wriggled and often managed to run downhill, away from the players – in the best possible way.

“Here, the show has been recorded onto a CD for posterity – and it begs discovery. It’s an intense listen – but that’s to be expected from a group of players who took their name from one of John Coltrane’s toughest listening albums.” – Simon Sweetman

Dave Edwards – electric guitar & electronics
Nigel Patterson – hammond organ & conductor
Will Rattray – electric guitar
Bell Murphy – bass
Warwick Donald – bass
Murray Stewart – keyboards
Damian ‘Frey’ Stewart – laptop
Ryan Prebble – tone generator

Sam Jenks – trumpet
Felicity Perry – vocal
Atushi Iseki – vocal
Matt Baxter – drums
Greta Welson – drums
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A Visit to the Beehive

A pleasant surprise this week to get a small (single figure) royalty payment from APRA for radio airplay for the shortest track from The Marion Flow, recorded back in 2001!

That goes some way towards recovering the $600 or so I spent recording the album (a lot of money for a broke student back then). I can’t claim it’s a prescient political satire that predicted this week’s news events, but maybe like the album as a whole it’s just timeless…

It’s also, for fans of Wellington avant-garde music, a rare opportunity to hear Simon O’Rorke play a straight rock beat on drums!

The Beehive is the nickname for the Executive Wing of New Zealand’s government building in Wellington .