4th May 2019 live solo version at the Wairarapa TV May Music Marathon.
This song was originally recorded in June 2001, at Thistle Hall, Wellington. It was the opening track of the album The Marion Flow.
1856 to 2026 – DIY outsider music, from Aotearoa NZ and beyond
4th May 2019 live solo version at the Wairarapa TV May Music Marathon.
This song was originally recorded in June 2001, at Thistle Hall, Wellington. It was the opening track of the album The Marion Flow.
Kaleidoscope is the latest album by NZ composer/musician Julie Bevan.
Julie has a long-standing connection with Brazil. Its unique music and original styles serve as inspiration to Julie’s multicultural compositions. Many of the tracks on this album were composed and
recorded in Brazil.
Since last year I’ve been getting back into playing solo acoustic. Here’s a 6 March 2019 version of ‘the Marion Flow‘:
It appears on the Live 2019 album:
Originally recorded in New Plymouth in 1999, it became the title track of my second album:
The 1999 recording had quite a different vibe – spoken word delivery, electric guitars panned left & right, and Paul Winstanley playing a cymbal through a pitch shifter, turning it into a deep sea gong sound.
On other occasions it became a rock riff, based around just an E note and its octave.
I was surrounded by wider & weirder music too. I moved to Wellington and found a kiwi avant-garde scene with free jazz, noise, and theatre gallore. We eventually finished The Marion Flow album in 2001, after recording sessions at Thistle Hall.
Both the live electric and acoustic versions appear on the
Two sides of a coin!
The lyrics are some of my favourite. They were scribbled in a notebook sometime in the late 90s. I was digesting the influence of literary modernism (eg lines like ‘yea take in that wake’ a shout out to James Joyce, using nouns as verbs and vice versa, and other general flouting of grammatical rules).
Taranaki and its coastlines inspired much of the atmosphere.
Continue reading “The Marion Flow, March 2019”19th century Scottish drinking song, by John Collie (1834-1893), from his book ‘Poems and Lyrics‘
Played by his great-great-grandson Dave Edwards – first public performance of this piece, at Dragon Inn, Featherston, NZ, 6 Feb 2019 .
A couple of months later I played it at Wairarapa TV May Music Marathon on 4th of May 2019
which features on the Live 2019 album.
HERE’S A HEALTH TO MY CRONIES.
HERE’S a health to my cronies where’er they reside, Whether this side or that o’ yon big rowin’ tide ; I care na what country or kingdom they claim, Be they English or Irish to me it’s the same, Gif their hearts to a glass o’ gude whisky incline, I instantly class them as “Cronies o’ mine.”
Awa wi’ yon nabob purse-proud o’ his gear, Neither he nor his wealth hae charms for us here; Awa wi’ yon fop wi’ his clear headed cane, A bit trip through the warld, it’s use may explain; But welcome my cronies wherever ye be, To join in this gude reekin’ bumper wi’ me.
A fig for the wealth that this warld can gie, We naething brought here, sae we’ve naething to lea; The farmer wi’ ousen an’ acres galore, Has his crosses just now, an’ may sune count on more; Then come here, my cronies, let’s kick awa care, As lang’s we’ve a groat or a shilling to spare.
January 2019, looking for a new sound and a new project – after completing Other Islands: 2012-2018.
It’s a poem by John Collie (1834-1893), my great-great-grandfather
from his book Poems and Lyrics in the English and Scotch Dialects, published in Scotland in 1856
John Collie emigrated to New Zealand in 1858. This poem seems to anticipate his leaving Scotland forever, to start a new life in a new country on the opposite side of the world.
In May I performed it live on Wairarapa TV.
Lyrics
Continue reading “The Land of My Youth (by John Collie, 1856), January 2019 demo”
The main project for 2018 was Other Islands: 2012-2018;
The last five (of the 20) tracks were recorded in 2018 – each in a different genre:
A song written by my great-great-grandfather John Collie, in Banffshire, Scotland, in 1856.
It also appeared on
Where it marked a return to my solo acoustic approach of early years.
lyrics
Continue reading “The Blast of a Wintry Day (by John Collie, 1856)”
This rearrangement of a traditional Fijian folk song was inspired by hearing the song sung there.
In May I visited the Yasawa Islands, to the northwest of Nadi and the main Fijian island Viti Levu.
The boat ride took 3 hours, and enjoyably scenic. Each of the many small islands we passed was different in some way but all stunning
The marine life included
A Ton of Feathers is the first collaboration
by Campbell Kneale (guitar, analogue synthesiser)
& Dave Black (bass, electric toothbrush, video).
Made in Featherston, Wairarapa NZ in 2018.
New Zealand folk music, in the tradition of Birchville Cat Motel, the Dead C, and Len Lye.
This excerpt appears on the compilation Other Islands: 2012-2018, and is part of a longer piece, due for release in 2020.
2012
part of
Other Islands: 2012-2018 – a compilation of recent highlights, recorded in New Zealand, Western Australia, Fiji, Indonesia and Okinawa
In 2012 I was home in New Zealand for a total of seven days, in July/August. Oherwise it was very much a year of two halves.
Nat da Hatt and I recorded a track for our duo album ネオン列車の風景 Neon Train Landscapes – our version of a traditional shima uta (island song)