w/ Antony Milton: Return of the Sun

Antony Milton is a sound artist based in Masterton, New Zealand.

He has been active in the underground and experimental music scenes since the early 1990s.

The 2021 debut album by The Troubled Times!

This was our first recording session, as an electric guitar improv duo – in collaboration with antonymilton.bandcamp.com

Recorded in Masterton, New Zealand, 26 September 2021 – on the first day of daylight savings, in the southern hemisphere Spring,

Antony Milton is a sound artist based in Masterton, New Zealand.

He has been active in the underground and experimental music scenes since the early 1990s.

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Escape Velocity: the Electricka Zoo live

New live album!

With New Zealand in lockdown this might be the next best thing to an actual gig..

Track 1 recorded live at the Fringe Bar, Wellington NZ, 27-02-18

Tracks 2-7 recorded live at Escape Velocity, Featherston NZ, 10-03-18

As part of the New Zealand Fringe Festival

credits

The Digitator – midi, laptop, vocal
Dave Black – bass, electric guitar

www.fiffdimension.com/the-electricka-zoo

Outono 21

A new multilayered Dave Black electric improv / xenochronous composition.

The track continues the evolution of my Wairarapa one man band 2020s ‘late style’, which began with Glimpses of Utopia (2020) and Spastic Rhythms (2021)

It was originally created for the Psi-solation+1 – 2021 compilation album curated by fellow Featherston resident Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room.

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PSI-SOLATION + 1 (one year on)

PSI-SOLATION | a global compilation of music made in lockdown | CELEBRATE PSI PHENOMENON (bandcamp.com)

2021 compilation album curated by Campbell Kneale. He’s known for his noise music, paintings of cats, and as proprietor of the Miracle Room gallery in Featherston.

A sequel to his acclaimed 119-track Psi-solation compilation of music made in lockdown 2020.

Both albums are pay what you want via Campbell’s label, Celebrate Psi Phenomenon .

I contributed a new Dave Black piece, Outono 21.

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ilhas Atlânticas

This track was originally recorded by The Electricka Zoo (2017), and appears on the Other Islands: 2012-2018 compilation. It’s based around a (non-diatonic) Cmaj7 – Amaj7 pattern, with a bossa nova rhythm.

It’s dedicated to my great-great-grandfather Manuel Bernard.

He was born in 1847 in Ponta Delgada, Flores Island, Azores, Portugal.

The words are in (beginner) Portuguese:

Eu gosto de falar

no meus ancestrais

de as ilhas Atlânticas

Madeiras e Açores

Portugal is the westernmost country in Europe, with its back to it geographically and culturally. It was the edge of the known world for Europeans until the Age of Discovery. The Azores islands are even further west.

As a teenager, Manuel Bernard stowed away on a passing American whaling ship.

From a remote island in the Atlantic ocean, he ended up on an equally remote island in the Pacific – on the opposite side of the world, in Wellington, New Zealand.

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Spastic Rhythms vol1 (2021)

A quickfire Dave Black solo EP, recorded one summer morning, 24 January 2021

Listen

[send us your review]

It includes ilhas Atlânticas, a tribute to my Portuguese ancestor Manuel Bernard.

Tracklist

1.	banjo trio 24/1/21 03:01
2.	drums 1 24/1/21 00:49
3.	guitar trio (ringtone) 24/1/21 02:07
4.	gritches blerk 24/1/21 01:12
5.	spastic drum solo 24/1/21 04:38
6.	ilhas Atlânticas 03:12
7.	Outono 21 08:49

Further Listening

The album adds banjo and electric drums to the 2020s Wairarapa DIY solo electric improv style begun in

Glimpses of Utopia (2020)

The first of the ‘late period’ solo instrumental albums.

águas brilhantes: 2018-2022

A compilation of tracks from the Wairarapa in these years.

“It is unusual to find someone playing so confidently in such diverse areas, and anyone into independent music will certainly find something on here to enjoy – Kev Rowland, muzic.nz

Glimpses of Utopia (2020)

Palette-cleansing electric solo improvisations.

Listen

About

Recorded solo in Featherston, New Zealand, 2019-20.

Not specifically a ‘lockdown album’, but nonetheless recorded solo at home during the pandemic.

It marked the emergence of a new ‘late period‘ solo style.

I’m not a trained jazz musician, but nor do I fit neatly into the ‘NZ noise‘ genre.

Tracklist

1.	Abbadebdab 03:00
2.	October ring 03:37
3.	11 through the viewer 7 (acoustic) 01:24
4.	Torrential logistics 04:05
5.	Usquebaugh 03:53
6.	Walking through an aye (in Paparoa national park) 03:53
7.	Solstice Shards 19 05:07
8.	Teenager 01:39

Further listening

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Campbell Kneale & Dave Black: A Ton of Feathers

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About

Campbell Kneale – electric guitar, analogue synth

Dave Black – bass, electric toothbrush, key ring

One continuous piece, unabridged, no overdubs – the first time we’d played together.

Featherston NZ, 2018.

Featherston, New Zealand

Two 3min excerpts appear on the compilations Other Islands: 2012-2018

and aguas brilhantes: 2018-2022 :

…but you need to hear the full length version to truly enter Campbell’s world.

Campbell Kneale is an internationally renowned sound artist, a prolific recording artist and performer and relentless collaborator. He currently releases albums as Our Love Will Destroy The World. Previous projects include Black Boned Angel, Birchville Cat Motel, Ming and Brilliant Swords.

Further Listening

Campbell curated the epic 119-track Psi-solation compilation during the Covid-19 pandemic:

Dave contributed an acoustic track, John Collie‘s poem ‘Solitude’ from 1856.

Scotland, postponed

Around September 2020 I’d planned to travel to Scotland, on my first visit. There was to be a family gathering for my sister’s wedding in Edinburgh.

The trip’s now postponed indefinitely, for obvious reasons

I’d planned to visit Boyndie, Banffshire, where my great-great-grandfather John Collie grew up.

In 1856, in his early 20s he published a book : Poems and Lyrics (in the English and Scotch Dialects).

I‘ve started setting some of it to music.

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Articulation Incommunicate (2004)

Dictaphone cassette recordings, Wellington NZ, 2004.
Spoken word and improvised guitar; a journey down a road not taken for New Zealand music.

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‘Articulation Incommunicate‘ includes an abrasive electric guitar, dictaphone and electric razor performance at the Bomb the Space Festival 2004. This is my earliest extant gig footage, and one of my very few music videos to have over a thousand views. Go figure!

Credits

Dave Edwards – acoustic guitar, harmonica, dictaphone, electronics, electric guitar (11-12), violin (13), vocal & lyrics

with

Youjae Lee – bass (13)
Simon O’Rorke – percussion (13)
Simon Sweetman – ukulele, toys, percussion (16)

About

Perhaps the most lo-fi fiffdimension album of all. These tracks were primitively recorded on a cassette dictaphone; based on words scribbled in notebooks; unmelodic; unheard by anyone else at all (until their release in 2020); and seemed like unfinished demos at the time…

… but in hindsight may represent the culmination of my early period (a lo-fi postpunk fusion of songs, spoken word and free improv – www.fiffdimension.com/1997-2005).

“Emptying out of yr nautical caveman comfort / programming lines in size laden torridness hill upon plains / dense foreclosure and venomous worry / salute me and line / burrow tunnel and moth / soon I taste the next pavement / I invent to cause home”

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