(part 1, Taranaki).
“It’s lo-fi, organic and about as eclectic as one could manage. Kind of reminds me of Nick Cave if he had grown up in Timaru. No pretentious American accents or catch phrase choruses, just a bunch of people making music. A little beauty!” – NZ Musician, August/September 2002
The “hit single” Banana Wizard was released on a compilation of Taranaki music and had some student radio airplay around the country… about the extent of my commercial success to date.
I was also opening my ears and mind to more experimental sounds, and moving beyond conventional pop song structures.
At the same sessions we recorded free improvisations, which Paul later overdubbed and rearranged into
“after recording tracks for The Marion Flow at Wafer HQ in New Plymouth, an ad hoc group of associated locals assembled to record… the only rock references here come from the guitars… throw in some spoken word and a special guest appearance by N.P. record mogul Brian Wafer on vacuum cleaner and the dAdApApA nova had blazed and fizzled in the blink of an eye” – Eden Gully
& then I got to the capital city, and was suddenly a small fish in a bigger pond…
Part 2, Wellington
This was centred around a venue called the Space (later Fred’s and then the Pyramid Club)… the dissonant flipside of the more popular smooth Pasifika/jazz sound the city became known for (Fat Freddy’s Drop et al).
The Wellington jazz sound informed the second half of The Marion Flow, recorded over the next two years
For an overview of my early period, try
vol1 – songs, spoken word and improvisations from the early phase of my gloriously unsuccessful career
“Rough outsider folk-blues mysteries, dissonant rock textures, electric and acoustic improvisations… Edwards strikes me as one of the most overlooked musicians from the fertile lands of New Zealand and if you need a fresh start this might very well be the place.” – The Broken Face