The main project for 2018 was Other Islands: 2012-2018;
The last five (of the 20) tracks were recorded in 2018 – each in a different genre:
A song written by my great-great-grandfather John Collie, in Banffshire, Scotland, in 1856.
It also appeared on
Where it marked a return to my solo acoustic approach of early years.
“Worth searching out coz this lo-fi singer/songwriter oddball has a unique take on the genre. He’s pissed off, a tad fucked up (as usual), but not full of lugubrious self-pity (as unusual) and is happy to get raucous & obnoxious in just the right kinda way.” – Chris Knox
In December 1998 I self-released my debut album . Scratched Surface was a teenage no-budget lo-fi postpunk pakeha singer-songwriter album from the Taranaki, Aotearoa underground, recorded on analogue reel-to-reel tape.
I burned it on CDR and sent out copies to anyone who would listen. It was the opening salvo in a recording career that’s gone on for over 20 years now, occasionally dismissed, largely ignored, gloriously unsuccessful. A career nonetheless; I’ve made an album most years since.
20 years on I’m still creating – here’s some of what I’ve done more recently:
This rearrangement of a traditional Fijian folk song was inspired by hearing the song sung there.
The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning
The marine life included
A Ton of Feathers is the first collaboration
by Campbell Kneale (guitar, analogue synthesiser)
& Dave Black (bass, electric toothbrush, video).
New Zealand folk music, in the tradition of Birchville Cat Motel, the Dead C, and Len Lye.
brings us into the current decade – with further wide-ranging experimentation and exploration sonically, temporally and geographically, in New Zealand, Western Australia, Indonesia, Okinawa (Japan), and Fiji.
by Dave Black (acoustic & electric guitars, banjo, harmonica, laptop, bass, tenor saxophone, field recordings, piano, ukulele, sanshin, saron, jublag, demung, vocal), with
Mike Kingston (charango, acoustic guitar),
Simon Sweetman (percussion),
Nat da Hatt (electric guitar, keyboards, banjo),
Emit Snake-Beings (banjo, vocal, percussion, flute, electronics),
the Digitator (electric drums, keyboards & loops),
Campbell Kneale (electric guitar, analogue synthesiser),
Cylvi M (vocal, field recordings, percussion, shakuhachi),
Blair Latham (bass clarinet),
Simon O’Rorke (keyboards),
Chris Prosser (violin),
Julie Bevan (acoustic guitar),
Featuring tracks from the albums
The Winter: Flying Visit (2012)
in the non-idiomatic idiom in Norway (1999/2014)
The Winter: Exit Points (2015)
The Electricka Zoo (2017)
and previously unheard tracks.
And hear the previous compilations